Here are 100 books that Women and Warriors of the Plains fans have personally recommended if you like
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I go by the title AmericanStudier in my public scholarship and take that name very seriously. I believe nothing is more important for our future than better remembering our past and that pushing the nation toward its most inspiring ideals requires grappling with our hardest and most painful histories. On my AmericanStudies blog, in my Saturday Evening Post Considering History column, and in all my other scholarly, public, and social media content, I am committed to sharing our histories and stories, figures and works, voices, and writing in all forms and for all audiences. I hope you’ll join me in this work by reading and sharing these great books!
No book captures more clearly and compellingly the horrific, inspiring, and vital histories and stories of Native Americans than Brown’s.
I love the ways that Brown offers a profoundly new perspective on the American West, on the foundational myths that too often limit the way we see ourselves and the realities with which we must grapple instead, and on Indigenous communities as an essential part of the American story at every stage.
Revisionist Westerns are one of my very favorite genres, and this is the best one I know.
The American West, 1860-1890: years of broken promises, disillusionment, war and massacre.
Beginning with the Long Walk of the Navajos and ending with the massacre of Sioux at Wounded Knee, this extraordinary book tells how the American Indians lost their land, lives and liberty to white settlers pushing westward. Woven into a an engrossing saga of cruelty, treachery and violence are the fascinating stories of such legendary figures as Sitting Bull, Cochise, Crazy Horse and Geronimo.
First published in 1970, Dee Brown's brutal and compelling narrative changed the way people thought about the original inhabitants of America, and focused attention…
I grew up in Gainesville, Florida, and read every history of the area I could get my hands on, all the while imagining who lived there and what their lives were like. I got three degrees from the University of Florida and applied the skills learned there to Sand Mansions. The novel covers the years 1876 to 1905, a time in which a get-rich-quick frontier mentality slowly gave way to a more stable approach to community building. Sand Mansions won a prize for Best Adult Fiction from the Florida Authors and Publishers Association.
I was quite taken with Thom’s meticulous evocation of the great Tecumseh, an American much of whose life is unknown but whose formidable effort to form a Native American confederacy came at a time when the British and Americans were engaged in the War of 1812. With convincing detail, Thom gives us a Native American perspective on those turbulent times and shows us a Tecumseh who was not only a warrior but also a political strategist and a diplomat.
Rich, colorful and bursting with excitement, this remarkable story turns James Alexander Thom's power and passion for American history to the epic story of Tecumseh's life and give us a heart-thumping novel of one man's magnificent destiny—to unite his people in the struggle to save their land and their way of life from the relentless press of the white settlers.
“Oh, what a man this will be, with such a sign as that!”
In 1768, when Turtle Mother gave birth to a strong baby boy in the heart of the Shawnee nation, a green-yellow shooting star streaked across the heavens.…
Greg Shed is a self-taught California illustrator specializing in Americana. In addition to commercial work and portraits, he has illustrated more than a dozen children’s books—several of which are about American history. A dedicated researcher, Greg has traveled from the Plymouth colony to the American prairie in search of authenticity and details. He has consulted with Native American craftsmen on the manufacture of native period attire. He is known for capturing golden light in his paintings, which often depict Native American cultures, wildlife, and landscapes.
Creation’s Journey ties actual native stories and beliefs with genuine artifacts from the vast collections of the National Museum of the American Indian. It provides a refreshing approach to our understanding of indigenous people’s utilitarian objects and how important they are in their daily lives. The photos in this book show the care for detail and craftsmanship that was pervasive in everyday Native American objects and clothing. It inspired me to commission native Americans to hand make the various costumes shown in my book.
Drawing on the vast collections of the National Museum of the American Indian, Creation’s Journey retells the story of native life from the Arctic to the Tierra del Fuego, and from childhood to old age.
Greg Shed is a self-taught California illustrator specializing in Americana. In addition to commercial work and portraits, he has illustrated more than a dozen children’s books—several of which are about American history. A dedicated researcher, Greg has traveled from the Plymouth colony to the American prairie in search of authenticity and details. He has consulted with Native American craftsmen on the manufacture of native period attire. He is known for capturing golden light in his paintings, which often depict Native American cultures, wildlife, and landscapes.
Pilgrim Voices provides a fascinating first-hand description of pilgrims’ lives told through actual diaries and journals. Reading some of these 400-year-old accounts inspired me to visit the recreated 17th-century village of Plymouth Colony to gain a better sense of the environment as it once was in its wild and untamed state, along with the living conditions, customs, foods, and clothing of some of America’s first European settlers in the early 1600s.
