10 books like Vekhi

Arendt’s three-part masterwork had the same US editor as 1984 and can be read as the non-fiction equivalent. While scholars have subsequently questioned aspects of her grand theory of totalitarianism, much of it holds up. Her commanding, aphoristic prose has made this one of the most widely quoted books of recent years, especially on the subject of power creating its own alternate reality: “In an ever-changing, incomprehensible world the masses had reached the point where they would, at the same time… think that everything was possible and that nothing was true.”

Tibor Szamuely was the nephew of a leading Hungarian communist who was killed in the purges. In this book, completed just before his death at 47, he traces the process through which Russians were enslaved by the state. Peasants were progressively bound to the land. The Russian church accepted the fusion of political and religious authority in the person of the Tsar. After the fall of Byzantium, the tsars, as the heads of the only surviving Orthodox state, treated Moscow as the ”Third Rome” and began to claim worldwide moral and political leadership. This claim was supported by the Russian people who saw in it justification for their miserable conditions. Communism was supposed to be entirely new but as Szamuely eloquently shows, it merely modernized the Russian state tradition.

In this multi-generational novel, Maximov showed what the Soviet system meant for ordinary people whose speech he had a rare gift for capturing. In his portrait of seven decades of the Lashkov family, he showed how the drive of the communists to control the lives of others on the basis of an ideology whose implications they themselves did not understand tore families apart. Pyotr Lashkov, the patriarch, became totally alienated from his alcoholic anti-communist brother.  Vadim Lashkov, a member of the third generation, is put in a mental hospital. A fellow prisoner advises him: “If ever you think of trying to escape, the search will be thorough, very thorough. And they’ll find you… because you’ve found out a little more than ordinary mortals are supposed to know.”

Vladimir Voinovich was probably the greatest Russian satirical writer since Gogol. After the fall of the U.S.S.R., he was asked if it was still possible to write satire in Russia. He insisted that it was. “The Soviet Union was a giant mental hospital but it was organized,” he explained. “Now, the inmates have been told that they can do whatever they want. So Russia is funnier than ever.”

In this novel, published in 1986, Voinovich demonstrated his stunning ability to divine the future. He described a new Russian regime dominated by state security and based not on Marxism-Leninism but on the teachings of the Orthodox Church. Like Russia today, the regime of his novel tells its citizens that they are surrounded by “three rings of hostility.” The first is the former Soviet republics; the second, the former Soviet satellites, the third, the West – the former “capitalist enemy.” This makes… show more.

As a Russian Jew and Russian-speaker by birth, a witness of the Russian Revolution, a historian of ideas by vocation, and a consummate prose-writer, Berlin was able to extract the pith of the nineteenth-century Russian intelligentsia and present it in English as no one else has before or since. Belinsky, Herzen, Tolstoy, Turgenev, and others come to life in these ten essays and speak to us and our concerns today in Berlin’s ventriloquistic tours de force.

In particular, Herzen’s passionate denunciation of political extremism plays a central role, and provides a moral underpinning for Berlin’s commitment to liberty. The book is a major contribution to the explanation of Russia to the West, and the reader is left in no doubt about the relevance and power of the ideas that Berlin illuminates.

After worshiping Leo Tolstoy and his writing for long decades, the much later discovery of Sophia’s diaries came to me as a huge revelation: I learnt that no writer or artist is an island, but always part of a human ecosystem that nurtures and feeds their art. In the case of Tolstoy, it was his family and most particularly his wife. In her personal writings we meet the woman behind the great writer, married to him for 48 years, and who bore him 13 children. She was pivotal to his work, encouraging and supporting his literary career. Through her pages, we find out about her love for Tolstoy and their tormented marriage, in which she often felt neglected and provoked. We see the hidden, dark side of the great man of letters, a vastly gifted but troubled individual, and we also learn about Sophia’s undying vital energy that allowed her… show more.

If you would like to try and understand the Soviet and post-Soviet psyche, these first-hand, verbatim interviews from 1991-2012, by Svetlana Alexievich, the Belarusian Nobel Laureate, question and discuss what it means and meant to be a Soviet. With a wide selection of individual testimonies from different backgrounds of the Soviet Union, from ordinary folk to officials, prisoners, relatives of those who were murdered, the executioners, the book also investigates how they coped when the Soviet Union broke down. Written from transcribed, spoken recordings, these documentary / reportage texts get to the heart of the matter—often that there is a gaping vacancy in the place of what one had previously believed in, from one's earliest of days, even before becoming a red-scarfed Pioneer. When one's whole philosophical fabric has been torn down, how do you exist? How do you cope and make sense of the world? What really is so… show more.

The author was an old fraud but this is a delightful period piece which reveals a good deal, sometimes inadvertently, about the lives of Russians in the benighted Soviet sixties.

Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.

Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.

Hoffman tells the previously little-known story of Soviet military engineer Adolf Tolkachev, whose disgust with the communist regime inspired him to turn over enormously valuable secrets to the CIA station in Moscow beginning in the late 1970s. Hoffman’s careful reporting allows him to describe in meticulous and fascinating detail the remarkable techniques and great risks involved in running an agent in Moscow late in the Cold War.