I live in Dublin, Ireland and am the author of eleven novels, many of them Irish bestsellers, all of them translated into foreign languages, most of them also published in the US by St Martin’s Press. A lawyer by profession, I gave up my law practice to concentrate on writing fiction, beginning with an historical novel Whispers in the Wind which was a No. 1 Irish bestseller. History is my passion.
The fascination of this book is its portrayal of the human cost involved in the fall of a civilisation. After the Bolshevik Revolution the cream of Russian society, including most of the aristocrats, the professional classes, the officer class, the middle class, fled Russia with little but the clothes on their backs. Being Francophone, most of them sought refuge in Paris only to find there destitution. Grand Dukes who formerly had palaces, country estates and scores of servants, now drove taxis, waited at table, washed dishes; Grand Duchesses embroidered for fashion houses (the lucky ones), all yearning for their homeland and being, as time passed, regarded with less and less tolerance by the French.
The book is a reminder that catastrophe waits only for opportunity.
From Helen Rappaport, the New York Times bestselling author of The Romanov Sisters comes After the Romanovs, the story of the Russian aristocrats, artists, and intellectuals who sought freedom and refuge in the City of Light.
Paris has always been a city of cultural excellence, fine wine and food, and the latest fashions. But it has also been a place of refuge for those fleeing persecution, never more so than before and after the Russian Revolution and the fall of the Romanov dynasty. For years, Russian aristocrats had enjoyed all that Belle Époque Paris had to offer, spending lavishly when…
I lived in Paris for six months when I researched and wrote my first Paris book, One Thousand Buildings of Paris, walking every quarter of Paris including some rather dicey areas. I discovered most Parisians don’t wander very far from their own neighborhoods, and casual tourists tend to stay in the center. The first time my boyfriend and I went to Paris together, I planned daily excursions to all the neighborhoods where he had never been. We became flaneurs (wanderers) at outdoor markets, small museums, parks, and we ventured into unknown spaces. There is always something fascinating to discover in Paris and new ways to gain a sense of history.
Written by a prominent British ceramicist, this memoir is remarkable for its research and depth into the background of the writer’s forgotten Jewish heritage and five generations of his ancestors, the Ephrussis, who immigrated to Paris where, in the Nineteenth Century, they built a banking dynasty from Vienna to Paris.
After inheriting a collection of 264 netsuke—Japanese wood and ivory carvings—de Waal starts digging into the past to uncover the mystery behind the netsuke and why they survived when most of the family perished at the hands of the Nazis.
This is another WWII story that illuminates the tragic events of the period and the life of wealthy patrons of the arts and their interaction with artists in Paris.
264 wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great uncle Iggie's Tokyo apartment. When he later inherited the 'netsuke', they unlocked a story far larger and more dramatic than he could ever have imagined.
From a burgeoning empire in Odessa to fin de siecle Paris, from occupied Vienna to Tokyo, Edmund de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century.
I like books driven by characters who ride the same emotional rollercoaster as we all do in real life. Characters who love the wrong people or who lose the people they were right to love or who fail to match the norms expected by society. Characters I can empathise with, root for, and learn from. A fairytale happy ending is not necessary and can detract from the magic of a book. But I do like to be left with a feeling of hope. If a fictional character can learn to approach life more positively, then maybe I can too! This is what I try to achieve in my own books.
We read The Curious Charms of Arthur Pepper in the book group I attend and I’m so glad we did.
Like A Man Called Ove, Arthur Pepper has recently been widowed and is struggling to cope but Arthur’s story is completely different to Ove’s. And, again, this book is uplifting rather than depressing. After finding a charm bracelet amongst his wife’s possessions, Arthur sets out on a colourful quest to discover his wife’s past.
Arthur’s story made me realise that it’s the here and now that’s important, not what’s gone before or might be to come. We have to make the most of what we have at any given moment.
'A charming, unforgettable story.'
Harper's Bazaar
40 years of marriage.
8 golden charms.
One man's journey of discovery.
Having been married for over 40 years, 69-year-old Arthur Pepper is mourning the loss of his wife. On the anniversary of her death, he finally musters the courage to go through her possessions, and happens upon a charm bracelet that he has never seen before.
What follows is a surprising adventure that takes Arthur from London to Paris and India in an epic quest to find out the truth about his wife's secret life before they met, a journey that leads him…
I am a Canadian social anthropologist living in England, and my research is about material culture and heritage in Mexico. I have always been fascinated by the ways that people make their cultures through objects, food, and space; this almost certainly started with my mum who is always making something stitched, knitted, savoury, or sweet, often all at the same time. I hope that you enjoy the books on my list – I chose them as they each have something important to teach us about how our consumption of things affects those who make them, often in profound ways.