A Notable Social Studies Trade Book for Young People and a C. S. Lewis Noteworthy book: A rich history of the pilgrim experience, as recorded in real diaries
Nearly four hundred years after the pilgrims left England in search of a better life, their stories still resonate with Americans today. In this account, the pilgrims’ own writings of their adventures and hardships are brought to life for young readers.
This touching account shows the pilgrims’ voyage on the Mayflower, their first meeting with the native people, and the hardships of hunger, illness, and death that they faced during their first…
I’ve loved hip-hop since, as Biggie Smalls would say, “the public school era.” For over 10 years, I’ve been a journalist and on-air host covering all facets of hip-hop from breaking emerging acts to interviewing superstars. Fashion Killa: How Hip-Hop Revolutionized High Fashion is my first book and the culmination of my expertise in fashion and pop culture. These books served as the bedrock for me—as inspiration, research, and motivation—and one day, I hope that my book will do the same for the next writer.
There’s a saying in hip-hop to always “trust the shooter”, a nod to the importance of photographers in capturing the moment.
Contact High goes behind the lens and celebrates the photographers who contributed to the visual evolution of hip-hop. This is one of the best coffee table hip-hop books and goes beyond just pretty pictures. By using contact sheets, readers get a rare insider view of the creative process and a deep appreciation for the power of photography.
ONE OF AMAZON'S BEST ART & PHOTOGRAPHY BOOKS 0F 2018 AN NPR AND PITCHFORK BEST MUSIC BOOK OF 2018 PICK ONE OF TIME'S 25 BEST PHOTOBOOKS OF 2018 NEW YORK TIMES, ASSOCIATED PRESS, WALLSTREET JOURNAL, ROLLING STONE, AND CHICAGO SUN HOLIDAY GIFT GUIDE PICK
The perfect gift for music and photography fans, an inside look at the work of hip-hop photographers told through their most intimate diaries—their contact sheets.
Featuring rare outtakes from over 100 photoshoots alongside interviews and essays from industry legends, Contact High: A Visual History of Hip-Hop takes readers on a chronological journey from old-school to alternative…
I’m a historian and writer who strives to combine the history of science and medicine, the study of visual culture, and cultural history in my work. Although I hated being dragged round art galleries and museums as a child, something must have stuck, laying the foundations for my interest in using images and artefacts to understand both the past and the present. Since the early 1990s I’ve been writing about portraits, how they work, and why they are important—I remain gripped by the compelling ways they speak to identity. It was a privilege to serve as a trustee of the National Portrait Gallery in London between 2001 and 2009.
Published by the National Portrait Gallery in Washington D.C., this beautifully produced and generously illustrated book contains essays on many aspects of portraiture with special emphasis on the USA. Portraits are fascinating; there is just so much to say about the ways in which materials such as paper, stone, metal, and canvas, ink, crayon, and paint can conjure up a human being. Nations, institutions, professions, families, and individuals all make use of portraits to affirm their positions, persuade those who view them of their worth, and shape forms of remembrance. The essays are relatively short, which encourages readers to browse, read a contribution and then come back often to look as well as read more about one of the most extraordinary forms of visual culture that has ever been produced.
Explores new approaches to portraying identity and the human face and figure, through works from the Smithsonian National Portrait Gallery's collections and other institutions. Is there more to portraiture than eyes meeting eyes? Beyond the Face: New Perspectives on Portraiture presents sixteen essays by leading scholars who explore the subtle means by which artists - and subjects - convey a sense of identity and reveal historical context. Examining a wide range of topics, from early caricature and political vandalism of portraits to contemporary selfies and performance art, these studies challenge our traditional assumptions about portraiture. By probing the diversity and…
I love exploring the theme of family legacies and learning the stories, even if fictionalized, of our ancestors who helped build America for future generations. I explored this theme with my Ellis Island series, but truly it influences everything I write. It began with my interest in my own genealogy and my love of research. Along with writing my own books, I host a blog on historical fiction called Novel PASTimes and am co-founder of the Faith & Fellowship Book Festival with the aim of connecting readers with really good books.
This book is so well written. It draws the reader into the story quickly with rich historical details and compelling characters. In 1838 in England a young woman helps her father, a lighthouse keeper, rescue survivors of a shipwreck. A century later a young Irish woman is sent to America to have her baby while living with a relative who is a lighthouse keeper. The 1938 woman learns family history that takes us back to the previous story. I love stories of family legacies and mysteries that come to us from the past.
From The New York Times bestselling author of The Girl Who Came Home comes a historical novel inspired by true events, and the extraordinary female lighthouse keepers of the past two hundred years.
“They call me a heroine, but I am not deserving of such accolades. I am just an ordinary young woman who did her duty.”
