64 books like The Puppet Show

Dead Man's Grave introduces DS Max Craigie and DC Janie Calder, along with the wonderfully irascible DI Ross Fraser.

This book combines not only an extremely good detective yarn with excellent procedure, in a beautiful location, it also does a very good job of setting up the premise for the rest of the series.

The author is a former Metropolitan Police detective, and although the location is Scotland, it is full of authentic police procedure. This book (and the series as a whole) has a well-balanced mixture of crime, police procedure, and well-developed characters with a generous splash of humour.

The first in Lynch’s long-running DI Kelly Porter series, this book introduces a strongly-written female protagonist, investigating a well-crafted mystery.

This is ideal for readers who want to be transported to a beautiful location (Cumbria and the Lake District). Over the course of the series the characters all grow and develop in interesting ways. I originally started the series three books in and was able to pick up the ongoing storylines with ease, before going back and reading from the beginning.

From a procedural perspective, the books are well-researched and the balance between detail and story-telling is spot-on.

This series has a character seen too rarely in this genre.

DI Isobel Blood is a middle-aged woman with a teenage daughter. We see her trying to juggle her often emotionally draining work with parenting duties. This is a really good introduction to DI Blood and a strong cast of supporting characters.

Set in Derbyshire, it has a really strong sense of place. The story is tightly plotted, with deeply satisfying reveals and reversals, and the author balances the investigation with Blood’s personal challenges.

The mystery itself is imaginative and original and difficult issues are dealt with sensitively and compassionately.

This is an original and timely twist on the classic mismatched-partners story.

An extremely well-crafted police procedural, the central mystery is a missing person investigation. As the first in a series, it expertly sets up a compelling cast of supporting characters, with a well-written, likable, and relatable central protagonist.

The unique selling point is the pairing of DCS Kat Frank with an advanced AI detective that appears in holographic form. The book is set just a few years from now and is in principal entirely possible.

AIDE Lock is very much a work in progress and it’s no spoiler to say that despite Frank’s misgivings, she learns as much from the artificial officer as it learns from her. There are more books planned and I look forward to reading them.

Ghosts was the first book of Ed McBain’s 87th Precinct series that I read, primarily because I was interested in the paranormal aspect—I’ve always been a sucker for ghost stories. This was the first true police procedural I’d read, and I was most impressed with McBain’s mastery of writing dialogue. I was hooked and I’ve read most of the series since. As I wrote my own debut novel I referred to McBain’s novels many times to see how he handled dialogue tags and beats throughout his books. His dialogue is almost seamless. I’d recommend the 87th Precinct series to any writer serious about writing police procedurals.

A man found hanging sparks suspicion so, just to check all is okay, the cops hang him again. Well, not him. A stand-in. But it’s a fine little detail that sums up this shrewd book – cold, hard, well-researched, loaded with bold ideas. This is Northern Ireland crime fiction as it should be, the procedural narrative we once struggled to host. Policing took place when cops were pretty much soldiers. Nowadays it’s different. And Dempsey’s crime fiction is second to none. The aftermath of the Troubles – and its socio-political complexity – is sewn in here, used to both enhance tension and amplify relationships. So, a forensic shrink and a cop explore the creepy case of a missing girl after the aforementioned hanging. Get your seat belt on – this thing twists.

I seem to be addicted to long-running series with British detectives, though not all written by British authors, and A Clubbable Woman is the first book in this twenty-one-book series by Reginald Hill.

When I began to write fiction and worked on creating Corelli and Parker, Hill was one of the authors I looked to for inspiration. Although his Yorkshire detectives, the abrupt and rude Detective Superintendent Andrew "Andy" Dalziel and the educated, calm, and well-mannered Detective Sergeant Peter Pascoe, did not fit my vision for my own characters, I enjoyed their antics and read the entire series. The books are fun and challenging and this is a great beginning.

I discovered Kirschman through her non-fiction—a book called I Love a Cop: What Police Families Need to Know—when I was working on my first mystery.

Later I discovered she also writes a darned good story herself. Like this one, featuring Dot Meyerhoff, newly hired police psychologist. Dot’s job? Help the police cope better with their stress—those daily dangers, risks, uglinesses.

First client—Ben Gomez, a rookie who just encountered his first corpse. He strikes Dot as a little too sensitive. When Ben becomes a corpse himself, it looks like another cop suicide. Shouldn’t Dot have seen this coming? But she didn’t.

The secondary theme is significant and well handled: the prevalence of police suicide. I learned a lot. Hint: it’s a cozy, not a police procedural.

U.K. author Stephen Leather has written so many books and in a variety of genres. His supernatural Detective Jack Nightingale series is of interest to me here. In Nightfall and subsequent Jack Nightingale novels, our hero is struggling against demonic forces brought into his orbit courtesy of his now-dead father. Unusual, certainly. Many readers, I suspect, enjoy the injection of a new element into the now-crowded police procedural genre. 

When a local drug dealer goes missing in the small town of Wortley, West Leeds, no one cares. No one except Detective Sergeant Joe Romano, back on home turf in ‘God’s Own County’ of Yorkshire. And even when the drug dealer turns up dead some believe it poetic justice. Romano believes every life counts though, and with the killer about to strike again he puts everything on the line, including his career, to prove that no one has the right to kill. This is a very modern take on the classic police procedural novel, a world-weary cop fighting against the world-weary system in order to do the right thing.