I’m of the opinion that good writers draw from life experience. Here are the broad strokes: a Boy Scout reporter at the 1964 national Jamboree, a drummer in country, rock, and jazz bands, a SCUBA instructor, a commercial real estate developer, a drug addict, and an inmate in the penal system. I’ve been reading and writing almost from day one. Most of my early work is crap. I’ve learned the hard way what makes a story worth telling and how best to tell it. Read my recommendations and decide for yourself. After all, it’s your opinion that counts.
This book has everything I look for in great storytelling in spades: real people doing their best to cope with extraordinary circumstances, masterfully crafted by an author who loves his work.
Some will call this a historical novel; some will pigeonhole it as a war novel. In my view, it easily exceeds all such classifications. It is an incredible piece of work. I use this book for reference, to remind me how it’s done.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
I’m a huge fan of realism in fiction, particularly in character-driven tales of the dark side. This book reads like a modern-day chronicle of Earth—gritty realism, cynical truth—only set on the ghetto planet of Lagarto. Is it sci-fi or hardboiled crime noir? Who cares? It is a great read.
The derelict Kop lives and breathes among the pages, vacillating between blind brutality and a deep desire to make a difference. Kop shoulders its way through the crowd of sci-fi neo-noir pretenders. Read it; it’s worth the ride.
Juno is a dirty cop with a difficult past and an uncertain future. When his family and thousands of others emigrated to the colony world of Lagarto, they were promised a bright future on a planet with a booming economy. But before the colonists arrived, everything changed. An opportunistic Earth-based company developed a way to produce a cheaper version of Lagarto's main export, thus effectively impoverishing the planet and all its inhabitants. Growing up on post-boom Lagarto, Juno is but one of the many who live in despair. Once he was a young cop in the police department of the…
As a cross-genre “mystery writer,” I’m not big on fiction classifications. This book, like most great books, defies pigeonholing. Some would say “crime novel,” some “western,” others “thriller,” others still, “adventure.”
Regardless, if the first sentence of this book doesn’t hook you, nothing will. It is nothing short of mastery. Character-driven story-telling at its finest, running a reader through a gauntlet of gut-wrenching emotions with ease—poignant, gritty, tongue-in-cheek, and often horrific. Perfectly seasoned with Texas cornpone, this coming-of-age western tale is a fist full. I loved it.
In The Thicket, award-winning novelist Joe R. Lansdale lets loose like never before, in a rip-roaring adventure set at the dark dawn of the East Texas oil boom, the perfect introduction to an acclaimed writer whose work has been called "as funny and frightening as anything that could have been dreamed up by the Brothers Grimm -- or Mark Twain" (New York Times Book Review)
Jack Parker thought he'd already seen his fair share of tragedy. His grandmother was killed in a farm accident when he was barely five years old. His parents have just succumbed to the smallpox epidemic…
I love things that go punch in the dark. This book is another fine example of breaking the mold. Some would label it a “crime novel,” some “noir,” others “thriller,” and others still “hardboiled.” Bottomline, this is one kickass novel.
I had to put down one of King's long-winded tales and a Koontz self-absorbed Oddity because I didn't want to stop reading this book. I'll get back to those guys later. This pick is a fast dirt bike in a sandstorm—way more fun.
Mr. Swierczynski (try to type that 3 times fast) crafts one hell of a novel. His bizarre twists are the stuff of nose bleeds, all done with gritty characters in a fast-paced style that grabs you by the eyeballs and won't let go. He initially reminded me of one of my all-time dark writing faves, Charlie Huston. Unique beyond comparison, The Wheelman checks all the boxes for me. You really gotta read this thing!
Meet Lennon, a mute Irish getaway driver who has fallen in with the wrong heist team on the wrong day at the wrong bank. Betrayed, his money stolen and his battered carcass left for dead, Lennon is on a one-way mission to find out who is responsible--and to get back his loot. But the robbery has sent a violent ripple effect through the streets of Philadelphia. And now a dirty cop, the Russian and Italian mobs, the mayor's hired gun, and a keyboard player in a college rock band maneuver for position as this adrenaline-fueled novel twists and turns its…
I’m a sucker for great stories well-told. My criteria are simple: ignore the tropes, genres, and categories and read the words. It’s up to the author’s prose to keep me engaged until I’m immersed in the story. In most books, I don’t get past page one. Cormac McCarthy nails it with his opening line: “I sent one boy to the gas chamber at Huntsville.” How could I resist?
True, the Cohen Brothers' film adaptation is one of my favorites, as are a few of their movies. While the adaptation follows the book closely, the dark humor overlay of the Cohen Brothers gives it a different spin. McCarthy’s book far exceeds anything that could be shown on film, both in terms of impact and realism. As I mentioned previously, realism in fiction is a basic component of good storytelling.
Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victim's burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes that Moss and his young wife are in desperate need of protection. One party in the failed transaction hires an ex-Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular…
Set in the American Southwest and inspired by real events, my book is the story that opens the series. Children of the post-World War II boom, Sonja Anderson and Lance Underphal move in different directions, their lives spiraling too close to the flame.
During the Vietnam War of the late sixties and early seventies, they escape adolescence, though not unscathed. Lance collides with murder, robbery, and drug addiction, while Sonja wrestles with a careless mother and the loss of a damaged father. When Sonja and Lance meet, everything changes.
This book (and its sequels) are about overcoming the odds; about learning to improve the skills and abilities you have, rather than dwelling on what you can't do. Conflict, plague, and scheming politicians are all featured along the way–but none of the characters are human!
When a plague kills half the Drax population, and leaves the hatchlings of the survivors with a terrible deformity – no wings – suspicion and prejudice follow. Continuously harassed by raids from their traditional enemies, the Koth, the Drax are looking for someone, or something, to blame.
Zarda, an apprentice Fate-seer, is new to her role and unsure of her own abilities; but the death of her teacher sees her summoned by the Drax Prime, Kalis, when his heir, Dru, emerges from his shell without wings.
A vision that Dru will one day defeat the Koth is enough to keep…
