I’ve always read and loved crime fiction – so much so I did a doctorate in it. I believe good crime fiction has the capacity to explore particular societies, places, and times in interesting and enjoyable ways. I also like crime fiction’s focus on character, and particularly in crime series which show a character evolving over time. That’s why I chose the theme of ‘flawed detective’ and that’s what I’m trying to do in my Schalk Lourens series, of whichPresent Tenseis the first. I hope you enjoy it, and also the other books I’ve recommended here.
Christine Falls is the first in a series of crime novels by Booker-winning author John Banville, writing as Benjamin Black. The novels are set in Ireland in the 1950s and they feature Quirke, a misanthropic, hard-drinking, depressive pathologist. All the novels in the series are master classes in how to manage setting, character, and language. All of them are great reads. I’ve chosen Christine Falls because it’s the first in the series. It starts with a presumed suicide and widens to feature corruption and betrayal by family, church, and state.
In the debut crime novel from the Booker-winning author, a Dublin pathologist follows the corpse of a mysterious woman into the heart of a conspiracy among the city's high Catholic society
It's not the dead that seem strange to Quirke. It's the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his…
As a curious Pratt Institute art school professor and loving parent of a daughter who has also written and/or illustrated sixteen children’s books I want to share my favorite books with other children’s book connoisseurs. It also helps that I have lots of opinions. Too many to count. And when someone actually wants to listen to my opinions I get very excited. I’m hoping one of my favorites becomes one of your favorites.
This book by the author of Shrek and one of my favorite artist/authors is a story of an island inhabited by crazy awful disgusting creatures and how they make it a terrible rotten island until nature takes hold and corrects all that.
A great book when thinking about our planet and environment. And the artwork is magnificent.
What would happen if every creature on land and sea were free to be as rotten as possible? If every day was a free-for-all; if plants grew barbed wire; if the ocean were poison? That's life on Rotten Island. For creatures that slither, creep, and crawl (not to mention kick, bite, scratch, and play nasty tricks on each other), Rotten Island is paradise. But then, on a typically rotten day, something truly awful happens. Something that could spoil Rotten Island forever. Out of a bed of gravel on the scorched earth, a mysterious, beautiful flower begins to grow...
I have always felt like an outsider and so have been preoccupied by questions of identity and belonging. In my youth, I became fascinated by the great Irish writers W. B. Yeats and James Joyce and their struggles with such questions after my family moved from Ulster to Scotland. As a young academic in Brisbane, I encountered fierce debates about Australian national identity as it shifted from a British heritage to a multicultural society. In the flux of the modern world, our identities are always under challenge and often require painful renovation.
This play conveys the inner world of nationalism in both its romance and fanaticism.
Yeats’s play became a cult for young revolutionary nationalists in celebrating blood sacrifice for the nation. A young man joins an uprising on the eve of his wedding after meeting an old woman, Cathleen ni Houlihan (a folk name for Ireland), who pleads for his help to recover her green fields. By his sacrifice, Cathleen is transformed into a beautiful young woman with "the face of a queen."
Yeats later agonised over this play and developed a more ambivalent attitude to nationalism. When young nationalists staged a sacrificial rebellion in 1916, he warned in his poem "Easter 1916" that "Too long a sacrifice can make a stone of the heart." He asked in a later poem, "Did that play of mine send out / Certain men the English shot?"
Cathleen Ni Houlihan is a one-act play written by the renowned Irish poet and playwright, William Butler Yeats. The play was first performed in 1902 and is set in rural Ireland during the early 20th century. The story revolves around a family who is preparing for the wedding of their son, Michael, and his fianc�����e, Delia. However, their plans are interrupted when a mysterious woman named Cathleen Ni Houlihan arrives at their door seeking their help.Cathleen is a symbol of Ireland and her struggle for independence from British rule. She tells the family of her sons who have died fighting…
I’ve loved romance stories for as long as I can remember. When I was a child, we’d make the long drive to visit my grandma, and I would always sneak into her room, perusing the Harlequin romance books she was never without. As I grew older, I turned to novels with love stories to escape the hard times in my life. If I could rely on anything, it was that I would get a happy ending when I delved into those pages. When I began writing my own books, that feeling was what I became most passionate about giving to my readers. An escape from the everyday. The promise of a happy ending.
From the #1 New York Times bestselling author of One Day in December . . . When a double-booking at a remote one-room cabin accidentally throws two solace seekers together, it feels like a cruel twist of fate. But what if it’s fate of a different kind?
“A perfectly executed and quintessential romantic comedy.”—Christina Lauren, author of The Unhoneymooners
Spending her thirtieth birthday alone is not what dating columnist Cleo Wilder wanted, but she plans a solo retreat―at the insistence of her boss―in the name of re-energizing herself and adding a new perspective to her column. The remote Irish island…
As an experienced teacher I was fascinated by how writing personal stories helped to develop confidence as well as oral and written self-expression at different levels of complexity in children across the primary school age range. This encouraged me to embark on a MA in creative writing where I wrote an extended autobiographical piece that focused on how the relationship between my father and myself affected my childhood. I continued this research into my doctoral studies in Irish autobiography. I explored the history of Irish autobiography, memory, and identity formation. This research provided the context to write my own childhood memoir I Am Patrick.
John McGahern’sMemoiris a chronological narrative of his experiences in County Leitrim Ireland from the age of three. His continuous prose of detailed descriptions of places, people, and incidents combined with the child’s voice create a brutal home and school environment from which his only escape is the beauty of the local landscape. His contrasting depiction of his brutal father and loving mother resurrects my parents’ behaviour. He uses the most effective order of words to create a gripping narrative to represent Irish family silence. John’s precise style creates an addictive tension hooking me to every word where I am left to ponder on what is not said. John’s narration of his experiences encouraged me to partially adopt his approach in my own memoir.
