Lapvona took hold of me immediately and would not let go. The narrative drives and compels.
The characters are richly developed, deeply flawed, wholly sympathetic. The world of the story is fully realized, even when things veer unnatural. And Moshfegh juggles and manipulates language like a magician. Moshfegh convinced me of the unbelievable, made the unpleasant delicious, made me want to read more and more.
“Lapvona flips all the conventions of familial and parental relations, putting hatred where love should be or a negotiation where grief should be . . . Through a mix of witchery, deception, murder, abuse, grand delusion, ludicrous conversations, and cringeworthy moments of bodily disgust, Moshfegh creates a world that you definitely don’t want to live in, but from which you can’t look away.” —The Atlantic
In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of…
I am an associate professor at Nottingham Trent University and my interest in the Mongols first began many years ago during my MA at Royal Holloway University. I had always been interested in the historic relationships between nomadic and agricultural societies, but what I found fascinating about the Mongols was the sheer speed and range of their expansion—how could they have conquered the greater part of the Asia within only a few decades? Exploring how the Mongols grappled with the realities of ruling such a vast imperium remains a very thought-provoking issue, so too is the question of how the peoples they overthrew accommodated themselves to Mongol rule.
As the Mongol Empire expanded it seized control over many different regions, peoples, and religious communities. Among these were many Islamic societies, especially in the Near East. In this remarkable piece of scholarship Peter Jackson examines the nature of Mongol rule in the Near East providing analysis on topics such as: how the onset of Mongol rule influenced the region’s trade, how the Mongols treated the Muslim peoples under their control, and also why the Mongols in the Near East themselves ultimately converted to Islam.
An epic historical consideration of the Mongol conquest of Western Asia and the spread of Islam during the years of non-Muslim rule
The Mongol conquest of the Islamic world began in the early thirteenth century when Genghis Khan and his warriors overran Central Asia and devastated much of Iran. Distinguished historian Peter Jackson offers a fresh and fascinating consideration of the years of infidel Mongol rule in Western Asia, drawing from an impressive array of primary sources as well as modern studies to demonstrate how Islam not only survived the savagery of the conquest, but spread throughout the empire.
After enjoying Josephine Tey’s wonderful Daughter of Time, in which she exonerates Richard III from the crime of murdering the princes in the tower, followed by the Brother Cadfael mysteries, I became hooked on historical crimes and decided to try writing them myself! It was quite a challenge researching both the history and the settings from Australia, but the novels became a wonderful excuse for lengthy visits to travel around Great Britain and France. As well as writing the Janna Chronicles, my passion for history has also prompted several other published novels and series, including the Shalott trilogy.
Because my character Janna seeks refuge in an abbey while on her quest to find her father, I found it interesting and instructive to read about Abbess Helewise and life at Hawkenlye Abbey in more detail. I also enjoyed trying to second-guess whodunit as the Abbess and her helpmate, lord of the manor, Josse d’Acquin, solve the many crimes that come their way. And I was intrigued by the supernatural elements introduced by Alys Clare, with the abbey being situated so close to the ancient forest in the Great Weald, and how the two worlds often intertwine.
Shortly before his unexpected coronation, King Richard passed a law letting all of England's prisoners go free. Shortly afterwards a young nun is found, gruesomely murdered. Richard swiftly employs an old military colleague of his, Josse d'Acquin, to unravel this hideous mystery. Who could have wanted to kill this innocent young novice, and, more worryingly, why?
Josse goes to Hawkenlye Abbey to find out the answers to these questions. He is having little success until meets the Abbess Helewise, a woman who quickly proves herself to be his equal, both as an amateur sleuth, and as a figure the community…
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Craft’s books are not as well known as some other Lovecraftian writers on this list, but they should be.
He takes the expected details for any Lovecraft-inspired story then turns it sideways. He weaves in an atmosphere from the hardboiled mystery writers of Lovecraft’s era, such as Dashiel Hammett and Raymond Chandler.
Cthulhu’s Minions starts a series which follows the Arkham Detective as he falls deeper into a world he never knew existed. This book taught me that a writer can take an existing world that is familiar to readers and still make it their own.
Cthulhu’s Minions, in this story, are Pilot Demons. They originally came into being in my novel “The Alchemist’s Notebook” based on my screenplay for “The Cry of Cthulhu.” They are creepy little things that became such great supporting characters (in a terrible sort of way) that I thought that they deserved their own separate story.“Cthulhu’s Minions” takes place in an alternate universe somewhat like the 1930’s when H.P. Lovecraft was writing his Cthulhu Mythos and writers like Dashiell Hammett and Raymond Chandler were creating the hardboiled mystery drama. Indeed, it is as if we are being treated to a Dashiell…
I fell into medieval history from the moment I arrived at university, when I looked at a lecture list that included the Norman Conquest, King John and Magna Carta, Edward I – in short, the subjects of the books I have gone on to write. The attraction for me was that the medieval centuries were formative ones, shaping the countries of the British Isles and the identities of the people within them. After completing my doctorate on the thirteenth-century earls of Norfolk I was keen to broaden my horizons, and presented a TV series about castles, which was a great way to reconnect with the reality of the medieval past.
When I arrived in Oxford in 1998 to begin my doctorate, I knew a bit about English medieval history, but almost nothing about the histories of Wales, Scotland, and Ireland. That deficiency was corrected by Prof Rees Davies, at whose feet I was lucky enough to sit. Earlier that same year Rees had delivered the prestigious Ford lectures in Oxford, and they were published two years later as The First English Empire. Deeply learned, but also beautifully written, they are a powerful meditation on centuries when English power expanded aggressively into the rest of the British Isles, and the effects this had on national identities, which continue to resonate to this day.
