Here are 95 books that The Unlikely Master Genius fans have personally recommended if you like
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I’ve loved history and historical fiction since childhood and have been writing historical fiction/historical romance for about ten years. To give readers a sense of what life was really like almost three hundred years ago, I do extensive research: the weight of a 1717 French musket, the terrain where my story is set, and guardianship law, among other details. Titled men, gentlemen smugglers, and ballrooms are mostly absent because although they’re the stuff of daydreams, our most common problems center around family relationships. Making ends meet, difficult relatives, loyalty to family versus honor, or one’s own best interests or duty offer plenty of scope for conflict (and excitement and romance, too).
I hated having to put this book down to sleep, go to work, go back to work, eat, or whatever. I love Heyer's humor. After reading the book many, many times for its warm, feel-good story, I still laugh at some of the predicaments Frederica's adventurous young siblings fall into. And Endymion Dauntry, her silly sister’s cork-brained beau!
Her writing style is polished and the dialogue is witty. The love interest is believable as is not always the case with romance novels. Accuracy in detail and depiction of the period is important to me, too, and Heyer delivers it. The story is engaging and fun without being silly, and as it’s an older book, it’s free of tedious sex scenes. It’s a feel-good story.
New York Times bestselling author Georgette Heyer's beloved tale of an entertaining heroine stumbling on happiness when her marital machinations for her sister go awry.
Determined to secure a brilliant marriage for her beautiful sister, Frederica seeks out their distant cousin the Marquis of Alverstoke. Lovely, competent, and refreshingly straightforward, Frederica makes such a strong impression on him that to his own amazement, the Marquis agrees to help launch them all into society.
Normally Lord Alverstoke keeps his distance from his family, which includes two overbearing sisters and innumerable favor-seekers. But with his enterprising—and altogether entertaining—country cousins chasing wishes and…
I’ve loved history and historical fiction since childhood and have been writing historical fiction/historical romance for about ten years. To give readers a sense of what life was really like almost three hundred years ago, I do extensive research: the weight of a 1717 French musket, the terrain where my story is set, and guardianship law, among other details. Titled men, gentlemen smugglers, and ballrooms are mostly absent because although they’re the stuff of daydreams, our most common problems center around family relationships. Making ends meet, difficult relatives, loyalty to family versus honor, or one’s own best interests or duty offer plenty of scope for conflict (and excitement and romance, too).
I like books with strong and sensible female characters and male characters who are not the stereotypical “alpha male,” that’s why I’ve read this book several times.
When widowed Samantha is faced with the prospect of being forced to live with her hateful in-laws, she neither dithers nor worries about the impropriety of fleeing her home with the help of a male acquaintance. Crippled in the Napoleonic wars, he is feeling somewhat oppressed by his own relatives.
Another “plus” for me is that they do not so much fall in love as slide into it. The tendency of romantic characters to kiss and immediately tumble into lust, if not love, strikes me as unrealistic. I also like good writing and the occasional plot twist, and Mary Balogh excels at both.
After surviving the Napoleonic Wars, Sir Benedict Harper is struggling to move on, his body and spirit in need of a healing touch. Never does Ben imagine that hope will come in the form of a beautiful woman who has seen her own share of suffering. After the lingering death of her husband, Samantha McKay is at the mercy of her oppressive in-laws - until she plots an escape to distant Wales to claim a house she has inherited. Being a gentleman, Ben insists that he escort her on the fateful journey. Ben wants Samantha as much as she wants…
I’ve loved history and historical fiction since childhood and have been writing historical fiction/historical romance for about ten years. To give readers a sense of what life was really like almost three hundred years ago, I do extensive research: the weight of a 1717 French musket, the terrain where my story is set, and guardianship law, among other details. Titled men, gentlemen smugglers, and ballrooms are mostly absent because although they’re the stuff of daydreams, our most common problems center around family relationships. Making ends meet, difficult relatives, loyalty to family versus honor, or one’s own best interests or duty offer plenty of scope for conflict (and excitement and romance, too).
This book delighted me. I expected the usual boy meets girl, they fall in love, have a temporary setback, and then makeup. Instead, it’s much more complicated than that.
It’s not love at first sight: Evan rescues her small son but is not immediately attracted to her. Widowed Deborah is wary after a disappointing marriage and a childhood with little affection and too much fear. Evan’s loving family is of a wealthier and higher social position and is not inclined to accept her.
I very much appreciated that there were real obstacles to overcome on both sides, unlike romances in which the hero and his relations do not boggle at the heir marrying a woman of a lower class with no dowry. I insist on some realism even in romance.
"A stunning and refreshing novel in the Regency genre."First Place Regency, Chatelaine Awards (Chanticleer Book Reviews)
Deborah Moore has learned her lessons well—feel nothing, reveal less, and trust no one. Now widowed with a child of her own, she leads a lonely, cloistered existence, counting her farthings and thinking she is safe. When five-year-old Julian is lost one bitter December day, she discovers how tenuous that safety is.
