Here are 100 books that Astrology for the Soul fans have personally recommended if you like
Astrology for the Soul.
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I grew up in Los Angeles and attended a progressive experiential learning school. The libraries were my classroom, the parks my playgrounds, and our twice-weekly field trips developed my journalistic skills. The week began with a contract agreement between myself and my teacher. My education made me a self-starter. My home was emotionally volatile. I became curious about healing: aligning my heart, mind, body, and spirit. My path unfolded to me. I became an actress on Broadway as my parents divorced and my school fell apart. My training in my mobile school delivered me into the real world. I was hungry to feel whole. Thus began my journey.
This book was a perfect companion for my creative process. I first tried it when it was originally published, and I wanted to jump-start my creativity.
As an actor, author, and artist, I needed something to motivate me. When I put myself into action and got help with a daily structure, my mindset and life completely shifted. It helped me tap into and stretch myself to do what I would normally not do alone.
"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times
"Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue
Over four million copies sold!
Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems…
I grew up in Los Angeles and attended a progressive experiential learning school. The libraries were my classroom, the parks my playgrounds, and our twice-weekly field trips developed my journalistic skills. The week began with a contract agreement between myself and my teacher. My education made me a self-starter. My home was emotionally volatile. I became curious about healing: aligning my heart, mind, body, and spirit. My path unfolded to me. I became an actress on Broadway as my parents divorced and my school fell apart. My training in my mobile school delivered me into the real world. I was hungry to feel whole. Thus began my journey.
This book is an incredible reference book. I used it as an actor in one of my favorite acting classes. During rehearsal, we used archetypes to help flesh out and explore our characters. This technique felt groundbreaking.
Since archetypes are essential to character development, and we each possess every archetype within us, this book was a staple for me in my creative development. I will go so far as to say that this book was a portal for me to access the teacher in me and expanded me out of my actor self and into my author self.
I grew up in Los Angeles and attended a progressive experiential learning school. The libraries were my classroom, the parks my playgrounds, and our twice-weekly field trips developed my journalistic skills. The week began with a contract agreement between myself and my teacher. My education made me a self-starter. My home was emotionally volatile. I became curious about healing: aligning my heart, mind, body, and spirit. My path unfolded to me. I became an actress on Broadway as my parents divorced and my school fell apart. My training in my mobile school delivered me into the real world. I was hungry to feel whole. Thus began my journey.
Rick Rubin is the prototype for my perfect man. Since I have a huge crush on his brain and voice (I could listen to him have a conversation all day), it is no surprise that I love his book outlining the creative process. It feels like it was channeled.
I use it as a daily reader, selecting a page for the day to contemplate during my morning meditation. I love the bite-sized wisdom, which feels like I could have thought of or written it myself—universal truth nuggets.
From the legendary music producer, a master at helping people connect with the wellsprings of their creativity, comes a beautifully crafted book many years in the making that offers that same deep wisdom to all of us.
"A gorgeous and inspiring work of art on creation, creativity, the work of the artist. It will gladden the hearts of writers and artists everywhere, and get them working again with a new sense of meaning and direction. A stunning accomplishment.” —Anne Lamott
“I set out to write a book about what to do to make a…
I grew up in Los Angeles and attended a progressive experiential learning school. The libraries were my classroom, the parks my playgrounds, and our twice-weekly field trips developed my journalistic skills. The week began with a contract agreement between myself and my teacher. My education made me a self-starter. My home was emotionally volatile. I became curious about healing: aligning my heart, mind, body, and spirit. My path unfolded to me. I became an actress on Broadway as my parents divorced and my school fell apart. My training in my mobile school delivered me into the real world. I was hungry to feel whole. Thus began my journey.
I was bed-bound, post-car accident. I was so injured that I was unable to open a window on my own for several months. I needed a routine and an outlet to help me have purpose without being mobile. Journaling was great, but I wanted something non-verbal and non-linear that helped me to feel joy.
Each daily prompt gave me a subject, art material guidance, and a theme without having to come up with the idea myself. At the end of 3 months, I had 90 new drawings. I even sold a couple of the drawings that I posted and got hired for a commissioned piece. All because I followed along. It made me feel like a kid again.
