25 books like Contact High

If you need an introduction to hip-hop, this book is it.

Can’t Stop Won’t Stop chronicles the birthplace of hip-hop—from Kool Herc’s famous party at 1520 Sedgwick Avenue on August 11, 1973—and follows the dynamic history and commercial evolution of the culture that would one day dominate the world. This book was a great starting point in my own research process for my book.

There wouldn’t be hip-hop without the ladies. As a female hip-hop journalist, I love that the definitive book on female rappers exists. 

God Save the Queens is a hip-hop anthology that meticulously chronicles the important (and often unsung) contributions of female rappers. Whether you’re a fan of the old school (MC Lyte) or the new (Megan Thee Stallion), you’ll learn about the notoriously competitive and patriarchal industry and how these women fought adversity, doubt, and the odds to garner respect—and their crowns—in hip-hop.

For most of us, we’re fans of hip-hop but there’s something special hearing the story of hip-hop from the people who were actually there.

I grew up in Kalamazoo, Michigan but The Come Up takes me straight to the streets of New York City, Los Angeles, and beyond. The book draws on more than 300 interviews over three years including some of the originators of hip-hop including Grandmaster Caz, Run-D.M.C., Kool Moe Dee, and Ice Cube.

The vivid voices trace hip-hop’s history and offer insider access—whether you were there or just wish you were—to what really went on behind the scenes.

Vibe has been the preeminent publication for hip-hop culture since its inception in 1993. I remember running to the grocery store to pick up each month’s issue and flipping through it’s glossy pages.

The Vibe History of Hip-Hop chronicles the rise of hip-hop from some of the magazine’s sharpest and most esteemed journalists, editors, and photographers. You know the bylines: Danyel Smith, Greg Tate, Anthony deCurtis, dream hampton, Neil Strauss, and Bönz Malone. As Smith writes in the preface: “A history? No. A story, really. A tale from the dark side.”

Published by the National Portrait Gallery in Washington D.C., this beautifully produced and generously illustrated book contains essays on many aspects of portraiture with special emphasis on the USA. Portraits are fascinating; there is just so much to say about the ways in which materials such as paper, stone, metal, and canvas, ink, crayon, and paint can conjure up a human being. Nations, institutions, professions, families, and individuals all make use of portraits to affirm their positions, persuade those who view them of their worth, and shape forms of remembrance. The essays are relatively short, which encourages readers to browse, read a contribution and then come back often to look as well as read more about one of the most extraordinary forms of visual culture that has ever been produced.    

Women and Warriors of the Plains is about the frontier adventures of a newly-married young woman and her camera in the early 20th Century. Settling on the Northern Cheyenne Indian reservation in Montana, Julia Tuell went on to capture portraits and photojournalistic depictions of Native Americans living off the land and going about their everyday lives, including the Northern Cheyenne and the Rosebud Sioux Tribe of the Lakota nation. Many of Tuell’s photos taught me to compose my paintings in a more natural way.

Manhattan art dealer Sera James watched her world crumble at the altar two years ago, and her heart is still fragile. Her desire for distraction reignites a passion for a mysterious portrait she first saw as a young girl—a painting of a young violinist with piercing blue eyes. Along with wealthy heir William Hanover, Sera unravels the story behind the painting’s subject, an Austrian violinist Adele Von Bron who smuggles Jews out of Vienna and finds herself in Auschwitz.

Evocative, haunting, soul searching, this debut by Cambron is time-slip historical fiction at its best: heartbreaking truth of the horrors of Auschwitz, romance with a musical refrain, art and faith. Just the kind of story I try to write. A delight.

Women photographers have all too often been overlooked or forgotten. (This happened to the subject of my own book choice, Helen Post.) But Helen Levitt – who really flourished from the 1940s through the 1960s and is now undergoing something of a renaissance – has always had devotees. Steichen invited her to contribute to The Family of Man and one of her most notable admirers, James Agee, the novelist, poet, film critic, and documentarian, was pleased to write the insightful essay to A Way of Seeing. Levitt’s quirky pictures of street life – especially those featuring children, often at play – document quite ordinary customs at a particular moment. Despite never seeming intrusive, they get up close, reveal the photographer’s rapport with her subjects, and present them, so to speak, on the level. Ultimately, these images are so expressive that they become universal, transcending the period in which they… show more.

This book is so well written. It draws the reader into the story quickly with rich historical details and compelling characters. In 1838 in England a young woman helps her father, a lighthouse keeper, rescue survivors of a shipwreck. A century later a young Irish woman is sent to America to have her baby while living with a relative who is a lighthouse keeper. The 1938 woman learns family history that takes us back to the previous story. I love stories of family legacies and mysteries that come to us from the past.

As a former journalist on Tatler and Vogue magazines, I was desperate to go and see the 2016 exhibition Vogue 100 at the National Portrait Gallery.

Not only was it a trip down memory lane but it included two photographs of the Princess of Wales in the exhibition - I was the first person to write a biography of the then Kate Middleton. This book is a reminder of a stunning exhibition and fun day out.