Evan Haverfield has lived thirty carefree years, hunting, laughing, and dancing among London's high society. His biggest problem has been finding excuses not to marry. But his life changes when he finds…
David Fletcher needs a surgeon, stat! But when he captures a British merchantman in the Caribbean, what he gets is Charley Alcott, an apprentice physician barely old enough to shave. Needs must, and Captain Fletcher takes the prisoner back aboard his ship with orders to do his best or he’ll be walking the plank.
Charley Alcott’s medical skills are being put to the test in a life-or-death situation, Charley’s life as well as the patient’s. Even if she can save the American privateer's brother there will still be hell to pay—and maybe a plank to walk—when Captain Fletcher learns Charley…
David Fletcher needs a surgeon, stat! But when he captures a British merchantman in the Caribbean what he gets is Charley Alcott, an apprentice physician barely old enough to shave. Needs must, and Captain Fletcher takes the prisoner back aboard his ship with orders to do his best, or he'll be walking the plank.
Charley Alcott's medical skills are being put to the test in a life-or-death situation, Charley's life as well as the patient's. Even if she can save the pirate's brother there will still be hell to pay--and maybe a plank to walk--when Captain Fletcher…
I’ve loved history and historical fiction since childhood and have been writing historical fiction/historical romance for about ten years. To give readers a sense of what life was really like almost three hundred years ago, I do extensive research: the weight of a 1717 French musket, the terrain where my story is set, and guardianship law, among other details. Titled men, gentlemen smugglers, and ballrooms are mostly absent because although they’re the stuff of daydreams, our most common problems center around family relationships. Making ends meet, difficult relatives, loyalty to family versus honor, or one’s own best interests or duty offer plenty of scope for conflict (and excitement and romance, too).
This book reminds me of my favorite Georgette Heyer romances in its depiction of the Georgian period. When I read historical fiction of any kind, I want to feel I’m in that time, not reading about modern people in costume.
The story of a blind young woman confined to a country estate because her brother feels she is unable to deal with society was compelling. I liked the characters, and the story carried me along so successfully that I regretted finishing it (after keeping me up after I should have been in bed).
I’m a critical reader, and I couldn’t find a thing in the book to annoy me.
The Marquis de Amberley falls in love with Rosalind, a blind girl, but when he learns that he was responsible for her loss of sight, he is convinced she will never accept him
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
Written in elegant prose and with vivid visual detail, this book uncovers an exotic lost world—lost both to the author, with the death of her parents, and to all of us, with the march of history.
This is the world of a British bookshop owner and his Italian-born wife, in Cairo after World War II, in the years leading up to the 1952 revolution that marked the awakening of independent feeling in Egypt. The city Warner uncovers, on the brink of the revolution and after a devastating war, is her childhood paradise, and she is not afraid to portray it as exotic even as she understands the risk of betraying a colonial gaze.
To recreate this world, she uses not only old photographs and her own memories, but also artefacts, from furniture to clothing, shoes, most of all books (not just their content, but as objects), which she researches meticulously,…
By one of the finest English writers of our time, a luminous memoir that travels from southern Italy to the banks of the Nile, capturing a lost past both personal and historical.
Marina Warner’s father, Esmond, met her mother, Ilia, while serving as an officer in the British Army during the Second World War. As Allied forces fought their way north through Italy, Esmond found himself in the southern town of Bari, where Ilia had grown up, one of four girls of a widowed mother. The Englishman approaching middle age and the twenty-one-year-old Italian were soon married. Before the war…
I’m a historian of Southern Africa who is fascinated by questions of visibility and invisibility. I love probing beneath the surface of the past. For example, why is thisperson famous and renowned, butthatperson isn’t? To me, recognition and reputation are interesting to scrutinize as social categories in their own right, rather than as factual statements. I’ve written two books focusing on the history of religious expression in Southern Africa, and my most recent book is a biography of the forgotten South African writer and politician Regina Gelana Twala.
I love the way in which this fascinating group biography of the female partners of renowned male writers brings these usually ignored figures into the limelight.
Ciuraru argues that behind the careers of many acclaimed literary figures stand the important contributions of their wives. These women offered intellectual as well as practical support.
Many of these literary wives shelved their own creative aspirations to tend to the careers of their husbands.
But after their husbands’ deaths, some of these women found they finally had space for their own literary lives to start blossoming.
"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have to remind ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."-Francine Prose, author of The Vixen
A witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships.
"With an ego the size of a small nation, the literary lion is powerful on the…
I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
I love haunted house stories, and this one was genuinely creepy. It is a first-person account of the growing paranoia of a couple looking to escape their own demons, with both unable to communicate the weird things happening in their house.
I love how it subverted your usual ghost story elements. Instead of leaky pipes, weird spaces appear in the walls. Instead of creepy moans, bruises appear out of nowhere. Is it psychosis? Sickness? Or is something otherworldly in the house? I don’t know. The unsettling horror is ambiguity amplified by a failure of communication, and that’s why I find it so creepy.
