Here are 100 books that Beyond Any Experience fans have personally recommended if you like
Beyond Any Experience.
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I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I recommend this book every chance I get when people ask me for a novel that knocked my socks off.
It’s based on real events that happened in Norway, and it reads like Hargrave actually lived in that era because of the rich details. I learned so much, not only about Norway but also about what it was like to live in a harsh climate in a very remote area at a time when there was very little communication between communities.
I couldn’t get the characters, namely Maren, Ursa, and Absalom, out of my head for weeks.
Historically, the mass media have marginalized women's sports by devoting more coverage to men's sports and trying to appeal to a male audience. This volume analyzes the mass media's portrayal of women's sports. The Olympic Games are highlighted because they provide one of the few sports arenas where women's participation is heavily covered, promoted, and celebrated. The author suggests the media are recognizing the significance of female spectatorship and are attempting to respond to this growing audience by adopting some of the rhetorical and textual characteristics of soap opera and melodrama.
I think all romance writers have their favourite trope, and second chances has the strongest hold on me. I’m a person who makes mistakes, so I love to see equally fallible humans getting their second chance at a happy ever after too. People with a history always lend depth to a story too. At any point, you can pluck a moment from their past to show an element of their relationship. And angst. I love a good dose of angst. With second chances, it's likely been a rocky road. Then the clincher for me, that sense of fate and destiny of people who’ve gone separate ways but find themselves drawn back together.
So, let’s go angsty first with a Melissa Brayden, an author who lures you in with light-hearted banter, beautiful characters and settings, then knocks you out with a punch of angst.
Small-town romance, Strawberry Summer, tracks two very different characters over several years and several chances and it’s almost painful how much you want things to work out for these two. Readers who like shouting at books for the couple to get it together, this is a good one for you.
One of the things I love most about Melissa’s books, is the reveal that opens your eyes to another level in the story. You’ll be happily reading the romance, swept along, thinking you know where it’s all going and why, then she’ll pull back a layer and plunge you into an understanding of a character that makes sense down to your bones, and you can never think of that…
Just because you’re through with your past, doesn’t mean it’s through with you.
Margaret Beringer didn’t have an easy adolescence. She hated her name, was less than popular in school, and was always cast aside as a farm kid.” However, with the arrival of Courtney Carrington, Margaret’s youth sparked into color. Courtney was smart, beautiful, and put togethereverything Margaret wasn’t. Who would have imagined that they’d fit together so perfectly?
But first loves can scar.
Margaret hasn’t seen Courtney in years and that’s for the best. But when Courtney loses her father and returns to Tanner Peak to take control…
It’s hard not to be passionate about sapphic spec fic when that’s entirely what I write. These books may all differ from my book in their own ways, but these authors and I all wrote fantastical stories of women who love women. These are the kind of stories I want to put out there, and it’s a space that could always use more occupying it.
A book that really puts the enemies in enemies-to-lovers. The only thing Scarlett and Quin want more than to kill each other is to bed each other, and they’re not sure it actually takes priority.
This results in some of the funniest romance and fight scenes I’ve read and a relationship that’s hard not to root for. My girlfriend recommended this book to me, and we loved sharing its absurd romance.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I spent nearly two decades as a highly successful corporate attorney. Or, perhaps I should say, a successful attorney with a crude mouth and a love for all things spandex. And my unabashed personality was a differentiator in my career—it allowed me to cut through the corporate nonsense and personally connect with my opposition. But my career imploded when I became the subject of overt sexual harassment in my workplace and my employer worked harder at a coverup than resolution. Rather than sell back my story through litigation, I decided to write openly about sexual empowerment in the face of systemic slut-shaming.
I am a sucker for any and all sapphic romance but throw in two main characters that are individually powerful before they find love...and I’m done. Stars Collide got to me, folks, and not just for its portrayal of strong female leads.
This book sticks with me because of its thoughtful description of an older woman discovering her sexuality. It challenges the idea that all people are able to define their orientation early in life and allows older people to question their sexuality, despite any past romantic relationships (even, gasp, the infallible institution of marriage!).
From Rachel Lacey, award-winning author of Read Between the Lines, comes a sexy slow-burn romance about two dynamic divas who collide on the world’s biggest stage.
