Fans pick 16 books like Concrete Planet

I love the way that you get to travel around the world with this book. Its simple idea must have been a logistical nightmare to photograph; finding a home, people who would be willing to have the inconvenience of having all of their possessions taken out of their homes and placed in front of them.

Being nosey and inquisitive myself I enjoy the way you can peak into these families lives through the objects they own (or don’t own). I find the differences in the families circumstances and possessions a poignant visual representation of consumerism.

Measuring environmental impact typically involves inscrutable measures like equivalent carbon emissions.

The Ecological Footprint method, devised by Wackernagel and Rees at the University of British Columbia, employs a much more palpable calculation of resource utilization and emissions: land. By demonstrating how the flows of global energy, materials, and waste can be converted into land-area equivalents, the authors make environmental impact tangible.

The book clearly articulates the most essential sustainability metric there is: one-Earth living.

Lo-TEK is an abbreviation for Traditional Ecological Knowledge, something contemporary societies lack.

Today, sustainable design strategies often employ complex technological approaches—such as double-glazed facades with automated shading devices. And yet such methods are typically energy- and material-intensive.

For millennia before industrialization, indigenous societies developed sophisticated material practices based on multigenerational wisdom about local ecosystems and climate. In this book, the author investigates remarkable indigenous approaches in 18 countries that are still practiced today. The living root bridges in Northern India are not to be missed.

A visit to the Salk Institute in La Jolla, California, is on most architects' bucket lists.

The virologist Jonas Salk, who commissioned architect Louis Kahn to design the significant project, is best known for developing one of the first successful polio vaccines. Less familiar is this remarkable book, which Salk wrote with his son Jonathan, that explores the future of human societies.

By applying scientific principles about how organisms respond to resource limitations, the authors project the significant resource challenges and opportunities that await future human generations. The book looks beyond the population explosion to explore its mysterious aftermath. Indeed, the transition is already underway.

The New Testament has been portrayed as a repetitive and largely ahistorical text, except for the presence of the names of certain individuals (Emperors Augustus and Tiberius, Roman Prefect Pontius Pilate, Jewish King Herod the Great, etc, etc). Otherwise, very little fits with known history of first-century Juda and Galilee. But when one reads this religious narrative, The New Testament, next to the narratives of Josephus—written around the same time—one starts discerning certain recurring patterns. And after a while one realizes that The New Testament is anything but boring. It is actually a fantastic text, skillfully written in layers, where the historical layer lies just beneath the surface. The New Testament is full of incomprehensible elements—unknown names just thrown into the narrative, seeming contradictions, etc—but it is in these strange elements that the clues lie. One needs, however, to have Josephus' historical texts (The Jewish War and Jewish Antiquities)… show more.

The Quest just makes you excited, particularly if you are going to visit Jerusalem after reading it. It lays out very convincing arguments for where the remains of ancient structures are in Jerusalem today, particularly regarding the Temple and Temple Mount. You can know with confidence as you walk on a given path on which Jesus may have tread. You will learn which blocks of the Temple Mount wall were laid during which periods of history. The book also clearly shows where the bends are in the walls that delineate the Temple Mount of Solomon’s time, the extension of the mount by the Hasmoneans, and the greatly-expanded Temple Mount of Herod the Great.

I love this book for its approach to teaching about architecture. It’s not a textbook primer on the subject that starts with the ancient world and ends in the modern world. Instead, it covers the basic principles of architecture by covering themes, such as light, landscape, place, and matter. Each theme is illuminated by examples of buildings from the Egyptian pyramids to Fallingwater by Frank Lloyd Wright. The text is easy to read and each example has ample photographs. Truly accessible to all.

Frank Lloyd Wright is undoubtedly America’s most famous architect. Everyone knows his name, and those who study the field know how his distinctive styles changed the face of architecture in the early 1900s. But few realize the impact that a brutal mass murder had upon Wright’s life and work. It happened at his Taliesin estate in rural Wisconsin in 1914. One of Wright’s house servants, Julian Carlton, went on a rampage with an axe, hacking to death Wright’s lover Mamah Borthwick Cheney and her two children. Four others also were killed when Carlton set the house on fire. Of course the tragedy was personally devastating for Wright, and it also changed the creative course of his life. After Taliesin was destroyed, he moved away from the Prairie House style of organic architecture, for which he had originally become famous.

Frank Lloyd Wright (1867-1959) was arguably the first architect to become a household name and therefore the first ‘starchitect’. To his way of conceptualizing, nature, with a capital N, came first and last in the sense that it would outlive and eventually envelop any edifice he happened to place upon it. This book uses black and white photography to succinctly illustrate his chief philosophical points and helps explain why his houses co-exist so seamlessly with their natural environment or, in his words, why they are in love with the ground. Inspired by the patterning of rock strata, the texture of birch bark, the spines of tree limbs, the blush of summer blossoms, in his projects it’s often hard to discern where nature and the man-made begin or end. ”Buildings, too,” he often said, “are children of earth and sun.”

All of my recommendations are about the ways modern architects have learnt from traditional architecture. The first appeared when I began working on the first edition of Analysing Architecture back in the 1990s. It is Kevin Nute’s exploration of the ideas that Frank Lloyd Wright gleaned from encounters with traditional Japanese architecture in the late nineteenth and early twentieth centuries. Nute’s book influenced my perception of architectural creativity as not fitting neatly into separate historical/stylistic categories, but as a realm of possible cross-fertilisation across cultures.