Like the other works on my list, Susan Terrio’s book considers how globalization transforms the production, meanings and markets for goods, and the lives of those who make them. Terrio considers how artisanal chocolate makers in Paris and the Bayonne area worked to carve out a high-value market niche for themselves by re-educating the public about the quality and prestige of French handmade chocolates. She documents how they managed to succeed in this project by borrowing terminology and practices from wine connoisseurship, and by linking their handmade chocolate to French identity. I love this book because it provides insights into how our own ideas about taste, quality, and enjoyment are deeply connected to economics, politics, policy, and identity – and because it’s about chocolate, of course!
This absorbing narrative follows the craft community of French chocolatiers--members of a tiny group experiencing intensive international competition--as they struggle to ensure the survival of their businesses. Susan J. Terrio moves easily among ethnography, history, theory, and vignette, telling a story that challenges conventional views of craft work, associational forms, and training models in late capitalism. She enters the world of Parisian craft leaders and local artisanal families there and in southwest France to relate how they work and how they confront the representatives and structures of power, from taste makers, CEOs, and advertising executives to the technocrats of Paris…
My father, a huge Ella Fitzgerald fan, had a bunch of her records, and took us to hear her live once. So I knew mid-century jazz, but I had yet to discover its early origins. From the first, I knew my trilogy was set in the 1920s and one of the main characters had to be a jazz musician. I began collecting dozens of recordings by early jazz and blues artists, reading books about them, and I developed an enthusiasm for these early musicians. I found that the original “jazz maniacs” had the same passion for their music that I felt about rock and roll in the early 1960s.
This jive-tongued jazz cat really knows how to use language! His use of slang is evidenced by the ten-page glossary at the end of the book. Raw and gritty, Mezzrow’s memoir describes how he learned to play jazz and blues in a juvenile reformatory, where he developed his love for the Black “race” and its culture. He often riffs on race. In 1920s Chicago he rubbed elbows with Black and White jazz luminaries, plus gangsters, prostitutes, and drug dealers. During a side trip to Paris, France, he spread the gospel of jazz to Europe. In the 30s he lived in New York City’s Harlem, inhabiting a milieu similar to that in Chicago, peddling marijuana to jazz greats and others. His extraordinary writing inspired Jack Kerouac and the Beat writers.
I've read quite a few Maigret's now, but this is my favourite so far. As a detective, Maigret is the opposite of Columbo. There's never "just one more thing here". In fact, there's rarely any questioning at all.
By his very presence, Maigret seems to invite confessions, for the 'villains' to bottle everything up in fear of interrogation only for themselves to let everything out. It's a tour de force of sustained suspense to keep a novel at that bubbling point, and the plot here is intricate and tragic; essentially, a man who has worked his way up to have everything but through egoism and happenstance can't find the right people to share it with.
And even more tragic, he finds himself harking back to those simpler times, undoing his status. There's much to relate to here, and the prose is knife-edge sharp.
'The father of contemporary European detective fiction' Ann Cleeves Cars drove past along with the trucks and trams, but by now Maigret had realised that they were not important. Whatever roared by like this along the road was not part of the landscape. ... What really counted was the lock, the hooting of the tugs, the stone crusher, the barges and the cranes, the two pilots' bars and especially the tall house where he could make out Ducrau's red chair framed by a window.
Penguin is publishing the entire series of Maigret novels in new translations. This novel has been…
I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
Browsing at Shakespeare and Company in Paris last fall I picked up this book in translation by Guillaume Musso, touted as the ‘French Suspense King.’ Set on an isolated island off the Côte d’Azur, this moody thriller is unpredictable and twisty, as all good mysteries should be. A reclusive author, his strange past, a relentless fan: what could go wrong?
'It's no wonder that Musso is one of France's most loved, bestselling authors' Harlan Coben
In 1999, after publishing three cult novels, celebrated author Nathan Fawles announces the end of his writing career and withdraws to Beaumont, a wild and beautiful island off the Mediterranean coast.
Autumn 2018. As Fawles' novels continue to captivate readers, Mathilde Monney, a young Swiss journalist, arrives on the island, determined to unlock the writer's secrets and secure his first interview in twenty years.