From award-winning author John McGahern, a memoir of his childhood in the Irish countryside and the beginnings of his life as a writer.
McGahern describes his early years as one of seven children growing up in rural County Leitrim, a childhood was marked by his father’s violent nature and the early death of his beloved mother. Tracing the memories of home through both people and place, McGahern details family life and the beginnings of a writing career that would take him far from home, and then back again. Haunting and illuminating, All Will Be Well is an unforgettable portrait of…
I’ve been writing for a long time and reading even longer. I enjoy intelligent books that are well written—not overwritten or over punctuated—and as we all do both of those, I mean that it’s been well edited. And I understand the struggle which is why four of my five choices are from indie authors like myself.
I loved this book. If I had to describe this novel in one word it would be intelligent.
Set in Celtic Ireland in the Iron Age, the language is rich and expressive and Merrigan takes you into his world until you feel you belong there.
You are drawn into a time where everything is governed by the gods. The story takes you through the training of the young warriors and druids. With the ongoing conflict over land, and with the people’s lives steeped in superstitious beliefs, we come to care that the outcome falls well with our tribe.
Fionn is born into a simple rural tribe. His life is sweet as he grows to double figures playing with his sisters in the fields. At the age of ten, he is called to serve, and the boys of fighting age are gathered from across the land, taken from their families, and…
Ireland, 279 BC. A nation at war. For two boys, it will be gruelling. For Ireland . . . it will be bloody.
When the first raiding skirmishes of a foreign army are crushed and Ireland mourns her dead, one king knows their newfound peace is destined to fail. As Overking of Ailigh, Keeper of the North, he calls for the boys of his Celtic tribes to train as formidable warriors under his command.
For Aed, it begins as a fantastical quest. For Ronan, it helps him escape a cruel chieftain. Together, they must train and grow in strength and…
I am first generation American - my mother is from Ireland and my father is from Germany. I’ve always had an interest in my heritage and developed a passion for genealogy. My curiosity led me to researching Industrial Schools and Mother Baby Homes in Ireland. I’ve read many books about these institutions and also wrote a book of my own based on stories of former residents of St. Joseph’s Industrial School in Ballinasloe, Galway.
Moira J. Maguire has written a book that could be used by academics yet still fascinates a curious reader. Precarious Childhood in Post-Independence Ireland gives a full view of the system implemented to care for needy children. The study examines the roles of religion and state involved in providing services. Maguire references documents and quotes from reports to give the reader an authentic view of how destitute, abused, and illegitimate children were cared for.
This fascinating study reveals the desperate plight of the poor, illegitimate, and abused children in an Irish society that claimed to cherish and hold them sacred, but in fact marginalized and ignored them. It examines closely the history of childhood in post-independence Ireland, and breaks new ground in examining the role of the state in caring for its most vulnerable citizens.
Maguire gives voice to those children who formed a significant proportion of the Irish population, but have been ignored in the historical record. More importantly, she uses their experiences as lenses through which to re-evaluate Catholic influence in post-independence…
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
Irish mythological tales are usually divided into various cycles. I’ve already included the heart of the aristocratic Ulster Cycle with The Táin above. Here, with The Pursuit, A.K.A., the Tóraíocht, we have my favourite part of the Fenian Cycle, with a Dark Ages hallucinatory road trip across the island as runaway lovers try to evade capture by a jilted king. Did I mention it was funny? I should have. It’s great.
For a thousand years and more audiences have delighted in these Irish tales, wondering at the elopement of the impetuous Grainne with the heroic Diarmuid and heartbroken by the fateful flight of Deirdre. Two strong women take control of their destinies and both pay grievous prices.
I have bad days. At times there have been a lot of bad days. I’m alone, caring for someone, working, scooping the cat box, and mopping the floors. Sometimes it can all feel a little sad and hopeless, like I am alone in the world. Stories are where I go when I’m happy. When I want adventure, mystery, or romance. But they are mostly where I go when I want to feel like I’m not the only one who feels this way sometimes. I can see that it’s not just me. I’m not alone.
I can be cynical. I can refuse to see the miraculous even when it’s right in front of me. I don’t want to be like this, but I’m a skeptic. But what if I let myself believe something surprising, beautiful, and impossible?
This book made me want to believe in miracles, prayer, faith, and one person’s ability to change everything.
Now a Netflix film starring Florence Pugh: In this “old-school page turner” (Stephen King, New York Times Book Review) by the bestselling author of Room, an English nurse is brought to a small Irish village to observe what appears to be a miracle—a girl said to have survived without food for months—and soon finds herself fighting to save the child's life.
Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired…
Growing up in the nineties I was a Buffy fan, although that is probably understating things. I have all the Buffy novels, which I read over when waiting for the next series to come out (this was in the days before Netflix!). For me, Buffy had the exact right mix of humour, horror, and deeper complexity, dealing with issues that really impacted me, but in a way that made them accessible. I loved the characters, I loved Buffy herself, I loved her strength and humanity. When I decided to write Raising Hell, I was influenced by Buffy, but there are differences – Ivy is no chosen one, she chose herself.
The Call picks up on the horror element I loved in Buffy. In this alternative world, the Irish have banished the Sidhe, but as revenge, the Sidhe call Irish teens to their land, where they are hunted for 24 hours. You don’t know who will be called, or when, but eventually, it will be your turn. School is all about helping teens learn to survive when they are taken. Three minutes pass in our world before you are returned. But in what state? I loved the concept of this novel, and the main character will hit you in all the feels!
