Here are 100 books that A Bridge Too Far fans have personally recommended if you like
A Bridge Too Far.
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I've spent the last 30-years studying, reading about, writing, and teaching the story of the war between the Allies and the Japanese in the Far East during WWII. It includes of course the story of the fighting between the main protagonists, but there’s much more that has been neglected by writers and historians, certainly in the West. It includes the story of Burma and its various people; the role of India and its people as it moved rapidly towards independence and the role of China throughout. Every time I look at an aspect of the war, or read another memoir or open a dusty file in the archives, I come across more exciting material.
This is a ground-breaking book because in telling the extraordinary story of the Indian Army during the Second World War, Professor Raghavan rightly places it firmly at the center of the great victories the Allies achieved over the Japanese in 1945. This book traces the transformation of the Indian Army from a largely domestically focused constabulary of 200,000 in 1939 to a victorious all-arms combat force of well over 2 million men and women in 1945. This army for the first time reflected India as a whole, rather than the pre-war Indian Army which recruited selectively from across India.
SPECTATOR BOOKS OF THE YEAR 2016, GUARDIAN BOOKS OF THE YEAR 2016
'Authoritative, expansive and incisive...helps restore India to the global twentieth century' Sunil Khilnani
Between 1939 and 1945 India changed to an extraordinary extent. Millions of Indians suddenly found themselves as soldiers, fighting in Europe and North Africa but also - something simply never imagined - against a Japanese army threatening to invade eastern India. Many more were pulled into the vortex of wartime mobilization.
Srinath Raghavan's compelling and original book gives both a surprising new account of the fighting and of life on the home front. For Indian…
I am a Bangkok-based journalist from San Francisco, California, reporting news from Asia since 1978 and winner of Columbia University's Foreign Correspondent's Award. My work, including this book, has taken me to Tibet, India, Nepal, Laos, Vietnam, Afghanistan, Sri Lanka, New York, and elsewhere. Fragments of people and their distant voices are the behavior and quotes that inspire. Slices, starting at random moments and ending in bleak locations, fascinate and hypnotize. And transcribing handwritten notes, impressions, and exclusive interviews, create my RocknRolla lyrics.
The fiercely independent spirit of surrealists and other people trying to survive during World War 2 permeates this opulent novel with ghostly quotes and rebellious beliefs.
Laced with angels, forests, dreams, and women, this diary becomes increasingly fraught with questions of obedience, patriotism, dictatorship, and freedom.
Will your own perceptions be radicalized or soothed by this war story?
Inspired by one of the finest lyrics in the English language, the anonymous, pre-Shakespearean "Tom o'Bedlam" ("By a knight of ghosts and shadows / I summoned am to tourney / Ten leagues beyond the wide world's end / Methinks it is no journey..."), Kenneth Patchen sets off on an allegorical journey to the furthest limits of love and murder, madness and sex. While on this disordered pilgrimage to H. Roivas (Heavenly Savior), various characters offer deranged responses, conveying an otherworldly, imaginative madness. A chronicle of violent fury and compassion, written when Surrealism was still vigorous and doing battle with psychotic…
I grew up during the war years and remembered the backouts, ration cards, and the newscasts from the front and worrying about my cousins who were in the middle of it. My cousin Gerald always made sure I had a model airplane kit every Christmas, even though he was fighting in Europe. As a journalist, I was lucky to work with a few war correspondents that covered Dieppe and D-Day and heard what they went through. One of those people was Bill Anderson who died two years ago. I recorded a video interview of him when he was still 97 about his experiences in Canada and Europe
Shapiro, a Canadian war correspondent, landed with the troops on the beaches on D-Day and his other experiences rise to the surface in his novel about life during the blitz and the events leading up to D-Day. Shapiro always considered his a historical novel. His descriptions are those of someone who lived the tale. The hero is a U.S. soldier who found himself deeply in love with an English woman. This book came out a few years after the war when the war was fresh in our minds. It was like reliving those wonderful days all over again.
The Sixth of June tells the story of American soldier Brad Parker, who joins the U.S. Army to fight in World War II. When he arrives in London, he meets lonely Valerie Russell, and they fall in love despite their loyalties to wife and future husband. Although they are certain that their love could overcome every obstacle, everything changes after the Normandy Invasion.
I am fascinated by the question, “Where is home?” Is it the place you were born, among the people who raised you? Or is it the place you most come alive? Growing up, fiction taught me there were other worlds than the one I inhabited, and historical fiction taught me how they came to be. Travels in England, Europe, Africa, and South America opened up worlds and cultures I had only read about and drove me to write a novel about how one may find "home" in the most unlikely times and places.
I am fascinated by stories that encapsulate a whole life, usually from the perspective of a character looking back, assessing, wondering, and coming to terms with all that has transpired, both personally and globally. I am particularly fascinated by multi-dimensional female characters.
I was taken from page one by how well this story transitioned through different perspectives to offer a kaleidoscopic view of a life lived by a strong, unapologetic, complicated woman.
Claudia Hampton is dying. As memories crowd in, she re-creates the mosiac of her life, her own story enmeshed with those of her brother, her lover and father of her daughter, and the centre of her life, Tom, her one great love both found and lost in the "mad fairyland" of war-torn Egypt.
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
I first encountered Ed Kennedy while doing research in the AP archives and have spent the better part of a decade untangling what proved to be the biggest controversy over press coverage of the war—Kennedy’s scoop of the German surrender.
No American war correspondent was more experienced than Kennedy, who reported for the Associated Press from the Spanish Civil War until the end of World War II.
