Here are 100 books that Beyond Any Experience fans have personally recommended if you like
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I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I recommend this book every chance I get when people ask me for a novel that knocked my socks off.
It’s based on real events that happened in Norway, and it reads like Hargrave actually lived in that era because of the rich details. I learned so much, not only about Norway but also about what it was like to live in a harsh climate in a very remote area at a time when there was very little communication between communities.
I couldn’t get the characters, namely Maren, Ursa, and Absalom, out of my head for weeks.
Historically, the mass media have marginalized women's sports by devoting more coverage to men's sports and trying to appeal to a male audience. This volume analyzes the mass media's portrayal of women's sports. The Olympic Games are highlighted because they provide one of the few sports arenas where women's participation is heavily covered, promoted, and celebrated. The author suggests the media are recognizing the significance of female spectatorship and are attempting to respond to this growing audience by adopting some of the rhetorical and textual characteristics of soap opera and melodrama.
I think all romance writers have their favourite trope, and second chances has the strongest hold on me. I’m a person who makes mistakes, so I love to see equally fallible humans getting their second chance at a happy ever after too. People with a history always lend depth to a story too. At any point, you can pluck a moment from their past to show an element of their relationship. And angst. I love a good dose of angst. With second chances, it's likely been a rocky road. Then the clincher for me, that sense of fate and destiny of people who’ve gone separate ways but find themselves drawn back together.
So, let’s go angsty first with a Melissa Brayden, an author who lures you in with light-hearted banter, beautiful characters and settings, then knocks you out with a punch of angst.
Small-town romance, Strawberry Summer, tracks two very different characters over several years and several chances and it’s almost painful how much you want things to work out for these two. Readers who like shouting at books for the couple to get it together, this is a good one for you.
One of the things I love most about Melissa’s books, is the reveal that opens your eyes to another level in the story. You’ll be happily reading the romance, swept along, thinking you know where it’s all going and why, then she’ll pull back a layer and plunge you into an understanding of a character that makes sense down to your bones, and you can never think of that…
Just because you’re through with your past, doesn’t mean it’s through with you.
Margaret Beringer didn’t have an easy adolescence. She hated her name, was less than popular in school, and was always cast aside as a farm kid.” However, with the arrival of Courtney Carrington, Margaret’s youth sparked into color. Courtney was smart, beautiful, and put togethereverything Margaret wasn’t. Who would have imagined that they’d fit together so perfectly?
But first loves can scar.
Margaret hasn’t seen Courtney in years and that’s for the best. But when Courtney loses her father and returns to Tanner Peak to take control…
I spent nearly two decades as a highly successful corporate attorney. Or, perhaps I should say, a successful attorney with a crude mouth and a love for all things spandex. And my unabashed personality was a differentiator in my career—it allowed me to cut through the corporate nonsense and personally connect with my opposition. But my career imploded when I became the subject of overt sexual harassment in my workplace and my employer worked harder at a coverup than resolution. Rather than sell back my story through litigation, I decided to write openly about sexual empowerment in the face of systemic slut-shaming.
I am a sucker for any and all sapphic romance but throw in two main characters that are individually powerful before they find love...and I’m done. Stars Collide got to me, folks, and not just for its portrayal of strong female leads.
This book sticks with me because of its thoughtful description of an older woman discovering her sexuality. It challenges the idea that all people are able to define their orientation early in life and allows older people to question their sexuality, despite any past romantic relationships (even, gasp, the infallible institution of marriage!).
From Rachel Lacey, award-winning author of Read Between the Lines, comes a sexy slow-burn romance about two dynamic divas who collide on the world’s biggest stage.
Eden Sands has been a star for twenty years, but it’s lonely at the top. Her mediocre marriage just ended, and her inner circle is smaller than ever. The stage is the only place she’s ever felt like she truly belonged, and yet, her last album flopped, and her upcoming tour hasn’t sold out. Eden’s desperate for her star to shine bright again, but when her team suggests a collaboration with an up-and-coming young…
I think all romance writers have their favourite trope, and second chances has the strongest hold on me. I’m a person who makes mistakes, so I love to see equally fallible humans getting their second chance at a happy ever after too. People with a history always lend depth to a story too. At any point, you can pluck a moment from their past to show an element of their relationship. And angst. I love a good dose of angst. With second chances, it's likely been a rocky road. Then the clincher for me, that sense of fate and destiny of people who’ve gone separate ways but find themselves drawn back together.