Embarking on a daily creative project has become a phenomenon in recent years. Conceived by illustrator Jennifer Orkin Lewis, this guided journal is both a container and a cheerleader for carving out a moment of self-expression each day. To conquer the intimidating prospect of filling 365 blank spaces, Lewis divides the journal into twelve monthly themes and provides prompts suggesting what to draw each day. Each month begins with an inspiring tutorial that shows you how to draw with different materials: ballpoint pens, metallic gel pens, coloured pencils, paint and collage. The entries are not dated. You can work through…
I was a humanistic psychotherapist first and came to astrology later and loved the way it didn’t pathologize and gave insight into our character and how that affects our destiny. I started to gather the charts of my psychotherapy clients (with their permission of course) and while not using this in their sessions, I was inspired by how they spoke their charts. Much of my understanding of how planetary positions and aspects manifest has been discovered by listening. I love how aspect patterns repeat through the generations within a family and what ramifications this has on the individuals. Who’s carrying the families karma?
I bought this book in 1976, when it first came out and it’s now held together with Sellotape.
It offers an in-depth description of Saturn, a much misunderstood and maligned planet, through the signs and houses it occupies in a birth chart and includes a section on aspects as well aspects in synastry. No one else offers as much insight into the Saturnian principle and the painful lessons in life it can describe as Liz Greene. She does this planetary principle justice.
This classic astrology text, revered by beginners and professional astrologers alike, is now available in a Weiser Classics edition.
“The most important single contribution of twentieth-century astrology is that astrology is not a map of one’s fixed destiny but is a potential map of the unfolding of the authentic, higher self.” —Robert Hand, from the foreword
Saturn’s darker persona is recognized universally in myth and fairytale. In this classic astrology text, renowned astrologer and Jungian analyst Liz Greene offers a fresh perspective on how to handle the influence of this much-maligned astrological symbol.
I had the supreme good fortune to know Berlin (1909–97) for nearly twenty-five years, and to work with him as his principal editor for most of that time; I continued this work after his death and it still occupies me now. He was one of the great human beings of the twentieth century, an essayist and letter-writer of genius, and a bewitching bridge between academia and the general civilised life of the mind. His ideas are fertile and illuminating to this day, and the immediately recognisable voice of his prose is the best possible intellectual company.
This is the book for readers who wish to sample Berlin’s kaleidoscopic, multidisciplinary work in a single volume across its whole range. It includes his most celebrated essays in philosophy, political theory, the history of ideas, and twentieth-century portraiture. His two most famous pieces, The Hedgehog and the Fox (on Tolstoy’s view of history) and Two Concepts of Liberty (on ‘negative’ and ‘positive’ political freedom), are here, as are his accounts of his formative meetings with the great Russian poets Anna Akhmatova and Boris Pasternak, his impressions of Churchill and Roosevelt, and his pellucid accounts of romanticism and nationalism. The essays are linked by his ruling preoccupation with understanding human nature in all its irreducibly various guises: what he called, following Kant, ‘the crooked timber of humanity’.
'He becomes everyman's guide to everything exciting in the history of ideas' New York Review of Books
Isaiah Berlin was one of the leading thinkers of the twentieth century, and one of the finest writers. The Proper Study Of Mankind selects some of his best essays in which his insights both illuminate the past and offer a key to the burning issues of today.
The full (and enormous) range of his work is represented here, from the exposition of his most distinctive doctrine - pluralism - to studies of Machiavelli, Tolstoy, Churchill and Roosevelt. In these pages he encapsulates the…
As a freshman in my Columbia University humanities class, I remember when we debated whether Achilles did the right thing in fighting Hector when Achilles could have led a peaceful life as a shepherd. I was arguing that only in risking our lives could we fully live them. A senior challenged me, saying, “I’ve struggled here for four years. I want a life of ease.” That debate has guided me through my years as a professor of English literature and philosophy and then as a management consultant. Only in conversations over the good life do admirable ways of treating customers, managing employees, or competing come to life.
This is the most readable philosophy book I know. Nietzsche wrote it in his brilliantly witty, epigrammatic style. Each episode is about a page long.
Concentrate on "Book Four." There, Nietzsche famously tells us that God is dead. Find out what he really means. (We criticize everything and can feel no true reverence.) Consequently, we seek convenience and flexibility over and over again. Stunningly, Nietzsche sets out four contrarian, incompatible good lives. (Philosophers have always sought to define one good life.)
If you read nothing else, read epigrams 290, 295, and 303: "The life of constant revision to perfect a style," "The life of short stories," "The life of brilliant improvisation," and "The risk-taking life." I use Nietzsche’s model of good lives to help business leaders restore their businesses and themselves.
The book Nietzsche called "the most personal of all my books." It was here that he first proclaimed the death of God—to which a large part of the book is devoted—and his doctrine of the eternal recurrence.
Walter Kaufmann's commentary, with its many quotations from previously untranslated letters, brings to life Nietzsche as a human being and illuminates his philosophy. The book contains some of Nietzsche's most sustained discussions of art and morality, knowledge and truth, the intellectual conscience and the origin of logic.
