Here are 100 books that Amazing Art Adventures fans have personally recommended if you like
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I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
This is Hogan’s account of her road trip in search of famous, almost mythical, land art pieces, such as Robert Smithson’s Spiral Jetty and Nancy Holt’s Sun Tunnels. Travelling on her own she found some of the artworks – and a lot out about herself. Brave? Foolish? Probably both. But for the reader, certainly an entertaining and informative chronicle of her travels and discoveries.
Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. "Spiral Jetta" is a chronicle of this journey. A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks…
I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
Both reference book and travel guide, this second edition includes over 90 sculpture parks in 27 European countries. The parks featured are those that have an ‘art and nature’ element, in which artists collaborate with nature, working in and with nature to create artworks and situations that help us think about and enjoy both. One to take with you on your next trip around Europe!
There is a continually increasing interest in parks and gardens in which modern sculptures and nature form a special symbiosis. Landscapes are an inspiring ambiance for works of art, which in turn add something to the parks and gardens, thus creating a very unique interaction between art and nature.
This guide is the second edition and presents more than 90 parks in 27 European countries, now also including Finland, Hungary, and Poland among others. The parks presented include classics such as the Fondation Maeght in Saint-Paul-de-Vence and the Louisiana Museum in Humlebaek, as well as spectacular new schemes such as…
I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
This is a beautiful coffee table book to read at home rather than take on your travels. Langen explores 25 private sculpture parks founded by individuals, most art collectors or artists. She weaves in the stories of these characters as their passions inform the themes of the collections. Note that not all of the sites that Langen visited are open to the public.
From Edward James's surreal sculpture garden Las Pozas in Mexico to Anselm Kiefer's sprawling studio complex in the French countryside, artists and art collectors are creating outdoor spaces in order to display sculpture and art that is both transformative and powerful. This book is filled with breathtaking photographs of 25 of these spaces from throughout the world - many of which are not open to the public. Captured in brilliant colour, these spaces are populated by works that both enhance and are enhanced by the landscape: rolling hills, mountain lakes, shaded canyons and empty deserts. Readers will discover Anish Kapoor's…
I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
Art critic Gayford’s engaging and entertaining essays recount his adventures over the years when meeting artists and visiting destination art sites around the world, such as Brancusi’s Endless Column in Romania and the Chinati Foundation in Texas. A great storyteller, his writing is both chatty and informative and the book is a pleasure to read.
Bestselling author of Modernists & Mavericks Martin Gayford recounts some of the extraordinary journeys he has made in the name of art.
In the course of a career thinking and writing about art, Martin Gayford has travelled all over the world both to see works of art and to meet artists. Gayford's journeys, often to fairly inaccessible places, involve frustrations and complications, but also serendipitous encounters and outcomes, which he makes as much a part of the story as the final destination. Entertaining and informative, Gayford includes trips to see Brancusi's Endless Column in Romania, prehistoric cave art in France,…
I’m an award-winning toy inventor and author/illustrator, with a lifelong love of art, learning, and creativity. I strive to inspire the future builders and creators of our world in my books, articles, and blog musings. Some of my favorite reads inspired my creative side.
When I first saw the previews of this book, I had to read it the first day it was published.
Though friends had highly recommended Kostova’s more popular book, The Historian, this book spoke to me.
With the point of view shifting from current time to 19th century France, it checked all my boxes: painting, art museum, impressionists - all tied together into a fabulous mystery bow.
While reading, I wanted to peacefully wander an art museum and dabble with a paintbrush on canvas.
To me, the best books evoke a unique artistic mist or glow that I can still feel years later.
Psychiatrist Andrew Marlowe has a perfectly ordered life - solitary, perhaps, but full of devotion to his profession and the painting hobby he loves. This order is destroyed when renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient. Desperate to understand the secret that torments this genius, Marlowe embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova's masterful new novel travels from American cities to the coast of Normandy; from the late nineteenth century to…
In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
Told from the perspective of a museum guard in London, Asunder is one of the most brilliant novels that engages with art.
The protagonist works in the National Gallery by day, and in the evening, she builds miniature dioramas. She also reflects on the destruction of a famous painting, goes on trips with friends, and eventually has a transformative encounter in a dilapidated castle. Asunder explores the meaning of art, decay, and preservation.
Marie's job as a guard at the National Gallery in London offers her the life she always wanted, one of invisibility and quiet contemplation. But amid the hushed corridors of the Gallery surge currents of history and violence, paintings whose power belies their own fragility. There also lingers the legacy of her great-grandfather Ted, the museum guard who slipped and fell moments before reaching the suffragette Mary Richardson as she took a blade to one of the gallery's masterpieces on the eve of the First World War.
