Here are 18 books that The Passage to Cosmos fans have personally recommended if you like
The Passage to Cosmos.
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My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
This book blew me away. I loved how it was told with a range of characters and stories converging into a single whole—like the forest and the trees. I learned more about trees than I ever thought I would care to know and loved every minute of it.
There's nothing more humbling, perhaps, than the vast forests that blanket our planet, and this novel and its unforgettable characters made me feel that in my bones. I'll never look at a tree or planet Earth quite the same way again.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
I know a book can change a person’s life because one of my early life-changing events was reading Thomas Kuhn’s The Structure of Scientific Revolutions. From it, I took away the idea of how a fact is made, not discovered, and how facts, even those as “objective” as those in science, are different in different ages. It’s less a matter of one age being wrong about “Nature,” for example, than it is that a concept like “Nature” emerges out of a scrum of attitudes, technologies, conventions, etc.
Usually, when I think of the Romantic Age, I think of the art and literature of the time. But I love how this book depicts its science as a wide-open activity, full of the wonder, false starts, pleasures, and pitfalls of any creative activity.
I think every scientist in this book also wrote poetry; the vast majority of them took as a given the fact that aliens lived on other planets; scientific lectures were a form of popular entertainment, as were many discoveries: e.g., laughing gas, the first anesthesia, was used at parties to get high before it was used in medicine.
I love to think of the discoveries of the past in the context of today, as when the race between England and France to develop a steerable hot-air balloon was, in effect, the first “space race.”
Shortlisted for the Samuel Johnson Prize and winner of the Royal Society Prize for Science Books, Richard Holmes's dazzling portrait of the age of great scientific discovery is a groundbreaking achievement.
The book opens with Joseph Banks, botanist on Captain Cook's first Endeavour voyage, who stepped onto a Tahitian beach in 1769 fully expecting to have located Paradise. Back in Britain, the same Romantic revolution that had inspired Banks was spurring other great thinkers on to their own voyages of artistic and scientific discovery - astronomical, chemical, poetical, philosophical - that together made up the 'age of wonder'.
I know a book can change a person’s life because one of my early life-changing events was reading Thomas Kuhn’s The Structure of Scientific Revolutions. From it, I took away the idea of how a fact is made, not discovered, and how facts, even those as “objective” as those in science, are different in different ages. It’s less a matter of one age being wrong about “Nature,” for example, than it is that a concept like “Nature” emerges out of a scrum of attitudes, technologies, conventions, etc.
Only separated by two years, I think Proulx’s Barkskins and Powers’s Overstory can be thought of as companions to one another. I like how the pun of Powers’s title refers to both the tree canopy that towers over the landscape and the overarching story that all of his sub-stories form as they come together, while I think of Proulx’s Barkskins as the meaty understory.
It opens in Canada’s colonial past when the continent was a vast carpet of old-growth forest. Explorers arrived, shortly followed by French settlers and indentured servants contracted into a kind of slavery to clear-cut the forests. I like how she leads us from this pristine beginning, through the exploitation of the forest and its indigenous dwellers, to the global distribution of lumber. In some ways Overstory picks up where the epic that is Barkskins leaves off.
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From Annie Proulx, the Pulitzer Prize-winning author of The Shipping News and Brokeback Mountain, comes her masterwork: an epic, dazzling, violent, magnificently dramatic novel about the taking down of the world's forests.
In the late seventeenth century two penniless young Frenchmen, Rene Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a "seigneur," for three years in exchange for land, they become wood-cutters - barkskins. Rene suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to…
I know a book can change a person’s life because one of my early life-changing events was reading Thomas Kuhn’s The Structure of Scientific Revolutions. From it, I took away the idea of how a fact is made, not discovered, and how facts, even those as “objective” as those in science, are different in different ages. It’s less a matter of one age being wrong about “Nature,” for example, than it is that a concept like “Nature” emerges out of a scrum of attitudes, technologies, conventions, etc.
I love this novel’s lush language, its wordplay, and the fun of the story. Pynchon’s descriptions of nature are reminiscent of Bierstadt’s paintings of nature as a sacred space. Combine this with the density of detail about science, cartography, and America in the late 1700s, and what results is a complex telling of the creation of a line with huge consequences, such as its use to define the North and the South during the Civil War.
Pynchon’s irony and satire imply more than what is said, using map-making, to cite just one example, as a way to talk about how the world is divided between classes, races, religions, and national identities.
