I'm an architect, professor, and director of the School of Architecture at the University of North Carolina at Charlotte. Throughout my career, I've sought to empower people to improve the designed environment through better knowledge of materials. I've written nine books and many articles on emerging materials, sustainable building technologies, and Japanese architecture and design. Having lived in Japan several times, I also appreciate the importance of developing an expanded worldview of material practices.
I wrote
Transmaterial: A Catalog of Materials That Redefine Our Physical Environment
Global socioeconomic diversity is an important yet abstract concept, but this book offers tangible evidence.
Household material wealth varies significantly worldwide in both quantity and quality. To reveal this diverse range, sixteen photographers visited thirty countries and lived briefly with families considered statistically average for their nation.
In the book, each family stands before their abode with all their household possessions. Suffice it to say that contrasts abound.
Called “Fascinating! An incredible book” by Oprah Winfrey, this beloved photography collection vividly portrays the look and feel of the human condition everywhere on Earth.
In an unprecedented effort, sixteen of the world’s foremost photographers traveled to thirty nations around the globe to live for a week with families that were statistically average for that nation. At the end of each visit, photographer and family collaborated on a remarkable portrait of the family members outside their home, surrounded by all of their possessions; a few jars and jugs for some, an explosion of electronic gadgetry for others.
Concrete is the second most-consumed substance in the world after water.
But modern concrete has an endurance problem: today's steel-reinforced material suffers from "concrete cancer," which will cause widespread degradation. By comparison, non-steel-reinforced Roman concrete structures, such as the Ponte Sant'Angelo or the Pantheon, will long outlast our modern bridges, highways, and towers.
Robert Courland's book is full of such eye-opening insights that will forever change how readers think about this omnipresent material.
Concrete: We use it for our buildings, bridges, dams, and roads. We walk on it, drive on it, and many of us live and work within its walls. But very few of us know what it is. We take for granted this ubiquitous substance, which both literally and figuratively comprises much of modern civilization's constructed environment; yet the story of its creation and development features a cast of fascinating characters and remarkable historical episodes. This book delves into this history, opening readers' eyes at every turn.
In a lively narrative peppered with intriguing details, author Robert Corland describes how some…
Measuring environmental impact typically involves inscrutable measures like equivalent carbon emissions.
The Ecological Footprint method, devised by Wackernagel and Rees at the University of British Columbia, employs a much more palpable calculation of resource utilization and emissions: land. By demonstrating how the flows of global energy, materials, and waste can be converted into land-area equivalents, the authors make environmental impact tangible.
The book clearly articulates the most essential sustainability metric there is: one-Earth living.
Equipped with useful charts and thought-provoking illustrations, this book introduces a revolutionary new way to determine humanity's impact on the Earth and presents an exciting and powerful tool for measuring and visualising the resources required to sustain households, communities, regions, and nations.
Lo-TEK is an abbreviation for Traditional Ecological Knowledge, something contemporary societies lack.
Today, sustainable design strategies often employ complex technological approaches—such as double-glazed facades with automated shading devices. And yet such methods are typically energy- and material-intensive.
For millennia before industrialization, indigenous societies developed sophisticated material practices based on multigenerational wisdom about local ecosystems and climate. In this book, the author investigates remarkable indigenous approaches in 18 countries that are still practiced today. The living root bridges in Northern India are not to be missed.
Three hundred years ago, intellectuals of the European Enlightenment constructed a mythology of technology. Influenced by a confluence of humanism, colonialism, and racism, this mythology ignored local wisdom and indigenous innovation, deeming it primitive. Today, we have slowly come to realize that the legacy of this mythology is haunting us.
Designers understand the urgency of reducing humanity's negative environmental impact, yet perpetuate the same mythology of technology that relies on exploiting nature. Responding to climate change by building hard infrastructures and favoring high-tech homogenous design, we are ignoring millennia-old knowledge of how to live in symbiosis with nature. Without implementing…
A visit to the Salk Institute in La Jolla, California, is on most architects' bucket lists.
The virologist Jonas Salk, who commissioned architect Louis Kahn to design the significant project, is best known for developing one of the first successful polio vaccines. Less familiar is this remarkable book, which Salk wrote with his son Jonathan, that explores the future of human societies.
By applying scientific principles about how organisms respond to resource limitations, the authors project the significant resource challenges and opportunities that await future human generations. The book looks beyond the population explosion to explore its mysterious aftermath. Indeed, the transition is already underway.
A New Reality: Human Evolution for a Sustainable Future provides a startling, fresh new message of understanding, perspective and hope for today’s tense, rapid-fire, kaleidoscopically changing world.
Drawn from the writings of visionary scientist Jonas Salk, who developed the polio vaccine, and extended and developed by his son Jonathan, the message of A New Reality explodes from the past, and sheds light on tensions that besiege us, and the currents of discord that are raging as these words are written. More importantly, it indicates a way forward out of our current situation.
I wrote Transmaterial based on the need for more knowledge about new materials in contemporary architecture and design practice. Transmaterial is short for transformative materials, or products and assemblies that have the demonstrated capacity to alter the physical environment's function, form, and performance in measurable ways. The materials in the book are organized according to significant design trends. For example, recombinant materials are composites that outperform their individual parts, and interfacial materials are products that bridge the physical and digital divide.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