Eden Sands has been a star for twenty years, but it’s lonely at the top. Her mediocre marriage just ended, and her inner circle is smaller than ever. The stage is the only place she’s ever felt like she truly belonged, and yet, her last album flopped, and her upcoming tour hasn’t sold out. Eden’s desperate for her star to shine bright again, but when her team suggests a collaboration with an up-and-coming young…
I think all romance writers have their favourite trope, and second chances has the strongest hold on me. I’m a person who makes mistakes, so I love to see equally fallible humans getting their second chance at a happy ever after too. People with a history always lend depth to a story too. At any point, you can pluck a moment from their past to show an element of their relationship. And angst. I love a good dose of angst. With second chances, it's likely been a rocky road. Then the clincher for me, that sense of fate and destiny of people who’ve gone separate ways but find themselves drawn back together.
Equally, pick a sapphic romance trope, and Georgia Beers will likely have written one of my favourites.
She has a wonderful balance of cosy with enough tension and angst to keep you flying through the pages. She has written many, and I so admire that she’s still producing her best work. Her recent Camp Lost and Found is one of my favourites yet.
For second chances, I’ve gone with Flavor of the Month. This one has so many wonderful ingredients. Small-town setting, food focus, chemistry, angst. A romance to snuggle up with.
Charlie Stetko had a life to envy. A penthouse in Manhattan, a beautiful girlfriend, and a high-octane marketing career. Or so she thought. When her girlfriend sends her packing, Charlie ends up unemployed. Without a place to live or money of her own, she’s forced to do the one thing she vowed she never would: go back to Shaker Falls, Vermont. Back to her parents and back to the small town life―and the people―she left behind. Back to a part-time job in the new bakery in town.
Emma Grier thought Charlie was the love of her life until that uppity…
“Everyone’s got something,” my mom used to say about my cerebral palsy. I knew kids who wore glasses or had mouthfuls of metal, but those somethings seemed normal compared to my leg brace, my limp, and my inability to run. When Judy Blume’s Deenie came out on my eleventh birthday, it was the very gift I needed: the story of a girl, a diagnosis, a brace. Reading it, I felt seen and understood, which led me to believe I might have a story to tell. Now, I’m thrilled to share these books by disabled authors about disabled kids leading authentic, relatable lives. I had Deenie. Today’s lucky young readers have these.
What makes this novel so compelling to me is how it captures the exuberance and intensity of teen friendships. That intensity has really revved for seventeen-year-old Andrea now that she’s realized she’s in love with her best friend Hailee. Unfortunately, she’s certain—partly because of her cerebral palsy—that Hailee couldn’t possibly feel the same.
Despite these doubts, Andrea has confidence and sass, which makes her a great model for readers with disabilities. That, along with her loyal, affectionate friend group, are my favorite aspects of the book. Andrea’s friends adore her, even as she makes a mess of things in an attempt to fall out of love. Also, they treat her disability matter-of-factly, as does the author. Andrea’s C.P. is real and present but never takes over the story.
1. Blueberries 2. Art show in ShoeHorn 3. Lizzo concert 4. Thrift shop pop-up 5. Skinny Dipping at the lake house 6. Amusement Park Day! 7. Drew Barrymarathon 8. Paintball day
Oh, and ….
9. Fall out of love with Hailee.
Andrea Williams has got this. The Best Summer Ever. Last summer, she spent all her time in bed, recovering from the latest surgery for her cerebral palsy. She’s waited too long for adventure and thrills to enter her life. Together with her crew of ride-or-die friends, and the best parents anyone could ask…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I’m a YA contemporary author that enjoys falling back into the realm of the teenager with all its newness, awkwardness, and angst. I grew up with the Breakfast Club and Sixteen Candles, the genre that encapsulated and empowered the young adult voice. The coming-of-age story is so important because it molds the future of that character which in turn can mold the reader as well. What happens to a young person in their developing years will set the tone for their entire life. As a writer and a mother, I want to share stories that not only entertain but help young adults navigate difficult situations.
The narrator of We Are Okay was like a siren for me. Jorjeana Marie’s voice holds the pain of the main character Marin like a tiny secret clutched in her fist and hidden from view. You want to see it so badly, but you only get glimpses as she unfolds one finger at a time.
I love the delicate unraveling of this tragic story and how Marin’s loneliness gets under your skin, so you really feel it and feel for her. Like in What to Say Next, a death is a catalyst, but how the death is used in the two stories is entirely different. As an author, I enjoy studying these plot points to see how each author uses them to mold their style and voice.