Given that Kennedy acted as an AP bureau chief in both North Africa and Paris, his memoir, written in the late 1940s but not published for sixty years, is the best insider account we have at how American reporters interacted with army public relations and censorship officials during the war.
On May 7, 1945, Associated Press reporter Ed Kennedy became the most famous -- or infamous -- American correspondent of World War II. On that day in France, General Alfred Jodl signed the official documents as the Germans surrendered to the Allies. Army officials allowed a select number of reporters, including Kennedy, to witness this historic moment -- but then instructed the journalists that the story was under military embargo. In a courageous but costly move, Kennedy defied the military embargo and broke the news of the Allied victory. His scoop generated instant controversy. Rival news organisations angrily protested, and…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
Moseley was the Chief European Correspondent for The Chicago Tribunefor the last forty years of the twentieth century and although published by a university press is more a work of journalism than original scholarship.
It is based largely on the memoirs of an extraordinary number of reporters, many American but many more not. The real virtue of this book is how wide-ranging it is, covering the entire war and reporters from all of the combatant countries.
Readers get a vivid sense of how World War II was just that—a war that raged across the globe.
Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among the young reporters who chronicled World War II's daily horrors and triumphs for Western readers. In this fascinating book, Ray Moseley, himself a former foreign correspondent who encountered a number of these journalists in the course of his long career, mines the correspondents' writings to relate, in an exhilarating parallel narrative, the events across every theater-Europe, Pearl Harbor, North Africa, and Japan-as well as the lives of the courageous journalists who doggedly followed the action and the story, often while embedded in the Allied armies.
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Like their male counterparts, Virginia Cowles, Martha Gellhorn, Clare Hollingworth, Helen Kirkpatrick, Lee Miller, and Sigrid Schultz faced the danger inherent in reporting from war zones, but, unlike the men, these women often had to improvise to get access. Ever intrepid, Gellhorn noted, “If they don’t want to accredit you, you just do it, any little lie will do.”
By 1945 there were 250 women accredited to the Allied armies as reporters and photographers. Everyone had something to do that felt necessary, though post-war many were “shredded up inside.” With the narrative drive of a well-paced thriller, Mackrell’s essential work will have you reaching for more about the words and lives of these trailblazing six.
The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent.
"Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women
"Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review
I am a successful published author of military history nonfiction and fiction with 44 titles in print and have been a lifelong obsessive on the subject of WWII which was my parents’ war. I started on a diet of black & white war movies, then epics such as Tobruk, Raid on Rommel et al. I have been lecturing on the subject at the former Centre for Lifelong Learning at Newcastle University (Now the ‘Explore’ Programme) for 25 years. I am also an experienced and much travelled WWII Battlefield tour guide, with experience of guiding all the major Western Front campaigns. I’m a lifelong historical interpreter and re-enactor.
One of the earlier classic accounts of the whole of the Desert War from the pen of a celebrated war correspondent of the era who was actually there. This is a good and accessible history of the War which features all the main advances and retreats of both sides and includes interesting commentary on the desert generals, ours and theirs.
A celebrated war correspondent offers his eyewitness account of the desert campaign in North Africa during World War II, describing the epic conflict between Allied and Axis powers from 1940 to 1943, in a volume that incorporates the complete texts of The Mediterranean Front, A Year of Battle, and The End of Africa. Reprint.
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
This is a book I wish I had written, far and away the best book about coverage of the Second World War in Europe.
It is based on a wealth of archival research and features both celebrated reporters like Ernie Pyle and Edward R. Murrow, and less well-known ones like Homer Bigart and Don Whitehead. Although award-winning scholarship, Casey’s work is accessible to any curious reader. Casey is English but understands well the American military, the American press, and American culture generally.
Casey explores the war in the Pacific theater in a subsequent book, The War Beat, Pacific: The American Media at War Against Japan.
From the North African desert to the bloody stalemate in Italy, from the London blitz to the D-Day beaches, a group of highly courageous and extremely talented American journalists reported the war against Nazi Germany for a grateful audience. Based on a wealth of previously untapped primary sources, War Beat, Europe provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home front's perception of some of the most pivotal battles in American history.
In a dramatic and fast-paced narrative, Steven Casey takes readers from the inner councils…
I am the USS Midway Chair in Modern US Military History at San Diego State University. I’ve been teaching courses on the relationships between war and society for years and am fascinated not just by the causes and conduct of war, but, more importantly, by the costs of war. To me, Americans have a rather peculiar connection with war. In many ways, war has become an integral part of American conduct overseas—and our very identity. And yet we often don’t study it to question some of our basic assumptions about what war can do, what it means, and what the consequences are for wielding armed force so readily overseas.
Barkawi speaks of war as a form of “interconnection” among peoples and wisely reasons that we have to talk about war from a global perspective if we are truly to understand it. War may be an extension of politics, to quote a certain Prussian, but it’s also a social activity. And that activity has been globalized for far longer than many of us might think.
I really enjoy the way Barkawi weaves together a global story of war, culture, and identity. His case study on the Indian Army—he argues it was at “once a tool and an object of imperial control”—is superbly fascinating and highlights how localities can be affected by martial activities from faraway, distant places.
War doesn't just tear nations apart-it brings peoples and places closer together, providing a new lens on globalization. This book offers a fresh perspective on globalization and war, topics rarely considered together. It conceives war as a form of interconnection between home and abroad, and as an occasion for circulation and interchange. It identifies the political and military work required to create and maintain a free-trading world, while critiquing liberal and neoliberal conceptions of the pacific benefits of economic globalization. Speaking from the heart of old and new imperial orders, Tarak Barkawi exposes the Eurocentric limitations of military history and…