Most of the book was written just before Thus Spoke Zarathustra, the last part five years…
Over the past decade, I’ve become very concerned with the direction authoritarianism is taking human society. It’s a global problem that now infects America, leaving us with a partisan divide we may not be able to bridge. My recommended books helped me understand the situation and how one might speak out against this negative force effectively. Convinced that bombarding readers with facts alone is useless, I chose to provide a novel that is interesting and captivates readers. My goal is to entice readers to press on to the end regardless of their political persuasion, in hopes that along the way some thought will be devoted to the issues raised.
I believe an understanding of how human society evolved into its current state is a key ingredient in the search for ways to influence its future. Desmond Morris provides an insightful foundation for this by analyzing the human-animal from a Zoologist’s viewpoint. He traces our evolution from a small insect-eating forest dweller to a fruit and nut-eating ape to a predominantly carnivorous hunting ape. This last major transition most interests me because it explains the significant biological and cultural changes needed to compete with established carnivores. This includes lengthened brain development, communication, male/female bonding, social organization, and territorial protection. While this transition introduced major differences between humans and other primates, the inertia of evolution over millions of years still impacts our behavior.
This work has become a benchmark of popular anthropology and psychology.
Zoologist Desmond Morris considers humans as being simply another animal species in this classic book first published in 1967. Here is the Naked Ape at his most primal in love, at work, at war. Meet man as he really is: relative to the apes, stripped of his veneer as we see him courting, making love, sleeping, socializing, grooming, playing. The Naked Ape takes its place alongside Darwin’s Origin of the Species, presenting man not as a fallen angel, but as a risen ape, remarkable in his resilience, energy and…
By Andrée Ehresmann & Jean-Paul Vanbremeersch
Author
Why are we passionate about this?
An accident of professional life led us, Jean-Paul Vanbremeersch and Andrée Ehresmann, to meet in 1979. Jean-Paul was then a young physician who was also interested in problems of emergence and complexity. Andrée was a mathematician working in Analysis and, more recently, in Category Theory with Charles Ehresmann (her late husband). With Charles, she shared the idea that: “a category theory approach could open a wealth of possibilities to the understanding of complex processes of any kind.”This idea appealed to Jean-Paul who suggested that we both try applying it to problems of emergence, complexity, and cognition. It led to our 40 years old development of MES.
We appreciate this book because it helped us to introduce the concept of a ‘hierarchical category,’ which is necessary to describe our MES. We accomplished this by translating Koestler's concept of a "hierarchy of holons," where a holon embodies a 'hybrid nature' akin to a two-faced Janus.
Technically, a hierarchical category organizes objects into numbered levels (0 to m). An object at level n is dual-faced: 'simple' compared to levels above n, but 'complex' compared to levels < n, this object being the "colimit" (or combination) of linked objects < n. Within a hierarchical category, we compute the 'complexity order' for each object. The category aligns with pure reductionism if it lacks objects with a complexity order greater than 1.
I was born into a family with an Eastern European heritage, and lived and studied in the region for some years – including during the period of the collapse of the communist regimes. I am comfortable in Polish and Hungarian, and more vaguely functional in Russian and German – with Bulgarian a distant last. My undergraduate degree in history included an Eastern European specialization (including a paper co-administered between American and Hungarian institutions), and my graduate degree in economics included a focus on emerging economies. In my “day job” as a business analyst, I deal frequently with the business landscape in the region. I am married to a Pole, and have family in Poland.
Barry Cunliffe is a celebrated British archaeologist who specializes in both Europe’s and Britain’s origins.
Admittedly, Barry gets into the weeds a bit which can be challenging for those just looking for an introduction, but what he does better than most is connect the dots that bind Europe, Asia, the Middle East and North Africa together.
Most histories of Europe pretend that Europe is an island, separate from Asia and everything else, as if it developed in a vacuum – but Barry reminds us that Charlemagne and Columbus are only part of the full European story.
Barry is a great place to start to understand the Eastern European, Asian, and Middle Eastern side of your British or Irish heritage – and yes, they are connected in some very direct ways.
By Steppe, Desert, and Ocean is nothing less than the story of how humans first started building the globalized world we know today. Set on a huge continental stage, from Europe to China, it is a tale covering over 10,000 years, from the origins of farming around 9000 BC to the expansion of the Mongols in the thirteenth century AD.
An unashamedly 'big history', it charts the development of European, Near Eastern, and Chinese civilizations and the growing links between them by way of the Indian Ocean, the silk Roads, and the great steppe corridor (which crucially allowed horse riders…
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