The most recommended letters books

I love letter collections and this one is among my very favorites. From 1940 to 1973, Ursula Nordstrom was the director of the Department of Books for Boys and Girls at Harpers, one of New York’s biggest publishing houses. Her letters to the authors she worked with are so funny, sharp, and wise that I always wish I’d had a chance to work with her. Even if I had, though, the competition was stiff as her authors included pretty much every single person who wrote and/or illustrated what we now think of as a children’s classic. To name just a few: Charlotte’s Web and Stuart Little; Where the Wild Things Are; Goodnight Moon; The Little House on the Prairie Books, and many, many more. You’ll learn how they all came to be and also close the book feeling like you had a great, gossipy publishing lunch in… show more.

Jane Austen is known mainly from her novels, but her surviving letters provide a wonderful insight into her life and character. Most of them were written to her sister, Cassandra, whenever they were separated. This edition, by Deirdre Le Faye, is the most complete and accurate collection of the known letters, and it also includes invaluable notes on what she wrote and the people who were mentioned.

A memoir in letters about a solitary writer in mid-century New York corresponding with the proprietor and staff of a used book shop in London, from whom she orders inexpensive but attractive copies of mostly classics over a period of decades. Even more, it’s a memoir of relationships that develop as a consequence (all through letters; the principals never meet in person). There are so many reasons I love it. For one thing, Helene Hanff collects, rather than accrues. She’s not in it for the First Editions (which doesn’t mean she can’t appreciate decent paper or proper weight or used book smell); she’s in love with the words, and the way they seem to make her feel more like a fellow human being than her interactions with actual people do. There is the natural infusion, over a period of years, of not just incidental details of lives being lived but… show more.

On Vincent van Gogh’s death, and the subsequent death of his brother, Theo, six months later, Johanna van Gogh-Bonger – at only twenty-eight years old – became keeper and advocate of Vincent’s immense collection of paintings, sketches, letters, and illustrations. 

Whilst grieving and caring for her infant son, Jo translated those letters. That we are able to read Vincent’s letters and to hear his words add both depth and insight to our appreciation of his art. This book is our chance to connect with a Vincent beyond the tortured artist that contemporary society portrays. These letters are one of Jo’s many gifts to us. 

Seneca was one of the last of the ancient Stoics who lived during the time of Nero. Towards the end of his life, he wrote several letters to a young prefect, Lucilius. These letters were not just meant to be read by Lucilius but the generations to come as well. Seneca’s letters are well written and cover a wide range of topics as they relate to the art of living. These essays are a ‘how to’ guide to living.

Why this translation? Although there are 124 letters in all, modern translators tend to translate just a selection. Robin Campbell is no exception. I chose this translation because it is as good as any and it is not pricey.

This is one of those topics that seems obvious once someone writes a book about it—but Susan Carruthers is the one who recognized a topic crying out for attention, and she’s the very best person I can imagine writing this book.

She’s good at poignancy and irony and heartbreak. That may sound like a strange thing to say about a historian—she’s good at heartbreak—but she understands that history is made up of people. There’s an argument here, in addition to some absorbing stories, but she’s also asking us to stop and think: what role have Dear John letters played in America’s wars?

The authors spent ten years researching and acquiring the 30,000 letters that resulted in this collection portraying the wide range of experiences of women in uniform during World War II. I’ve returned to this book often during my research and would recommend it to anyone who wants to learn more about the role women played during the war. These eyewitness accounts of the day-to-day lives of ordinary women stepping up to do extraordinary things are compelling and inspirational.

Narrative Therapy (of which this book is the founding text) traces its roots back to the French philosopher Michel Foucault and postmodern philosophy. Not that anyone can agree on a definition of postmodernism. Invoking Foucault’s critique of power, narrative therapy sees the DSM-5 (the standard list of mental illness that is akin to the Bible in psychiatry) as grounded not in objective truth but as a mostly fabricated list of pseudo-diseases a profession has conjured up in order to assure it is well-paid. Narrative therapy works not on attempting to change any objective condition the client may inhabit but to motivate the patient to change his subjective view of his condition.

This book became a lifeline for me when I was going through an unhappily difficult and extremely stressful time. I felt as if it was written for me as a form of salve for my lack of trust in myself and my life at this point.

Rilke is wise, knowing, and reassuring about the vicissitudes of our emotional journeys. He encouraged me to hold onto myself in an emotional sense. To seek my own inner counsel and to not panic when my life seemed to unravel. I love his discourse on faith, solitude, trust, and his dissection of what it is to be an artist.

I found this a profoundly important and moving book when I was wavering about the bigger picture of life.

Examines how the architects of the conflict worked to influence and indoctrinate their respective ideologies in the ordinary soldiers by analyzing the battle orders, pamphlets, army journals, and recordings of radio broadcasts in Hebrew, Arabic, and English. Through two overarching narratives – the official and unofficial, the propaganda and personal letters, Dear Palestine reveals the fissures between ‘sanctioned nationalism’ and individual experience and identity. This book reminds one that everyday individual’s fears, bravery, hubris, base cruelty, lies, and fantasies are as important in history as the preoccupations of the elites.