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As pop music critic for the San Francisco Chronicle for nearly forty years and author of more than twenty books on pop music, books on these subjects have always held a special fascination for me. To me, musicians are heroes like athletes or warriors and their paths make for extraordinary drama—usually set to some fabulous soundtrack. There is a big, wonderful world beyond Ray and Bohemian Rhapsody and I can’t wait to see what Hollywood comes up with.
Who knew the story of the first popular country music group would be wrapped around a heart-breaking romance? The poor, backwoods musicians from southern Virginia had sold more than a million records at the height of the Depression, but things were not well with the group. Sara Carter, the wife of stern, difficult A.P. Carter, leader of the group, had fallen in love with his young cousin. He was sent away to live in California and never mentioned again until one night many years later, when Sara dedicated a song to him on one of their late-night Mexican radio broadcasts. He heard it all the way out in California and contacted her. She completed her duties with the group and joined her love out west, where they spent the rest of their lives together, leaving her cousin Maybelle to carry on the family tradition with her daughters June, Helen, and…
The first major biography of the Carter Family, the musical pioneers who almost single-handedly created the sounds and traditions that grew into modern folk, country, and bluegrass music.
Meticulously researched and lovingly written, it is a look at a world and a culture that, rather than passing, has continued to exist in the music that is the legacy of the Carters—songs that have shaped and influenced generations of artists who have followed them.
Brilliant in insight and execution, Will You Miss Me When I'm Gone? is also an in-depth study of A.P., Sara, and Maybelle Carter, and their bittersweet story…
As pop music critic for the San Francisco Chronicle for nearly forty years and author of more than twenty books on pop music, books on these subjects have always held a special fascination for me. To me, musicians are heroes like athletes or warriors and their paths make for extraordinary drama—usually set to some fabulous soundtrack. There is a big, wonderful world beyond Ray and Bohemian Rhapsody and I can’t wait to see what Hollywood comes up with.
Engineer Ken Caillat’s richly detailed account of the arduous and complicated creation of the classic Fleetwood Mac album reads like a novel. He winds together the personal and creative narratives that were tangled up in the months-long creation of this epic work, while the two couples in the band came apart and personal relations suffused the process. Calliat himself was conducting an affair with the studio manager. It was all sex, drugs, and rock and roll.
Inside the making of one of the biggest-selling albums of all time: Fleetwood Mac's Rumours
Fleetwood Mac's classic 1977 Rumours album topped the Billboard 200 for thirty-one weeks and won the Album of the Year Grammy. More recently, Rolling Stone named it the twenty-fifth greatest album of all time and the hit TV series Glee devoted an entire episode to songs from Rumours, introducing it to a new generation. Now, for the first time, Ken Caillat, the album's co-producer, tells the full story of what really went into making Rumours—from the endless partying and relationship dramas to the creative struggles…
As pop music critic for the San Francisco Chronicle for nearly forty years and author of more than twenty books on pop music, books on these subjects have always held a special fascination for me. To me, musicians are heroes like athletes or warriors and their paths make for extraordinary drama—usually set to some fabulous soundtrack. There is a big, wonderful world beyond Ray and Bohemian Rhapsody and I can’t wait to see what Hollywood comes up with.
The epic life of French jazz guitarist Django Reinhart deserves a Spielbergian biopic treatment. After the cart fire where he damaged his hand and the personal epiphany of hearing a Louis Armstrong record, the Gypsy guitarist would bring jazz to Europe with his near magical musical improvisations. He lived a wild, carefree life, full of big cars, large dreams, and sensual pleasures. When the Nazis took over Paris, he returned to his homeland, opened one of the city’s most dazzling nightclubs, and made hit records that flooded the French airwaves during the Occupation. When the war was over, his career went out like a light switch and Django repaired to a quiet life in a remote riverfront village, spending his time fishing and painting nudes.
Django Reinhardt was arguably the greatest guitarist who ever lived, an important influence on Les Paul, Charlie Christian, B.B. King, Jerry Garcia, Chet Atkins, and many others. Yet there is no major biography of Reinhardt. Now, in Django, Michael Dregni offers a definitive portrait of this great guitarist. Handsome, charismatic, childlike, and unpredictable, Reinhardt was a character out of a picaresque novel. Born in a gypsy caravan at a crossroads in Belgium, he was almost killed in a freak fire that burned half of his body and left his left hand twisted into a claw. But with this maimed left…
As pop music critic for the San Francisco Chronicle for nearly forty years and author of more than twenty books on pop music, books on these subjects have always held a special fascination for me. To me, musicians are heroes like athletes or warriors and their paths make for extraordinary drama—usually set to some fabulous soundtrack. There is a big, wonderful world beyond Ray and Bohemian Rhapsody and I can’t wait to see what Hollywood comes up with.
