100 books like The Secret of Platform 13

I grew up on fairy tales and folklore in the Appalachian Mountains. Stories of adventure and dusty fairy tale books in my grandmother’s attic were my entertainment. The library trips we took “into town” added to my reading. I discovered that the step from fairy tales to classics wasn’t as wide as folks argue. Years later, when I went off to college, I became an English major, then a graduate student, and then started teaching literature at college. From childhood to adulthood, magic and fiction were my life... which led to selling a book of my own. Over the last 17 years, I’ve been writing fantasy.

I grew up on fairy tales and folklore in the Appalachian Mountains. Stories of adventure and dusty fairy tale books in my grandmother’s attic were my entertainment. The library trips we took “into town” added to my reading. I discovered that the step from fairy tales to classics wasn’t as wide as folks argue. Years later, when I went off to college, I became an English major, then a graduate student, and then started teaching literature at college. From childhood to adulthood, magic and fiction were my life... which led to selling a book of my own. Over the last 17 years, I’ve been writing fantasy.

I grew up on fairy tales and folklore in the Appalachian Mountains. Stories of adventure and dusty fairy tale books in my grandmother’s attic were my entertainment. The library trips we took “into town” added to my reading. I discovered that the step from fairy tales to classics wasn’t as wide as folks argue. Years later, when I went off to college, I became an English major, then a graduate student, and then started teaching literature at college. From childhood to adulthood, magic and fiction were my life... which led to selling a book of my own. Over the last 17 years, I’ve been writing fantasy.

I grew up on fairy tales and folklore in the Appalachian Mountains. Stories of adventure and dusty fairy tale books in my grandmother’s attic were my entertainment. The library trips we took “into town” added to my reading. I discovered that the step from fairy tales to classics wasn’t as wide as folks argue. Years later, when I went off to college, I became an English major, then a graduate student, and then started teaching literature at college. From childhood to adulthood, magic and fiction were my life... which led to selling a book of my own. Over the last 17 years, I’ve been writing fantasy.

As a history buff I am also fascinated by folklore and magic, and how it has influenced society during various time periods. I love discovering writers who seamlessly manage to present a parallel magical universe grounded in actual history or who manage to incorporate fantastical or magical elements into a historical novel. Over the last few years I’ve been increasingly drawn to exploring the philosophical, magical, and spiritual underpinnings of society as part of my historical research. Although my own published works to date have been straight historical fiction, my current work in progress is definitely veering into the speculative, alternative history realm. 

I am a university president, and I work daily among young people with very diverse stories, but one common theme is the brokenness we all share, whether as a product of our individual identities and histories, or simply the result of life’s cruel circumstances. Classic fantasy takes on the realities of evil, suffering, and brokenness, and in that imaginative process engages us deeply. But in so doing it thereby allows us to reimagine through story what our own possibilities and hopes for healing might be.

The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places. 

I’ve been captivated by wonder for four years now, but it’s my family’s experience of grief that convinced me that wonder is essential. On a dark December day, my grandpa, John, passed away. There was an emptiness that would not go away, until God broke through the darkness that was suffocating our hearts and home. I was reminded that wonder is a gift from a loving, intentional Father and a sword that cuts through the lies that tell us faith is pointless, childish, and weak. I hope that my own story, as well as the others I’ve shared here, helps reignite your own desire to fight for wonder.

I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.

Both as a writer and reader, I adore stories of fantasy and magic. The thing is, these stories have what I call a “price of admission,” which is the time and effort it takes to learn the world of the story in order to immerse yourself in it. That's one reason I am passionate about reading series books: they welcome me back to a world I already love and understand. Speaking as a writer, multiple volumes allow me to make the world I've created richer and deeper with each new book. A new book in a beloved series feels like catching up with an old friend, whether you're reading or writing.