90 books like Dead Man's Grave

When Peter Robinson passed away in 2022, he had written 28 novels in the Detective Chief Inspector Alan Banks series.

Robinson needs no introduction here, but I have included him on this list because he sets these novels in a fictional town in the Yorkshire Dales, close to where I grew up, and also because he was very encouraging to me personally when I wrote my first Joe Romano novel.

Whereas the books are very much mainstream crime novels, they also have a literary quality to them. He manages to achieve a fine balance between genre fiction and a more literary style. You often forget that you’re reading crime at all.

The series was also made into TV series (DCI Banks) starring Stephen Tompkinson, which ran for five series, and really captures the essence of the books.

The first in the Matilda Darke crime thriller series.

I love the straight-up tone of Michael’s writing in this series. It’s fast, direct, and emotionally involved. He also provides plots which are absorbing and which differ markedly from one book to the next.

Matilda Darke herself is a complex character, with an equally complex life, and a varied circle of friends and colleagues. Throughout the series she is put through all kinds of hell. And there are already 11 books, so that’s plenty of hell!

Set in Sheffield, a city in the north of England, these are authentic, contemporary crime novels that you will not want to put down.

Dominic wrote two very good crime books in a short series before publishing Vine Street.

I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.

The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.

What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and… show more.

Based in Bradford, in the north of England, Liz’s fiction is gritty and really conveys the realities of this multi-racial, post-industrial city (I grew up a few miles away).

I’m listing Last Request because it was the first book by Liz that I read. But apart from the 6 books in the DS Nikita Parakh series, she’s also written eight novels (so far!) in the DI Gus McGuire series. There’s lots of inner-city grime in the writing, but also issues such as racial tension and mental health.

More importantly, I think, is that the writing has a compelling kind of humanity, with vulnerable, imperfect characters put into impossible situations. She’s just a natural storyteller.

The first in Lynch’s long-running DI Kelly Porter series, this book introduces a strongly-written female protagonist, investigating a well-crafted mystery.

This is ideal for readers who want to be transported to a beautiful location (Cumbria and the Lake District). Over the course of the series the characters all grow and develop in interesting ways. I originally started the series three books in and was able to pick up the ongoing storylines with ease, before going back and reading from the beginning.

From a procedural perspective, the books are well-researched and the balance between detail and story-telling is spot-on.

Sergeant Washington Poe and analyst Tilly Bradshaw are top of many folks’ favourites list.

Like Rachel Lynch’s Kelly Porter series, the setting is largely Cumbria. However, Poe and Tilly work for the National Crime Agency, specialising in highly sensitive and unusual cases (eg serial killers), giving a different spin on the police procedural.

Each book has a compelling and devious central mystery, but the real joy is the pairing of Poe and Tilly. Poe is a clever but taciturn grump, who favours the simple life, living largely off-grid in a stone shepherd’s hut. Tilly is a naïve computer genius, with few social filters.

Put them together and initially sparks fly, before they become close friends. With laugh-out-loud dialogue, these are an absolute pleasure to read.

This series has a character seen too rarely in this genre.

DI Isobel Blood is a middle-aged woman with a teenage daughter. We see her trying to juggle her often emotionally draining work with parenting duties. This is a really good introduction to DI Blood and a strong cast of supporting characters.

Set in Derbyshire, it has a really strong sense of place. The story is tightly plotted, with deeply satisfying reveals and reversals, and the author balances the investigation with Blood’s personal challenges.

The mystery itself is imaginative and original and difficult issues are dealt with sensitively and compassionately.

This is an original and timely twist on the classic mismatched-partners story.

An extremely well-crafted police procedural, the central mystery is a missing person investigation. As the first in a series, it expertly sets up a compelling cast of supporting characters, with a well-written, likable, and relatable central protagonist.

The unique selling point is the pairing of DCS Kat Frank with an advanced AI detective that appears in holographic form. The book is set just a few years from now and is in principal entirely possible.

AIDE Lock is very much a work in progress and it’s no spoiler to say that despite Frank’s misgivings, she learns as much from the artificial officer as it learns from her. There are more books planned and I look forward to reading them.

For more than three decades Ian Rankin has been the master of “tartan noir” – police procedural fiction set in Scotland. The curmudgeonly, hard-faced, no-nonsense detective Inspector John Rebus has a tendency to bend the rules as investigations take over his life.

A Song For The Dark Times starts with Rebus’ daughter Samantha calling him to say her husband is missing. Rebus fears the worst and from his experience realises that his daughter will be the prime suspect. You’re always on the edge of your seat wondering whether Rebus will have to prevent the truth from coming out and compromising his position as an upholder of the law.

The distinctive selling-point of this work is summed up by its sub-title: a focus on law, politics and religion as causal factors, not just for humdrum witchcraft accusations but for major, sustained witch-hunts. Brian Levack has made a huge contribution to our understanding of witch-hunting, and here brings his specialist expertise to bear on Scotland, which experienced the most intense, and devastating panics anywhere in the British Isles (and worse even than most places in continental Europe).

Historians have long learned not to see witch-hunts as hysterical spasms of pre-Enlightenment ‘superstition’. Demonology was a serious subject in the sixteenth and seventeeen centuries, and was logically coherent within the mentalities of the time. Witchcraft, then, wasn’t some insane sideshow to the dominant legal, political and religious issues of the day, but central to those issues.

Embedding witchcraft in these mainstream contexts is essential to understanding what it once meant, not just… show more.