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I’ve always been a child of the woods. I preferred to leave my home and wade a creek or explore a hillside. Nothing compared to the sight of a black snake or the feel of a mud puppy. School was a torture until an English teacher introduced me to Richard Brautigan and then read my first serious story to the class. Since then, this dyslexic nature lover has become a dream fisher and history miner with a Ph.D. in English Literature and Cultural Studies. Retired from forty-one years of teaching, I now write and publish cultural fiction.
If you want to get in touch with nature and are looking for a how-to book, not so much a prescription, but an experiential meditation, then look no further because Nan Shepherd is your gal, and her book, The Living Mountain, is your book.
Shepherd went about writing The Living Mountain in the 1940s by analyzing her fifty years of walkabouts and then synthesizing her experience into twelve chapters that move from hardscapes into the biosphere. The last few chapters are meditations on perception, the last entitled “Being.”
Ultimately, this book is a meditation on what Shepherd calls “bodily thinking,” or, in my words, a subconscious mainline to nature, and, in her words, “a life of the senses so pure, so untouched by any mode of apprehension but their own.”
'The finest book ever written on nature and landscape in Britain' Guardian
Introduction by Robert Macfarlane. Afterword by Jeanette Winterson
In this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape.
Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and…
Iwas an under-employed Scottish poet hillwalker when I met a Himalayan mountaineer in a pub. Due to alcohol and a misunderstanding about the metaphorical nature of Poetry, Mal Duff asked me to join an attempt to climb the legendary 24,000ft Mustagh Tower in the Karakoram. By the time I admitted I had no climbing experience whatsoever and was scared of heights, it was too late. Those Scottish winters’ apprenticeships and following Himalayan expeditions re-shaped my writing life, outlook, and friendships. My books have been shortlisted three times for the Boardman-Tasker Award for outstanding mountaineering literature, for Summit Fever; Kingdoms of Experience (Everest the Unclimbed Ridge); Electric Brae.
I first read this among my father’s books as a child. I believe he had met Smythe in London in the early 30, thus his signed copy of The Valley of Flowers. This is the quintessential book of that era of passionate amateur climbing and exploration, the age of Shipton and Tilman, of highly knowledgeable and deeply eccentric personalities. The writing is lyrical, just this side of purple, earthed by Smythe’s passion for botany, photography, and close observation. In the true sense of amateur, Kanchenjunga is a great adventure expedition in a time that will not come again. This is the book that prompted me to accept an invitation to climb with an expedition on a serious Himalayan mountain with real mountaineers, despite my lack of experience and hardwired dislike of heights. It changed my life. I like to think Smythe would have approved.
'We went to Kangchenjunga in response not to the dictates of science, but in obedience to that indefinable urge men call adventure.'
In 1930, an expedition set out to climb the world's third-highest mountain, Kangchenjunga. As yet unclimbed, a number of attempts had been made on the peak, including two in the previous year. The Kangchenjunga Adventure records Frank Smythe's attempts as part of an international team to reach the summit, how a deadly avalanche, which killed one of the sherpas, brought an end to their climb and how they turned their attentions instead to Jonsong Peak, which offered a…
Iwas an under-employed Scottish poet hillwalker when I met a Himalayan mountaineer in a pub. Due to alcohol and a misunderstanding about the metaphorical nature of Poetry, Mal Duff asked me to join an attempt to climb the legendary 24,000ft Mustagh Tower in the Karakoram. By the time I admitted I had no climbing experience whatsoever and was scared of heights, it was too late. Those Scottish winters’ apprenticeships and following Himalayan expeditions re-shaped my writing life, outlook, and friendships. My books have been shortlisted three times for the Boardman-Tasker Award for outstanding mountaineering literature, for Summit Fever; Kingdoms of Experience (Everest the Unclimbed Ridge); Electric Brae.
Betty Stark was the aunt of a friend of mine, and she was part of the first all women Himalayan expedition in 1955. It is an antidote to the very all-male outlook and structures of many climbs of that time. It had no leader, no ‘lead climbers’. Instead, they were a small team of friends, all experienced and capable, who wished only to explore, encounter, and climb as high and hard as they could. It is anti-heroic, recording the pains, sufferings, and losses and highs, quietly downplaying and yet the efforts and dangers come through. They were outliers and trailblazers. They made their point. They were the point.