We need a documentary made from this exquisite history of how rock and roll came to Great Britain by the redoubtable Pete Frame, best known for his intricately calligraphed and intensely researched Rock Family Trees. He walks readers through the rise of Tommy Steele and the 2I’s club in Soho, where Cliff Richards, England’s Elvis, and other nascent stars of the new sound were discovered. He skillfully entwines the strains of skiffle, trad jazz, and early British r&b into his narrative and brings to life early British rock and rollers such as Marty Wilde, Billy Fury, Vince Taylor, and others who never made their way across the Atlantic, setting the stage for the emergence of the Beatles and nothing less than an explosion of British culture on a global scale after the many long, dark years following World War II. This brilliant book is stuffed full of original research and…
It was our version of a Hollywood epic, shot in black and white over a ten year period, with no script and a cast of thousands who had to make it up as they went along. Tommy Steele, Cliff Richard, Lonnie Donegan, Terry Dene, Marty Wilde, Mickie Most, Lionel Bart, Tony Sheridan, Billy Fury, Joe Brown, Wee Willie Harris, Adam Faith, John Barry, Larry Page, Vince Eager, Johnny Gentle, Jim Dale, Duffy Power, Dickie Pride, Georgie Fame and Johnny Kidd were just a few of those hoping to see their name in lights. From the widescreen perspective of one who…
My father, a huge Ella Fitzgerald fan, had a bunch of her records, and took us to hear her live once. So I knew mid-century jazz, but I had yet to discover its early origins. From the first, I knew my trilogy was set in the 1920s and one of the main characters had to be a jazz musician. I began collecting dozens of recordings by early jazz and blues artists, reading books about them, and I developed an enthusiasm for these early musicians. I found that the original “jazz maniacs” had the same passion for their music that I felt about rock and roll in the early 1960s.
Rereading this book, with its rhapsodic descriptions of some of the first jazz recordings, rekindles the excitement I was feeling about the early 1920s when I began writing my trilogy and researching the era. Kennedy chronicles the early Black and White jazz artists from New Orleans, who transplanted to Chicago, and the young Midwesterners who took up the mania for jazz. His enthusiasm for, and his devotion to the early development of jazz is infectious.
Some of the earliest performances by the likes of Jelly Roll Morton, the New Orleans Rhythm Kings, King Oliver, Louis Armstrong, and Bix Beiderbecke were preserved on recordings produced at Gennett Studios, an independent company operating in Richmond, Indiana, from 1917 to 1932. Hoagy Carmichael's "Stardust" debuted on Gennett as a dance stomp. The Gennetts made music history by recording young jazz pioneers in the Midwest and folk musicians from the Appalachian hills at a time when major record labels in the East couldn't be bothered.Gennett featured such country music stars as Gene Autry, Chubby Parker, and Bradley Kincaid and…
My father, a huge Ella Fitzgerald fan, had a bunch of her records, and took us to hear her live once. So I knew mid-century jazz, but I had yet to discover its early origins. From the first, I knew my trilogy was set in the 1920s and one of the main characters had to be a jazz musician. I began collecting dozens of recordings by early jazz and blues artists, reading books about them, and I developed an enthusiasm for these early musicians. I found that the original “jazz maniacs” had the same passion for their music that I felt about rock and roll in the early 1960s.
I highly value Condon’s ability to describe the daily anxiety and desperation of the poor jazz musicians, who constantly struggled to find work and pay the rent. He does so with great good humor. He tells a good story and he’s got a million of them, including a few about gangsters, but mostly about the many great jazz musicians like Bix Beiderbecke, whom he worked with and knew well. His many terse stories prove that brevity is the soul of wit. His dialogue is worthy of Ben Hecht—he’s good at wisecracks. I was sorry when the book came to an end.