The future of the United Kingdom is an increasingly vexed question. This book traces the roots of the issue to the Middle Ages, when English power and control came to extend to most of the British Isles. By 1300 it looked as if Edward I was in control of virtually the whole of the British Isles. Ireland, Scotland, and Wales had, in different degrees, been subjugated to his authority; contemporaries were even comparing him with King Arthur. This was the culmination of a remarkable English advance into the outer zones of the British Isles in the twelfth and thirteenth centuries.…
I’m fascinated by systems of thought and very interested in understanding how we can improve our ability to create a better society for all. I think the past makes a good laboratory for investigating these kinds of questions. I got interested in early modern economic theory while researching the English East India Company for my dissertation in the sociology department of Columbia University, which was a great place for historical and computational sociology. I now teach economic sociology and theory as a professor at Yale University, another institution with amazing strengths in history, data science, and computational methods.
This book is a classic and a pleasure to read. If you like Natalie Zemon Davis, you will like Joyce Appleby. It is a terrific introduction to the fascinating world of early modern economic thought and solidifies the importance of mercantilist thought in the era of power and plenty and ships of the line.
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
If you want to learn about medieval Florence, why not go directly to the source? Dino Compagni was a Florentine merchant, a member of the silk guild, and an active member of the city’s government, contemporary with Dante. He was right in the middle of things during that turbulent period—he saw it all and took part in a lot of it. His chronicle, which covers from about the year 1280 to the beginning of the fourteenth century, relates the harm he perceived coming from factional strife. Bornstein’s translation is clear and readable, and his extensive notes and introduction help to make sense of this long-ago time.
Dino Campagni's classic chronicle gives a detailed account of a crucial period in the history of Florence, beginning about 1280 and ending in the first decade of the fourteenth century. During that time Florence was one of the largest cities in Europe and a center of commerce and culture. Its gold florin was the standard international currency; Giotto was revolutionizing the art of painting; Dante Alighieri and Guido Cavalcanti were transforming the vernacular love lyric. The era was marked as well by political turmoil and factional strife. The inexorable escalation of violence, as insult and reprisal led to arson and…
Ever since I was little, I’ve been fascinated with various historical societies, but particularly that of medieval Europe. The ebb and flow of political strife as well as the gradual creeping advancement of technology in an era too-often deemed “the Dark Ages” sparked a passion in me that led me to pursue a degree in history. Prior to my studies, I had the opportunity to travel to Norway, where my love for the medieval era was ignited as my family toured the dipping green fjords and walked the burial mounds of kings long past. I aim now to tell their stories.
Kristen Britain’s Green Rider is an adventure that takes place in a carefully crafted medieval world.
What’s notable is the way Britain integrates medieval culture and tradition into the story. From the honor code of the Green Riders to the standard of loyalty and virtue, the novel is steeped in values commonly held in the medieval era. This adds authenticity to the story.
The series also introduces ‘fantasy flair’ in the Eletians, a group of people I could closely associate with the Elves in my own book.
It's a race against time to save her country, but it could cost her life . . .
Karigan G'ladheon always seemed to be getting into a fight, and today was no exception.
But as she trudged through the forest, using her long walk home to contemplate her depressing future - and the expulsion it was bound to hold - a horse burst through the woodland and charged straight for her. The rider was slumped over his mount's neck with two arrows embedded in his back. Wherever his horse was taking him, he would be dead before they got there.…
As a university historian and archaeologist my focus has been the Early Middle Ages. In the 1990s I wrote several books about the fifth and sixth centuries which barely mentioned Arthur but popular histories and films based on his story just kept coming, so I decided to look again at his story and work out how and why it developed as it did. I have published three well-received books on the subject, each of which builds on the one before, plus articles that have been invited to be included in edited volumes. I disagree with much in the five books above but collectively they reflect the debate across my lifetime. It is a great debate, I hope you enjoy it.
Oliver Padel is a linguist specializing in early Welsh and Cornish and as such the ideal guide to Arthur’s presence in early Celtic literature. While acknowledging that the earliest datable instances come in the Historia Brittonum in 829-30, his view is that Arthur began as a figure of Celtic mythology and was only later converted into a pseudo-historical figure fixed in the past. In that sense, the early Arthur is the individual in the Historia Brittonum in the section called Mirabilia (Wonders), where he is used as a way of explaining landscape features and the names given to them, who has then been adapted to be a British general fighting 12 battles in chapter 56. This has strongly influenced ways of looking at the evidence in recent years and it deserves our attention.
Personally, I don’t agree with it for two reasons. First of all is the whole issue of…
A fascinating survey of the numerous references to Arthur found in medieval Welsh literature emphasising the diverse literary genres used and the multifaceted portrayal of the character. New edition.
I've been fascinated by medieval history ever since I played hide and seek around Welsh castles as a boy. At university – a medieval invention, of course – I was able to sit at the feet of some of the finest historians of the Middle Ages, experts like Maurice Keen and Patrick Wormald. As a writer, I have tackled medieval subjects like Alfred the Great and Richard III, as well as the history of English rebellion. I have come to realise that the Middle Ages could be cruel and violent, just like our own time, but that they were also a time of extraordinary achievements that form the foundations of the world we live in.
This was the first book to open my eyes to the strangeness and sophistication of medieval life. To an English reader, its focus on the European Middle Ages is revelatory, as is its concentration on writers and travellers rather than kings and knights. At the time he wrote the book, the brilliant Richard Southern was hospitalized with tuberculosis. The book seems to be a distillation of a lifelong passion, which, fortunately, he was able to pursue for another four decades.
A distinguished Oxford historian presents an absorbing study of the main personalities and the influences that molded the history of Western Europe from the late tenth to the early thirteenth century, describing the chief forms of social, political, and religious organization. "A book of rare value."-Sidney Painter, American Historical Review