Iwas an under-employed Scottish poet hillwalker when I met a Himalayan mountaineer in a pub. Due to alcohol and a misunderstanding about the metaphorical nature of Poetry, Mal Duff asked me to join an attempt to climb the legendary 24,000ft Mustagh Tower in the Karakoram. By the time I admitted I had no climbing experience whatsoever and was scared of heights, it was too late. Those Scottish winters’ apprenticeships and following Himalayan expeditions re-shaped my writing life, outlook, and friendships. My books have been shortlisted three times for the Boardman-Tasker Award for outstanding mountaineering literature, for Summit Fever; Kingdoms of Experience (Everest the Unclimbed Ridge); Electric Brae.
Probably the funniest and most inventive climbing expedition book ever written, loved by climbers who appreciate its satire, spoof, mickey-taking pastiche of Serious Mountaineering Expedition Books. It is Chris Bonnington turned Wodehouse, Jon Krakauer rendered by Spike Milligan. Its knowing self-mockery of all the tropes and self-important delusions of Climbing is sharp and accurate enough to raise it high above whimsy. Wildly creative, it is impossible to read without snorting in one’s sleeping bag. It is the comic, ridiculous side of the great pursuit of Getting Higher.
An English comic novel about a World War II expedition to a Himalayan peak.
WITH AN INTRODUCTION BY BILL BRYSON
An outrageously funny spoof about the ascent of a 40,000-and-a-half-foot peak, The Ascent of Rum Doodle has been a cult favourite since its publication in 1956. Led by the reliably under-insightful Binder, a team of seven British men -- including Dr Prone (constantly ill), Jungle the route finder (constantly lost), Constant the diplomat (constantly arguing) -- and 3,000 Yogistani porters sets out to conquer the highest peak in the Himalayas.
As a history and travel writer, I had always heard the siren song of the Alps. Deciding to try (unsuccessfully) to ignore my fear of heights, I take a hair-raising tour across most of the highest passes of the Alps, through France, Italy, Switzerland, Liechtenstein, Austria, Germany and Slovenia. So many boundaries crossed: linguistic, religious, historical, political, even culinary. I learned the Alps are not a monolith, they are a polyphony.
The monster of the Bernese Alps, the north face of the Eiger (“the Ogre”), a sheer face of rock taunting and tempting intrepid Alpinists, resisted all attempts to climb it until 1938. Prior to that, climbers fell to their deaths with distressing frequency, made even more macabre by an accident of touristic geography that provided a luxury hotel on a nearby hillock with an unobstructed view of the serial catastrophes. The Austrian Herrer at last summited the face in this white-knuckle tale of determination, grit and luck.
A classic of mountaineering literature, this is the story of the harrowing first ascent of the North Face of the Eiger, the most legendary and terrifying climb in history.
Heinrich Harrer, author of 'Seven Years in Tibet' and one of the twentieth century's greatest mountaineers, was part of the team that finally conquered the Eiger's fearsome North Face in 1938. It was a landmark expedition that pitted the explorers against treacherous conditions and the limits of human endurance, and which many have since tried - and failed - to emulate.
Armed with an intimate knowledge that comes only from first-hand…
As a history and travel writer, I had always heard the siren song of the Alps. Deciding to try (unsuccessfully) to ignore my fear of heights, I take a hair-raising tour across most of the highest passes of the Alps, through France, Italy, Switzerland, Liechtenstein, Austria, Germany and Slovenia. So many boundaries crossed: linguistic, religious, historical, political, even culinary. I learned the Alps are not a monolith, they are a polyphony.
Swiss novelist Ramuz delivers a taut, engrossing tale about Alpine villagers whose decision to tempt fate ends in disaster. Ignoring the pleas of their elders, some young men take their flocks to summer in an upland mountain pasture that is reputed locally to be a cursed place. It turns out that the reputation is well earned.
