Love The Unlikely Master Genius? Readers share 95 books like The Unlikely Master Genius...

I hated having to put this book down to sleep, go to work, go back to work, eat, or whatever. I love Heyer's humor. After reading the book many, many times for its warm, feel-good story, I still laugh at some of the predicaments Frederica's adventurous young siblings fall into. And Endymion Dauntry, her silly sister’s cork-brained beau! 

Her writing style is polished and the dialogue is witty. The love interest is believable as is not always the case with romance novels. Accuracy in detail and depiction of the period is important to me, too, and Heyer delivers it. The story is engaging and fun without being silly, and as it’s an older book, it’s free of tedious sex scenes. It’s a feel-good story.

I like books with strong and sensible female characters and male characters who are not the stereotypical “alpha male,” that’s why I’ve read this book several times.

When widowed Samantha is faced with the prospect of being forced to live with her hateful in-laws, she neither dithers nor worries about the impropriety of fleeing her home with the help of a male acquaintance. Crippled in the Napoleonic wars, he is feeling somewhat oppressed by his own relatives. 

Another “plus” for me is that they do not so much fall in love as slide into it. The tendency of romantic characters to kiss and immediately tumble into lust, if not love, strikes me as unrealistic. I also like good writing and the occasional plot twist, and Mary Balogh excels at both.

This book delighted me. I expected the usual boy meets girl, they fall in love, have a temporary setback, and then makeup. Instead, it’s much more complicated than that.

It’s not love at first sight: Evan rescues her small son but is not immediately attracted to her. Widowed Deborah is wary after a disappointing marriage and a childhood with little affection and too much fear. Evan’s loving family is of a wealthier and higher social position and is not inclined to accept her.

I very much appreciated that there were real obstacles to overcome on both sides, unlike romances in which the hero and his relations do not boggle at the heir marrying a woman of a lower class with no dowry. I insist on some realism even in romance.  

This book reminds me of my favorite Georgette Heyer romances in its depiction of the Georgian period. When I read historical fiction of any kind, I want to feel I’m in that time, not reading about modern people in costume.

The story of a blind young woman confined to a country estate because her brother feels she is unable to deal with society was compelling. I liked the characters, and the story carried me along so successfully that I regretted finishing it (after keeping me up after I should have been in bed). 

I’m a critical reader, and I couldn’t find a thing in the book to annoy me.

Written in elegant prose and with vivid visual detail, this book uncovers an exotic lost world—lost both to the author, with the death of her parents, and to all of us, with the march of history.

This is the world of a British bookshop owner and his Italian-born wife, in Cairo after World War II, in the years leading up to the 1952 revolution that marked the awakening of independent feeling in Egypt. The city Warner uncovers, on the brink of the revolution and after a devastating war, is her childhood paradise, and she is not afraid to portray it as exotic even as she understands the risk of betraying a colonial gaze.

To recreate this world, she uses not only old photographs and her own memories, but also artefacts, from furniture to clothing, shoes, most of all books (not just their content, but as objects), which she researches meticulously,… show more.

As if relationships between siblings and spouses aren’t already complicated enough, Cunningham throws the isolation and distance of COVID into the mix.

I love this author’s ability to turn extremely authentic and simple domestic dramas occurring on one day into revelatory ideas about child-rearing and the expectations family members have of one another. A generation of young parents, their inquisitive children, the devotion of a brother and sister, and an infatuation between brothers-in-law are the subjects of this well-paced work.

The effect of the pandemic on a marriage, on family members' psyches, and the aftermath of one of their deaths is written with tenderness and insight. This is a fabulous read depicting the new age in which we live.

I love haunted house stories, and this one was genuinely creepy. It is a first-person account of the growing paranoia of a couple looking to escape their own demons, with both unable to communicate the weird things happening in their house.

I love how it subverted your usual ghost story elements. Instead of leaky pipes, weird spaces appear in the walls. Instead of creepy moans, bruises appear out of nowhere. Is it psychosis? Sickness? Or is something otherworldly in the house? I don’t know. The unsettling horror is ambiguity amplified by a failure of communication, and that’s why I find it so creepy.  

Stacy Schiff is a master biographer. Any subject she chooses (Cleopatra, Benjamin Franklin, Antoine de St. Exupéry, the accused witches of Salem) is elevated by the passion and persistence she brings to research and writing. Her Pulitzer Prize-winning biography of Véra Nabokov, the wife of Vladimir, is another pioneering work that proves you don’t have to be at center stage to be worthy of a book. What did Véra do for Vladimir, and he for her? This is no take-down, not the kind of exposé that reveals the great man’s wife as the true genius, exploited and forgotten. It’s a love story of equals, two against (and for) the world.

I love realistic romantic passion with an accent mark on true-to-life spiritual lessons, and believe it or not, that’s not necessarily an easy find in the Christian market. So when I judged Denise in an American Christian Fiction Writers contest, I knew she was definitely an author for me.

This novel, by Meg Wolitzer, offers such a twist at the end, I’m not sure how to write about it as an example of a woman writer finding her voice without giving too much away.
The Wife is the story of a Noble Prize-winning author, Joe Castelman, and his wife, Joan, who have kept a terrible secret for all the years of their marriage. Because you know the topic of my selections here, you can surmise that Joan is also a writer, though she hides that fact. Her character tells the story, and we only slowly see the facets of their strange and deceptive marriage. It becomes clear that Joan is a very good writer indeed, and she’s tired of keeping her secret.

This clever tale will make you think about what it means to invent a life both on and off the page. And that there’s no stopping a… show more.