That same day, a woman's body is discovered on the beach and the island…
Holly Grout is an Associate Professor of History at the University of Alabama. Her research interests include the cultural history of modern France, women and gender studies, and the history of beauty, fashion, celebrity, and consumer culture. Her current project, Playing Cleopatra: Inventing the Female Celebrity in Third Republic France, investigates many of the same themes around sexuality, female bodies, public decency, and spectacle. She chose these works in particular because they exemplify some of the best on sex and the city, and they address many of the same issues that Colette raised so long ago – suggesting that sex and the city was a turn-of-the-century fascination in Paris long before HBO turned it into an international cultural phenomenon.
Tilburg transports us from the world of art and artistry examined in the texts above to examine how new notions of sex and sexuality impacted the lives of ordinary working women. Through the figure of the idealized working Parisienne, the midinette, and the real-life woman worker she represented, Tilburg demonstrates how contemporaries evoked women’s working bodies as symbols of French taste and craftsmanship while also regarding them as potentially dangerous sexual and political subordinates. A painstakingly researched book, Working Girls brilliantly captures the insidious ways in which woman as cultural symbol covers over the socioeconomic hardships and political limitations real women encountered in everyday life.
As the twentieth century dawned and France entered an era of extraordinary labor activism and industrial competition, an insistently romantic vision of the Parisian garment worker was deployed by politicians, reformers, and artists to manage anxieties about economic and social change. Nostalgia about a certain kind of France was written onto the bodies of the capital's couture workers throughout French pop culture from the 1880s to the 1930s. And the midinettes-as these women were called- were written onto the geography of Paris itself, by way of festivals, monuments, historic preservation, and guide books. The idealized working Parisienne stood in for,…
I left home in Melbourne to spend a year travelling in Asia when I was in my mid-twenties. I ended up living abroad for a decade in London, Bangladesh, and Myanmar before returning to Sydney in 2016. My first book is about the four years I lived in Myanmar and I’m currently writing my second, which is about the year I spent backpacking from Cambodia to Pakistan. My third book will be about the three years I worked as a journalist in Bangladesh. My plan is to write a ‘trilogy’ of memoirs. Living abroad has enriched my life and travel memoirs are one of my favourite genres, both as a reader and a writer.
What’s not to love about a book set in Paris about a journalist who falls in love with a Frenchman? This book is a delight. Turnbull writes beautifully, and with modesty and humour about making every faux pas imaginable in Paris. It’s light and insightful at the time. The pages practically turned themselves.
Almost French takes readers on a tour fraught with culture clashes but rife with insight and deadpan humour - a charming true story of what happens when a strong-willed Aussie girl meets a very French Frenchman.
Backpacking around Europe, twenty-something Sarah Turnbull meets Frederic and impulsively accepts his invitation to visit him for a week in Paris. Eight years later, she is still there - and married to him. The feisty journalist swaps vegemite for vichyssoise and all things French, but commits the fatal errors of bowling up to strangers at classy receptions, helping herself to champagne, laughing too loudly…
As an American living and cooking in Sicily for almost sixty years, I have soaked up Sicilian cuisine and culture both through research and by osmosis, delighting in discovering how the food I was preparing reflected the island’s position in history and geography, a meeting point for almost all the civilizations of the Mediterranean. My first book, a memoir of my life here entitled On Persephone’s Island, was followed by Pomp and Sustenance. Twenty-five Centuries of Sicilian Food, the first book on Sicilian cuisine to be published in English. Six more books on different aspects of Sicilian food and culture, in English or in Italian, have followed.
Whenever I feel a stab of nostalgia for my American childhood, I turn to M.F.K. Fisher, one of the most delightful food writers ever. The Art of Eating is a one-volume edition of six of her books, all written before I graduated from high school: it gives a funny and informative account of American (and other) eating habits before the great foodie revolution of the ‘80’s altered everything. It offers mostly food for the mind but the palate is also served by recipes I’d forgotten all about, often given both in their comfort food guise and in fancy dress.
Ruth Reichl - 'Mary Frances [Fisher] has the extraordinary ability to make the ordinary seem rich and wonderful. Her dignity comes from her absolute insistence on appreciating life as it comes to her'. Julia Child - 'How wonderful to have here in my hands the essence of M.F.K. Fisher, whose wit and fulsome opinions on food and those who produce it, comment upon it, and consume it are as apt today as they were several decades ago, when she composed them. Why did she choose food and hunger she was asked, and she replied, 'When I write about hunger, I…