Equally, pick a sapphic romance trope, and Georgia Beers will likely have written one of my favourites.
She has a wonderful balance of cosy with enough tension and angst to keep you flying through the pages. She has written many, and I so admire that she’s still producing her best work. Her recent Camp Lost and Found is one of my favourites yet.
For second chances, I’ve gone with Flavor of the Month. This one has so many wonderful ingredients. Small-town setting, food focus, chemistry, angst. A romance to snuggle up with.
Charlie Stetko had a life to envy. A penthouse in Manhattan, a beautiful girlfriend, and a high-octane marketing career. Or so she thought. When her girlfriend sends her packing, Charlie ends up unemployed. Without a place to live or money of her own, she’s forced to do the one thing she vowed she never would: go back to Shaker Falls, Vermont. Back to her parents and back to the small town life―and the people―she left behind. Back to a part-time job in the new bakery in town.
Emma Grier thought Charlie was the love of her life until that uppity…
I’m a YA contemporary author that enjoys falling back into the realm of the teenager with all its newness, awkwardness, and angst. I grew up with the Breakfast Club and Sixteen Candles, the genre that encapsulated and empowered the young adult voice. The coming-of-age story is so important because it molds the future of that character which in turn can mold the reader as well. What happens to a young person in their developing years will set the tone for their entire life. As a writer and a mother, I want to share stories that not only entertain but help young adults navigate difficult situations.
The narrator of We Are Okay was like a siren for me. Jorjeana Marie’s voice holds the pain of the main character Marin like a tiny secret clutched in her fist and hidden from view. You want to see it so badly, but you only get glimpses as she unfolds one finger at a time.
I love the delicate unraveling of this tragic story and how Marin’s loneliness gets under your skin, so you really feel it and feel for her. Like in What to Say Next, a death is a catalyst, but how the death is used in the two stories is entirely different. As an author, I enjoy studying these plot points to see how each author uses them to mold their style and voice.
Winner of the 2018 Michael L. Printz Award - An achingly beautiful novel about grief and the enduring power of friendship.
"Short, poetic and gorgeously written." -The New York Times Book Review
"A beautiful, devastating piece of art." -Bookpage
You go through life thinking there's so much you need. . . . Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn't spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend Mabel. But even…
I have loved fairy tales since I was a little girl and watched my first Disney movie. Over the years, I’ve read many fairy tale retellings, as well as the original versions. I love how writers can see a story like Beauty and the Beast and find ways to make an almost completely new story, but still hold true to the original concepts of the fairy tale. Fairy tales connect us to our childhood and when we read these new versions, it lets us relive a part of our childhood. Not many books can do that!
Bayron made the classic Cinderellafairy tale something modern girls can relate to. Black, LGBT girls will especially find a kindred spirit in Sophia. I loved how determined Sophia was to fight back against society’s expectations of her. She was willing to fight for her happily ever after, even if it didn’t look like how the world thought it should. To see Sophia’s struggles rewarded with her love story with Constance was great to read.
"Wholly original and captivating." - Brigid Kemmerer, New York Times bestselling author of A Curse So Dark and Lonely
Girls team up to overthrow the kingdom in this unique and powerful retelling of Cinderella from a stunning new voice that's perfect for fans of Dhonielle Clayton and Melissa Albert.
It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
This list wouldn’t be complete without a first-person memoir, a woman’s lived experience in a woman’s voice. And what better memoir to choose than Winterson's searingly honest account of how she reclaimed her childhood through the power of language.
In writing that is naked and brave, Winterson reveals a childhood that was ghastly, even Dickensian, but that was the crucible for Winterson’s incendiary talent.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.
In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.