1838: Northumberland, England. Longstone Lighthouse on the Farne Islands has been Grace Darling’s home for all of her twenty-two years. When she and her father rescue shipwreck survivors in a furious storm, Grace becomes celebrated throughout England, the subject of poems, ballads, and…
I am a hopeless photographer. But I have a passion for looking at photographs, for trying to understand how good ones work. They are not just momentary slices of life but structured artefacts, sometimes technically interesting, that in myriad ways reflect the society that produced them. I studied aspects of US cultural history at three universities. After devoting the first part of my academic career to American literature, in the second half – during which, supported by wonderful fellowships, I spent much time rooting in archives – I gave myself up to American photography. I have learnt much from each of the books I commend here.
Women photographers have all too often been overlooked or forgotten. (This happened to the subject of my own book choice, Helen Post.) But Helen Levitt – who really flourished from the 1940s through the 1960s and is now undergoing something of a renaissance – has always had devotees. Steichen invited her to contribute to The Family of Man and one of her most notable admirers, James Agee, the novelist, poet, film critic, and documentarian, was pleased to write the insightful essay to A Way of Seeing. Levitt’s quirky pictures of street life – especially those featuring children, often at play – document quite ordinary customs at a particular moment. Despite never seeming intrusive, they get up close, reveal the photographer’s rapport with her subjects, and present them, so to speak, on the level. Ultimately, these images are so expressive that they become universal, transcending the period in which they…
Taken over a number of years beginning in the early 1940s, the 51 photographs in this book -- many of them of children and of the poor, many taken in Harlem -- reveal the face of the city as it was and are an enduring image of existence as this artist sees it. The accompanying essay by James Agee is both a commentary on the pictures and an eloquent statement of the nature of the creative act and what it means or the art of photography.
I’m a Southern girl from Atlanta who writes ‘entertainment with a soul’ from my writing chalet—tool shed—outside Lyon, France where my husband and I have worked with a non-profit for over 30 years. I love to incorporate little-known historical facts into my award-winning and best-selling contemporary, historical, and time-slip fiction. I want my reader to find not only a good story and an interesting plot, but also the soul in my book and in my characters with themes of betrayal, regret, redemption, forgiveness, and faith that allow my reader to think, to ask questions, to laugh and cry and hope. To be entertained way down in her soul.
Manhattan art dealer Sera James watched her world crumble at the altar two years ago, and her heart is still fragile. Her desire for distraction reignites a passion for a mysterious portrait she first saw as a young girl—a painting of a young violinist with piercing blue eyes. Along with wealthy heir William Hanover, Sera unravels the story behind the painting’s subject, an Austrian violinist Adele Von Bron who smuggles Jews out of Vienna and finds herself in Auschwitz.
Evocative, haunting, soul searching, this debut by Cambron is time-slip historical fiction at its best: heartbreaking truth of the horrors of Auschwitz, romance with a musical refrain, art and faith. Just the kind of story I try to write. A delight.
Based on the real orchestra composed of prisoners at Auschwitz, The Butterfly and the Violin shows how beauty and hope can penetrate even the darkest corners.
Present day: Manhattan art dealer Sera James watched her world crumble at the altar two years ago, and her heart is still fragile. Her desire for distraction reignites a passion for a mysterious portrait she first saw as a young girl-a painting of a young violinist with piercing blue eyes.
In her search for the painting, Sera crosses paths with William Hanover-the grandson of a wealthy California real estate mogul-who may be the key…
Ever since I was a child, growing up in Gloucestershire, England, I have been passionate about fashion and made and designed my own clothes. I originally wanted to be a fashion designer but feared my drawing wasn’t good enough so studied journalism at the London College of Fashion and went to work for Condé Nast Publications. I later became a newspaper journalist but my love of fashion never went away - I did a millinery course with designer Edwina Ibbotson and a bag designing course at my alma mater. Since then, I have written many articles on fashion and the Royals as well as a number of books.
As a former journalist on Tatler and Vogue magazines, I was desperate to go and see the 2016 exhibition Vogue 100 at the National Portrait Gallery.
Not only was it a trip down memory lane but it included two photographs of the Princess of Wales in the exhibition - I was the first person to write a biography of the then Kate Middleton. This book is a reminder of a stunning exhibition and fun day out.
Since its founding in 1916, British Vogue has acted as a cultural barometer, placing fashion in the context of art, literature, and politics. The magazine has captured the zeitgeist of each decade-the austerity and optimism that followed two world wars, the swinging London scene of the sixties, the radical seventies, the image-conscious eighties-and continues to be on the cutting edge of design and photography.
Decade by decade, Vogue 100 presents the greatest moments in the magazine's history-the photography, illustrations, and essays that recorded the fashion and taste of the time. Complete with essays that detail the rich history of each…