Eddie Condon (1905-1973) pioneered a kind of jazz popularly known as Chicago-Dixieland, though musicians refer to it simply as Condon style. Played by small ensembles with driving beat, it was and is an informal, exciting music, slightly disjointed and often mischievous. The same could be said of Condon's autobiography, We Called It Music, a book widely celebrated for capturing the camaraderie of early jazz. Condon's wit was as legendary as the music he boosted. Here is Condon on modern jazz: "The boopers flat their fifths. We consume ours." On Bix Beiderbecke: "The sound came out like a girl saying yes."…
My father, a huge Ella Fitzgerald fan, had a bunch of her records, and took us to hear her live once. So I knew mid-century jazz, but I had yet to discover its early origins. From the first, I knew my trilogy was set in the 1920s and one of the main characters had to be a jazz musician. I began collecting dozens of recordings by early jazz and blues artists, reading books about them, and I developed an enthusiasm for these early musicians. I found that the original “jazz maniacs” had the same passion for their music that I felt about rock and roll in the early 1960s.
I have so many reasons why this is one of my all-time favorite books. Berton’s descriptions of music, specifically jazz or music in general, are superb. Ralph Berton describes himself as a precocious 13-year-old (an understatement!), when in 1924 he meets Bix Beiderbecke, seven years his senior, and idolizes him. This relationship is a great part of the book’s charm. The Berton family—with its vaudeville background, two famous musical brothers (besides the child genius Ralph), and a Jewish mother—is another part of the appeal. But the heart of the book is his affectionate, penetrating portrait of Bix, derived from personal experience. He examines the myths and legends, sometimes debunking and sometimes reinforcing them. A magical, bittersweet book that often brought me to tears. Exceptional writing.
As Nat Hentoff says, "Hearing Bix for the first time was like waking up to the first day of spring." Bix has always inspired such acclaim, for he was an unmatched master of the cornet. Ralph Berton was privileged enough to have been a fan,and younger brother of Bix's drummer,just as Beiderbecke's genius was flowering, before he died in 1931 at age twenty-eight. Listening from behind the piano, tagging along to honky-tonks and jam sessions, Berton heard some of the most extraordinary music of the century, and he brings Bix and his era alive with a remarkable combination of the…
My father, a huge Ella Fitzgerald fan, had a bunch of her records, and took us to hear her live once. So I knew mid-century jazz, but I had yet to discover its early origins. From the first, I knew my trilogy was set in the 1920s and one of the main characters had to be a jazz musician. I began collecting dozens of recordings by early jazz and blues artists, reading books about them, and I developed an enthusiasm for these early musicians. I found that the original “jazz maniacs” had the same passion for their music that I felt about rock and roll in the early 1960s.
This book helped me understand the lives of young male jazz musicians in the early 20th century. A wacky, ecstatic, fragmented, kaleidoscopic, memoir—nostalgic always for Bloomington, Indiana, and his college days in the early 1920s. There Carmichael met his pals Monk and Bix, both of whom died too young. He dedicates the book to them and remembers them fondly. Monk, a surrealistic poet, and Bix, a great musical genius, they understood each other immediately. Bix responded to one of Monk’s poems saying, “I am not a swan.” There is a Dadaist flavor to Monk’s writing, as well as some of Hoagy’s: “The years had pants.” Intertwined with these memories is the slow, jerky progress of Carmichael’s journey from a would-be composer to a famous songwriter.
The swing composer relates personal experiences in his musical career includi his association with such personalities as Bix Beiderbecks and William Moenkhaus.
I have always been intrigued by the Roaring 20s, and specifically in how the lives of women truly began to change during this time. My grandmother loved to boast about how she had been a flapper as a young woman. Her sister-in-law was one of the first female attorneys in Detroit in the mid-20s. The era brought about opportunities and freedoms previously unknown to women. Many women suddenly had options, both in terms of careers and lifestyles. Goals of first wave feminists were beginning to be reached. The research I did for my book furthered my understanding of society at the time, particularly in America.
Curious about what life was like in the Chicago speakeasies of the 1920s—especially for Black chorus women?
Follow ambitious, yet vulnerable, Honoree Palcour, as she envelops you in her past. Like to feel like what it was like to be alive in an earlier era? You won’t be disappointed by this exciting and well-written tale!
As a scholar as well as performer of the African American creative improvised music usually called jazz, my attunement to this art form resonates with its historico-cultural matrix as much as with the sounds themselves. These books distinguish themselves for being well-researched and rigorous. They are the real deal, doing justice to the heart as well as the intellect of this art form.
This book is remarkable for Lewis’s unique profile, which combines status as a major contributor to, as well as a critic of, creative improvised African-American music. It tells of the Association for the Advancement of Creative Music (AACM), an organization focused on freely improvised music, which is unique for having wedded aesthetic innovation with the struggle for social justice.
Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, "A Power Stronger Than Itself" uncovers a vibrant, multicultural universe and brings…