This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness,…
As a contemporary fiction author, I dig down into and expose the dirty underbelly of my characters’ lives and experiences. As a reader and television viewer, I am drawn to stories that do the same. My fascination with reading and writing gritty stories about queer characters figuring their lives out stems from my own confused upbringing. I have written four full-length contemporary fiction novels that all put the main character’s experiences and choices under a microscope. Additionally, while I didn’t set out to try to destigmatize therapy and friends talking openly about their struggles, reviewers have pointed out that those are themes in my books.
I stumbled upon Milk Fed by accident, and boy am I glad I did. A protagonist after my own heart, Rachel has control issues, which for her manifest in disordered eating, over-exercising, seeking approval and acceptance in the wrong places, and yearning. Ohhh, so much gloriously unhealthy, obsessive yearning. Broder includes a level of grit and physical descriptors that some reviewers deemed “gross,” but to me those details added to the story and made me love it even more. Milk Fed made me laugh, cringe, gasp, and groan.
A scathingly funny, wildly erotic and fiercely imaginative story about food, sex and god from the Women's Prize longlisted author of The Pisces
A STYLIST, INDEPENDENT, THE WEEK AND RED HIGHLIGHT FOR 2021
'Sexy and fun and a little weird ... This riot of carnal pleasure will make you laugh as well as gasp' The Times
'A revelation ... Melissa Broder has produced one of the strangest and sexiest novels of the new year ... Exhilarating' Entertainment Weekly
'A luscious, heartbreaking story of self-discovery through the relentless pursuit of desire. I couldn't get enough of this devastating and extremely sexy…
I have been writing about LGBTQ+ culture for magazines and newspapers for almost a decade, and am a voracious consumer of queer stories. Queer literature makes our various needs and desires as a community come alive on the page, and helps us to connect with and understand one another. Reading LGBTQ+ books is a way to learn about contemporary queer life, and work out what more we can be doing to help those more marginalised than us.
Recently published and super accessible, this book is a modern catalogue of lesbian and bi culture for women. It looks at the recent evolution of queer female visibility in the mainstream and across pop culture, asking what material changes this visibility has for the life of queer women everywhere. It’s funny and pacey and broad in scope, as it asks: How islesbian culture changing?
'This "love letter of sorts" to inclusive queer women's culture is perfect for anyone who's just come out, wants to know what the heck's going on or has yearned for an entire chapter dedicated to the film Carol.' - DIVA
'An introspective dive into the fast-moving world of queer culture, Daisy unpacks some of the 21st century's biggest lesbian and bisexual moments to paint a portrait of what modern-day queerness looks like.' - GAY TIMES
'Daisy Jones effortlessly explores queer culture' - COSMOPOLITAN ______________________________________________________________________________________
I am a queer transgender woman living in the Appalachian South. When I moved here in 2015 I threw myself into doing community-based LGBTQ history. I co-founded the Southwest Virginia LGBTQ+ History Project, an ongoing queer public history initiative based in Roanoke, Virginia. As a historian and an avid reader, I am fascinated by how queer and trans people think about the past, how we remember and misremember things, and what role historical consciousness plays in informing the present and future.
Have you ever searched for queer history only to find… yourself? This is Jenn Shapland’s story in her delightful biography-slash-memoir about the writer Carson McCullers. Shapland digs through McCullers’ letters, discovers the late writer’s therapy appointment notes, and even recounts her own experiences living in McCullers’ former home, looking for any shreds of evidence to confirm the famed writer’s queerness. In the process, Shapland discovers her own lesbianism. As a trans lesbian, I relate so vividly to Shapland’s experiences of rethinking her own identity in the process of doing queer history. I love how she interweaves her own life with McCullers’—a kind of transgenerational rejection of the closet and a celebration of queer womanhood.
Winner of the Publishing Triangle Judy Grahn Award for Lesbian Nonfiction, Phi Beta Kappa Christian Gauss Award, and a Lambda Literary Award
Finalist for the National Book Award
Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction
How do you tell the real story of someone misremembered—an icon and idol—alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love.
Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a…
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