I love how the book continually asks readers, How do we know what we think we know? And puts the lie to the simplistic stories about early America that most of us learned in school.
Charles Mason (1728 -1786) and Jeremiah Dixon (1733-1779) were the British Surveyors best remembered for running the boundary between Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as re-imagined by Thomas Pynchon, in an updated eighteenth-century novel featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political and major caffeine abuse.
We follow the mismatch'd pair - one rollicking, the other depressive; one Gothic, the other pre-Romantic - from their first journey together to the Cape of Good Hope, to pre-Revoluntionary America and back, through the stange yet redemptive…
My love for ideas and their history was born when I was still in high school. It was my old English teacher who first opened up the power of ideas in literature to change the world. I’m pretty sure he loved Eleanor Roosevelt’s comment: “Great minds discuss ideas; average minds discuss events; small minds discuss people.” Whether or not that’s true, my taste was further sharpened when I took a two-year course on the history of thought about nature and culture as an undergraduate student. I was captivated.
What struck me about this book was its enigmatic subtitle: A Metabiography. Here, I encountered not a biography of the great Prussian scientific traveler Alexander von Humboldt but a host of different Humboldts: Humboldt the liberal democrat, Humboldt the Aryan supremacist, Humboldt the anti-slavery Marxist, and Humboldt the pioneer of globalization.
What I discovered is that biographers construct their subjects in the image of their own time and place. This impressed me with two thoughts: that all scientific reputations are fundamentally unstable and that all of us are composed of multiple selfhoods.
Alexander von Humboldt (1769-1859) is one of the most celebrated figures of late-modern science, famous for his work in physical geography, botanical geography, and climatology, and his role as one of the first great popularizers of the sciences. His momentous accomplishments have intrigued German biographers from the Prussian era to the fall of the Berlin wall, all of whom configured and reconfigured Humboldt's life according to the sensibilities of the day.This volume, the first metabiography of the great scientist, traces Humboldt's biographical identities through Germany's collective past to shed light on the historical instability of our scientific heroes.
I spent most of my life as a professor of mathematics at the University of Vienna, faithful to my first boyish infatuation. Yet, I always had an eye for the dangerous charms of philosophy. In the end, I succumbed and wrote The Waltz of Reason, convinced that the countless interactions of mathematics and philosophy provide the greatest adventure stories of reason, the scientific sagas which will remain as the most enduring and the most romantic account of humanity’s progress.
This book is a novel, unabashedly. It describes the lives of our old friend Humboldt and the math genius Karl Friedrich Gauss, culminating in their 1828 encounter in Berlin.
This meeting is a well-documented fact. Not everything else is. Daniel Kehlmann takes his liberties with history. He even boasts of his leger-de-main, like Alexandre Dumas.
The overall outcome is splendidly funny and uncannily wise. The cap-stone irony is that the most implausible episodes of the book are not the ones that the author invented.
Measuring the World recreates the parallel but contrasting lives of two geniuses of the German Enlightenment - the naturalist and explorer Alexander von Humboldt and the mathematician and physicist Carl Friedrich Gauss. Towards the end of the 18th century, these two brilliant young Germans set out to measure the world.
Humboldt, a Prussian aristocrat schooled for greatness, negotiates savannah and jungle, climbs the highest mountain then known to man, counts head lice on the heads of the natives, and explores every hole in the ground.
Gauss, a man born in poverty who will be recognised as the greatest mathematician since…
In Nature’s Realm is my third book on the theme of exploration of Vancouver Island, my home for the past thirty years, and my first focussed on the history of natural history. In it, I call upon decades of experience in mapping hitherto scarcely known parts of the world, combined with a keen fascination with the fauna and flora of the many places where I have lived and worked. I have marvelled at the work of the exploring naturalists and am fascinated with their personal histories. I find it enthralling how they each added to the sum of human knowledge of the wonders of the natural world, now so sadly threatened.
Between 1799 and 1804 the Prussian polymath, Baron Alexander von Humboldt, explored South America and Mexico, studying and collecting from the natural world. He devoted the next 30 years to writing and publishing scientific treatises on his discoveries in physical geography and natural history. He established the concept of plant geography. In the final years of his long life, he worked to publish Cosmos, a work of enormous scope and depth—his vision of the nature of the world—and fundamental to the study of the history of natural history. I treasure in my library several of von Humboldt’s works and so found this summation of the travels and work of one of the world’s greatest natural scientists especially helpful. It is profusely illustrated.