As a history and travel writer, I had always heard the siren song of the Alps. Deciding to try (unsuccessfully) to ignore my fear of heights, I take a hair-raising tour across most of the highest passes of the Alps, through France, Italy, Switzerland, Liechtenstein, Austria, Germany and Slovenia. So many boundaries crossed: linguistic, religious, historical, political, even culinary. I learned the Alps are not a monolith, they are a polyphony.
France’s highest-profile contribution to Alpine fiction, Frison-Roche’s story traces the trials and joys of a family of mountaineers in Chamonix during the 1920s and 1930s. Spectacular evocations of the grandeur of Mont Blanc and the dangers of traversing the terrors of the unforgiving mountains and glaciers – it’s all here, and served up with panache.
First on the Rope - the acclaimed English translation of the French fiction classic Premier de Cordee by Roger Frison-Roche - is a tale about the harsh lives of mountain guides and their families in the French Alps in the 1920s and 1930s.
An ascent of Mont Blanc as porter with his uncle leaves young Pierre further convinced he wants to be a mountaineer, breathing the crisp, pure air and soaking up the splendour of the wild landscape. But his family have other ideas. Chamonix is becoming ever more popular with tourists wanting their thrills on the slopes, and they…
As a history and travel writer, I had always heard the siren song of the Alps. Deciding to try (unsuccessfully) to ignore my fear of heights, I take a hair-raising tour across most of the highest passes of the Alps, through France, Italy, Switzerland, Liechtenstein, Austria, Germany and Slovenia. So many boundaries crossed: linguistic, religious, historical, political, even culinary. I learned the Alps are not a monolith, they are a polyphony.
In a travelogue which spends much of its time in the Alps, Twain delivers anecdotes of haplessness that will make readers smile, if not laugh out loud. Twain portrays himself as an American naif who thinks he understands everything while actually understanding nothing at all.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
My first book was Quiver, a collection of erotic short stories. I wrote it to immortalize the hedonism of Sydney in the 1990s, wanting to show a nonjudgmental, joyful side. The fact that it touched a lot of people compelled me to write two more collections Tremble and Yearn – each exploring different themes: Tremble is an erotic re-imagining of various root myths, whilst Yearn has more historical and fantastical elements. I interweave all the characters in the stories throughout the whole collections. Humor is also important to me when it comes to the ironies and emotions around sex, the other aspect is gender power play and all the sublime reversals that can encapsulate.
John Berger was a fantastic cultural observer and art critic, this book is erotic both in its observation of culture and context but also of human fallibility, and psychic and psychological transportation of love itself. It had a big influence on me as an art student and for the brief years when I was a sculptor. What I love about it is its empathy for both the female and male inner erotic life, although it is set in England and Europe at the end of the 19th century, Berger’s razor-sharp, succinct blending of the internal and external world is both moving and sensual.
In this luminous novel about a modern Don Juan, John Berger relates the story of G., a young man forging an energetic sexual career in Europe during the early years of the last century as Europe teeters on the brink of war.
With profound compassion, Berger explores the hearts and minds of both men and women, and what happens during sex, to reveal the conditions of the libertine's success: his essential loneliness, the quiet cumulation in each of his sexual experiences of all of those that precede it, the tenderness that infuses even the briefest of his encounters, and the…
Currently a full professor at Loyola University, he entered college at 16, studying chemistry, economics, and literature. He did graduate work in German, Russian, and Philosophy, held a double fellowship in music and literature, and wrote his dissertation on the relationship between historiography and epic poetry. In 2001, his 10th book, The Myth of the Great War was nominated for a Pulitzer Prize in history.
Even though Italy was one of the “victors,” its participation on the allied side was the cause of the government’s collapse, and the rise Mussolini and the fascisti, with all the calamities that followed. This book provides a truly horrifying explanation of why that was so.
In May 1915, Italy declared war on the Habsburg Empire. Nearly 750,000 Italian troops were killed in savage, hopeless fighting on the stony hills north of Trieste and in the snows of the Dolomites. To maintain discipline, General Luigi Cadorna restored the Roman practice of decimation, executing random members of units that retreated or rebelled. With elegance and pathos, historian Mark Thompson relates the saga of the Italian front, the nationalist frenzy and political intrigues that preceded the conflict, and the towering personalities of the statesmen, generals, and writers drawn into the heart of the chaos. A work of epic…
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