Winner of the 2018 Michael L. Printz Award - An achingly beautiful novel about grief and the enduring power of friendship.
"Short, poetic and gorgeously written." -The New York Times Book Review
"A beautiful, devastating piece of art." -Bookpage
You go through life thinking there's so much you need. . . . Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn't spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend Mabel. But even…
I’ve been reading sapphic or lesbian romances ever since I got my hands on Touchwood and Curious Wine decades ago. When not writing contemporary sapphic romances, I’m always reading them. Happily ever afters haven’t always been the case for two women in love, least of all in fiction. I write sapphic romances to provide for other women like me what I hoped to find in bookstores when I was younger. It wasn’t easy to find a romantic story between two women, let alone have choices. Representation matters, and writing–and reading–books about two women in love is important to me and women like me, especially as states ban such books.
Whether writing fiction or romance, McMan’s ability to paint a love story between two women is unparalleled. Their love materializes on the page as if watching an artist apply strokes to a painting. By the time the figures emerge from the canvas, my heart is invested.
In Beowulf for Cretins, what appears to be an anonymous one-night stand for Grace simply isn’t when Abbie turns out to be her new boss. (Side note: look how nicely McMan is stacking up much-loved tropes here.)
This story contains elements that make my sapphic heart swoon every time, like when one character just can’t stay away from the other or when characters share the same interests. Throw in McMan’s signature humor and an entertaining pet, and swoon-worthy gets extra credit bonus points.
Beowulf for Cretins: A Love Story was awarded the 2019 Lambda Literary Award in the Lesbian Romance category.
English professor and aspiring novelist, Grace Warner spends her days teaching four sections of "Beowulf for Cretins" to bored and disinterested students at one of New England's “hidden ivy” colleges. Not long after she is dumped by her longtime girlfriend, Grace meets the engaging and mysterious Abbie on a cross-country flight. Sparks fly on and off the plane as the two strangers give in to one night of reckless passion with no strings attached, and no contact information exchanged.
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
I can’t name what so destroyed me about this book; it speaks to a level of pain for which there’s no language.
I believe a book’s hidden subject will chase a writer down: a fear, a state of mind. Barnes had to write it in order to survive her experience.
A loose group of outcasts appears in Nightwood: a gay doctor, logorrheic, poetic, desperate, witty, alone. A woman obsessed with another woman whom has left her and whom she’ll never reach, never understand.
Dancers and circus performers all in the baroque shimmer of a prose so fascinating it becomes clear almost by virtue of its density. What comes through is the tragedy of what it is to be alive.
Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna-a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous.
The outsized characters who inhabit this world are some of the most memorable in all of fiction-there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the…
Return to Hope Creek is a second-chance rural romance set in Australia.
Stella Simpson's career and engagement are over. She returns to the rural community of Hope Creek to heal, unaware her high school and college sweetheart, Mitchell Scott, has also moved back to town to do some healing of…
Like most people, I find the history of sex and everything associated with it fascinating! It’s often been difficult to document and interpret the complexities about heterosexuality, gender identity, and same-sex desire as well as women’s reproductive health which is intimately (although not exclusively of course) linked to sex. We are in a golden age of fantastic work on so many aspects of the history of sex. Apart from the intrinsic interest of these books, I think they provide such an important context for our very lively and often very intense contemporary legal, political, and cultural debates over sex in all its forms.
In contrast to stereotypes about lesbians that framed them as bra-burning, men-hating, hairy-legged feminists, Lauren Gutterman evocatively shows how the emergence of post-World War II lesbian desire took place at the center of American life, in the suburbs, often in marriages to men and heterosexual families with children. Married women rejected divorce or labelling themselves as lesbians even while they had affairs with their female neighbors. Her Neighbor’s Wife offers an extraordinary new interpretation of how post-World War II American marriages could accommodate women’s relationships with other women.
At first glance, Barbara Kalish fit the stereotype of a 1950s wife and mother. Married at eighteen, Barbara lived with her husband and two daughters in a California suburb, where she was president of the Parent-Teacher Association. At a PTA training conference in San Francisco, Barbara met Pearl, another PTA president who also had two children and happened to live only a few blocks away from her. To Barbara, Pearl was "the most gorgeous woman in the world," and the two began an affair that lasted over a decade.
Through interviews, diaries, memoirs, and letters, Her Neighbor's Wife traces the…