Finalist for the Chicago Review of Books Fiction Award, Dan Chaon's Best of 2017 pick in Publishers Weekly, one of Vol. 1 Brooklyn's Best Books of 2017, a BOMB Magazine "Looking Back on 2017: Literature" Pick, and one of Vulture's 10 Best Thriller Books of 2017.
Jac Jemc's The Grip of It is a chilling literary horror novel about a young couple haunted by their newly purchased home
Touring their prospective suburban home, Julie and James are stopped by a noise. Deep and vibrating, like throat singing. Ancient, husky, and rasping, but underwater. “That’s just the house settling,” the real…
I’m a novelist, essayist, and short story writer who finds domestic life as fascinating and complex as any board room battle or historical event. I love books about marriage and family because so few people are willing to talk honestly about them. Finding a great book is like meeting a new friend who is willing to tell you their secrets and then share hard-won advice.
It’s been nearly ten years since I first read this book and I can still remember what the characters were wearing in the first chapter. Now that’s visceral storytelling! The author’s ability to capture his intense obsession with his future wife is familiar, poignant, and heart-warming. Yglesias’ portrayal of the couple’s long and, at times, bumpy marriage, makes this one of the most complex and honest portrayals of a marriage that I have ever read. That this is also a book about cancer and death does nothing to diminish the feelings of hope and gratitude embodied on every page.
A Happy Marriage is both intimate and expansive: It is the story of Enrique Sabas and his wife, Margaret, a novel that alternates between the romantic misadventures of the first weeks of their courtship and the final months of Margaret's life as she says good-bye to her family, friends, and children -- and to Enrique. Spanning thirty years, this achingly honest story is about what it means for two people to spend a lifetime together -- and what makes a happy marriage.
Yglesias's career as a novelist began in 1970 when he wrote an autobiographical novel at sixteen, hailed by…
I have always been intrigued by the Roaring 20s, and specifically in how the lives of women truly began to change during this time. My grandmother loved to boast about how she had been a flapper as a young woman. Her sister-in-law was one of the first female attorneys in Detroit in the mid-20s. The era brought about opportunities and freedoms previously unknown to women. Many women suddenly had options, both in terms of careers and lifestyles. Goals of first wave feminists were beginning to be reached. The research I did for my book furthered my understanding of society at the time, particularly in America.
Many readers knowledgeable about the Jazz Age know about F. Scott Fitzgerald’s many novels, as well as his life.
This fictionalized account gives keen insight into his wife, Zelda. Read to discover the difficulties faced by a creative woman married to a celebrated man. In many ways, Zelda was a woman of her times, yet like so many women overshadowed by her husband.
Read about their scandalous lives—hers in some ways even more so than his.
THE NEW YORK TIMES BESTSELLER OF THE JAZZ AGE NOW AN AMAZON ORIGINALS SERIES STARRING CHRISTINA RICCI
'If ever a couple ... became an era, it was F Scott Fitzgerald and his glamorous "flapper" wife, Zelda. They were the Jazz Age' Independent
When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen and he is a young army lieutenant. Before long, Zelda has fallen for him, even though Scott isn't wealthy or prominent or even a Southerner and keeps insisting, absurdly, that his writing will bring him both fortune…
I love novels that show female characters finding their way in life, and especially women who use writing to help themselves to grow and evolve. Finding my own voice through writing has been my way of staking my claim in the world. It hasn’t always been easy for us to tell our stories, but when we do, we’re made stronger and more complete. The protagonist of my novel The Literary Undoing of Victoria Swann fights hard to tell her own story. I know something about being held back by male-dominated expectations and Victoria’s situation could easily take place today. But when women writers finally find their voices, the works they create are of great value.
This novel, by Meg Wolitzer, offers such a twist at the end, I’m not sure how to write about it as an example of a woman writer finding her voice without giving too much away. The Wife is the story of a Noble Prize-winning author, Joe Castelman, and his wife, Joan, who have kept a terrible secret for all the years of their marriage. Because you know the topic of my selections here, you can surmise that Joan is also a writer, though she hides that fact. Her character tells the story, and we only slowly see the facets of their strange and deceptive marriage. It becomes clear that Joan is a very good writer indeed, and she’s tired of keeping her secret.
This clever tale will make you think about what it means to invent a life both on and off the page. And that there’s no stopping a…
THE WIFE is the story of the long and stormy marriage between a world-famous novelist, Joe Castleman, and his wife Joan and the secret they've kept for decades. The novel opens just as Joe is about to receive a prestigious international award, The Helsinki Prize, to honour his career as one of America's preeminent novelists of the Mailer-Bellow-Updike school. But this isn't a book for writers; it's a book for readers, for people who are interested in questions such as: Is there a 'male' voice and a 'female' voice? Do men and women see the world differently, and how? THE…
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