After nine years there, Marie begins to feel the tug of restlessness. A…
As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
Frank O’Hara is most talked about as a “city poet” who, on his time off from working at an art museum, walked around Manhattan writing about what he felt and saw. A poet of “I do this, I do that,” O’Hara is lauded for his finding the beautiful in the quotidian. But that’s the lesser half of the story. O’Hara’s greatest feat is writing tender, quirky and deeply satisfying love poems. If you are not enviably moved by his poem “Having a Coke with You,” there’s little reason to continue reading poems at all.
Available for the first time in paperback, The Collected Poems of Frank O'Hara reflects the poet's growth as an artist from the earliest dazzling, experimental verses that he began writing in the late 1940s to the years before his accidental death at forty, when his poems became increasingly individual and reflective.
I’m an art historian, author, and the former curator of modern and contemporary art at the North Carolina Museum of Art in Raleigh, North Carolina—so art is my thing! I’m the host of the independent podcast ArtCurious, which I started in 2016 and which was named one of the best podcasts by O, The Oprah Magazine and PC Magazine, among other outlets. I’m also the author of a book called ArtCurious, which was lauded in Publisher’s Weekly, BookPage, and Booklist. I’ve got advanced degrees in art history and love to share all my enthusiasm for art whenever I can (also: travel!).
I love this book! Like the idea of The Annotated Mona Lisa but don’t want quite so much detail? This one is great— let’s take 50 works of art throughout art history and tell you exactly why they are important. Easy peasy, and filled with humor and joy, too.
The Short Story of Art is a new and innovative introduction to the subject of art. Simply constructed, the book explores 50 key works, from the wall paintings of Lascaux to contemporary installations, and then links these to sections on art movements, themes and techniques.
The design of the book allows the student or art enthusiast to easily navigate their way around key periods, artists and styles. Accessible and concise, it simplifies and explains the most important and influential concepts in art, and shows how they are connected.
The book explains how, why and when art changed, who introduced certain…
I’ve been an artist all my life. In childhood, I was always drawing and after graduating from university I became an illustrator doing hundreds of drawings for major newspapers and publishers in the United States for over 25 years. It was my mission, no matter what was going on in the world, to find some humor and lightness to share through my drawings. About 15 years ago, I also began to teach drawing to adults and was amazed to discover that everyone can draw. When I saw how people seemed to become happier and bolder making art I became passionate about sharing how we can grow our creativity by developing an art practice. It makes for a beautiful life and quite possibly a more beautiful world.
I adore David Hockney. He draws so beautifully, and in so many different ways, and is always inventive in his art-making. He makes me see more through his art and was a major inspiration for me when I was starting out as an editorial illustrator years ago. This book is a 2020 pandemic conversation between Hockney, now living in Normandy, and his good friend, the art critic Martin Gayford in the UK. It really speaks to the devotion that artists have to observing life and creating something beautiful from it. I love the joy Hockney brings to his work and see that as a powerful energy to create from.
'We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what? What have we learned?... The only real things in life are food and love, in that order, just like [for] our little dog Ruby... and the source of art is love. I love life.'
DAVID HOCKNEY
Praise for Spring Cannot be Cancelled:
'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking'…
As a teenager, I found the layered poetry of Sylvia Plath as riveting as an impasto-layered canvas by Vincent Van Gogh. A love for the rhythm of words and paint, as well as the power of art to tell stories and critique history led me to study art history. Influential college professors opened my eyes to the systematic exclusion of women from art and history. Today, I’m a professor at the University of San Francisco, where I specialize in modern, contemporary, and African art, with an emphasis upon issues of gender, race, ethnicity, and class. I’m particularly interested in women artists and artists who cross cultural boundaries.
Before reading this book, I had never heard of Mary Sully. I’m thrilled that I now know about her stunning “personality prints,” abstract designs arranged in horizontal triptychs. Sully, who was born on the Standing Rock reservation in 1896, was largely a self-taught artist who never achieved wide recognition. Philip Deloria, a professor of history and a relative of Sully’s, delves into the complexities of what it meant to be a Dakota Sioux woman artist working with an innovative style of abstract art that didn’t fit into neat categories. This mirrors, Deloria says, the “scramble for survival” that an “Indian” woman had to navigate in a “difficult world.” That difficult world is still with us today, making this story a throughline to the present and a must-read.
Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America's first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs,…
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