As an engineer, scientist, and historian, I’ve always been fascinated by how science has always served the political goals of nations and empires. Today, we look at the Space Race to land a person on the Moon as a part of the Cold War effort to establish the intellectual and cultural dominance of the United States and the Soviet Union, even as it created new technologies and completely changed our understanding of the world. When I came across the Geodesic Mission to the Equator 1735-1744, I realized that even in the 18th century, voyages of discovery could do more than simply find new lands to conquer and exploit–they could, and did extend our knowledge of nature and mankind.
Alexander von Humboldt’s name is synonymous with scientific discovery today–the Humboldt Current, the Humboldt Redwoods State Park, and countless species named for him. Humboldt revolutionized our modern understanding of the natural sciences–geology, biology, meteorology, and much else–with his epic five-year voyage that set off in 1799 and brought him through the Amazon, the Caribbean, and North and South America.
Like Malaspina before him, Humboldt studied not only the flora and fauna of these regions but also their peoples and the political turmoil that was building towards revolution. He met with the leaders of the time–Thomas Jefferson and Simón Bolívar among them–and opened their eyes to the richness of their lands. Unlike Malaspina, Humboldt’s works were published to wide acclaim and established the idea that all nature, including human nature, is interconnected.
WINNER OF THE ROYAL SOCIETY SCIENCE BOOK PRIZE 2016
'A thrilling adventure story' Bill Bryson
'Dazzling' Literary Review
'Brilliant' Sunday Express
'Extraordinary and gripping' New Scientist
'A superb biography' The Economist
'An exhilarating armchair voyage' GILES MILTON, Mail on Sunday
Alexander von Humboldt (1769-1859) is the great lost scientist - more things are named after him than anyone else. There are towns, rivers, mountain ranges, the ocean current that runs along the South American coast, there's a penguin, a giant squid - even the Mare Humboldtianum on the moon.
I am an author and natural navigator. I set up my natural navigation school in 2008 and am the author of award-winning and internationally bestselling books, including The Natural Navigator (2010) The Lost Art of Reading Nature’s Signs (2014), How to Read Water (2016), and The Secret World of Weather (2021), some of the world’s only books covering natural navigation. I have spent decades hunting for clues and signs in nature, across the globe, which may be why I am sometimes nicknamed: “The Sherlock Holmes of Nature”.
Humboldt is the Godfather of so many fascinating areas of natural history. His mind unravels mysteries for breakfast. The book is a great travel story in its own right, but this tale envelopes countless examples of groundbreaking discovery.
Personally, I find his work inspiring because he excelled at revealing how nature and place reflect each other. The plants and animals we encounter change with latitude, altitude, and a dozen other variables. This is the science that allows us to start making maps from plants and animals. We are all indebted to Humboldt and I feel it strongly.
One of the greatest nineteenth-century scientist-explorers, Alexander von Humboldt traversed the tropical Spanish Americas between 1799 and 1804. By the time of his death in 1859, he had won international fame for his scientific discoveries, his observations of Native American peoples and his detailed descriptions of the flora and fauna of the 'new continent'. The first to draw and speculate on Aztec art, to observe reverse polarity in magnetism and to discover why America is called America, his writings profoundly influenced the course of Victorian culture, causing Darwin to reflect: 'He alone gives any notion of the feelings which are…
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
I love comics of all kinds, so found it impossible to resist Andrea Wulf’s idea of adapting her popular biography of ecological pioneer Von Humboldt to the graphic form. Illustrator Lillian Melcher combines her comic chops and inventive design sense with Von Humboldt’s own drawings, maps, and specimen papers to create a book that truly enhances Wulf’s scholarly investigations. Plus it’s so much fun.
From the New York Times bestselling author of The Invention of Nature, comes a breathtakingly illustrated and brilliantly evocative recounting of Alexander Von Humboldt's five year expedition in South America.
Alexander von Humboldt (1769-1859) was an intrepid explorer and the most famous scientist of his age. His restless life was packed with adventure and discovery, but his most revolutionary idea was a radical vision of nature as a complex and interconnected global force that does not exist for the use of humankind alone. His theories and ideas were profoundly influenced by a…
