Here are 100 books that The Outlaw Ocean fans have personally recommended if you like
The Outlaw Ocean.
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My great interests have been ships and space travel, and if one takes time to consider the similarities the parallels stand out. Ships, especially submarines, travel in a medium and through an environment that is hostile to human life. In space travel, the ‘ship’ becomes the only habitat in which we can survive for any extended period, leaving it without a space suit is a fatal move. I cannot claim to be an expert in closed environments, but it's a subject that has fascinated me throughout my life. Every ‘biosphere’ is unique and incredibly complex and depends on the symbiosis of an enormous number of living creatures right down to bacteria and even viruses.
This is the story that first got me interested in science fiction. Of course, we now recognise some of the flaws in the science, but consider that at the time of its writing steam propulsion was still in its infancy, most ships were still built of timber, and Verne envisaged a ship capable of indefinite travel beneath the ocean surface – something not even possible until the advent of nuclear power almost a century later. Even today Verne’s vision and the story he wove around it can inspire.
First serialized in a French magazine from 1869-1870, Twenty Thousand Leagues Under the Sea is an incredible adventure story that popularized science fiction throughout the world.
Professor Aronnax, a marine biologist, joins harpoonist Ned Land in search of a mysterious sea creature in the open ocean, only to discover that the beast is actually a submarine piloted by the enigmatic Captain Nemo. They are taken captive, thus beginning a strange undersea voyage from Antarctic ice shelves to the subterranean city of Atlantis, hunting sharks along the way.
With its sprawling, exotic plot and vivid descriptions, Jules Verne's epic underwater adventure…
Dr. Helen Scales a marine biologist, broadcaster and bestselling writer whose books include Spirals in Time and Eye of the Shoal. Her stories about the ocean appear in National Geographic Magazine, The Guardian, New Scientist, and others. Helen co-hosts the Catch Our Drift podcast, teaches at Cambridge University and is a scientific advisor to the marine conservation charity Sea Changers. She divides her time between Cambridge, England, and the wild French coast of Finistère.
Eugenie Clark wrote this book about the early days of her amazing career as a marine biologist and shark specialist (she was later nicknamed the ‘Shark Lady’). In the 1940s, not only was she unusual for being a female scientist, but she set off on intrepid journeys around the world, studying fish around tiny islands across the Pacific and in the Red Sea, long before it was developed as a tourist destination. This book gives a glorious view of a pioneering scientist and what ocean science used to be like. I was lucky enough to meet her a few years before she died in her nineties. She was incredibly warm and generous, and was clearly still driven by the same boundless curiosity and adventurous spirit that you will see written across the pages of her book.
Eugenie Clark, who received her Ph.D. in 1951, was one of the first women to do independent field work in ichthyology. In this youthful memoir, she describes her childhood excursions to Manhattan's old Aquarium, and the development of her education and her career specialty - plectognaths, the family that includes the blowfish, puffer, triggerfish, and other (sometimes poisonous) varieties. "Delightful autobiography." - Christian Science Monitor.
I grew up on Southern California beaches—Manhattan Beach, Venice Beach, Ocean Beach, La Jolla—but first experienced Baja as an adult. It was like a different world. Returning repeatedly over the next decade, I came to know the stunning shorelines and quiet bays of the peninsula’s midriff as intimately as my home state’s beaches. Swimming and diving Baja’s clear blue waters and hiking its dusty trails and palm-studded mountains, I have admired the many moods of this unique desert peninsula. A writer and editor, I have read extensively from the vast selection of books about Baja, both new and classic works.
I first read this book long before I ever set foot south of Ensenada, and was immediately captivated by it—I loved how Steinbeck would wax deeply philosophical at times, but never lost the thread of the story of their journey.
This book is funny too! When Russel and I were sailing in the Sea of Cortez, we would pick it up and read the sections about the temperamental outboard engine Steinbeck dubbed the “Sea Cow,” and laugh out loud at his anecdotes. I am also fascinated by science and the ocean, and reading the book was like an overview class on oceanography and marine biology.
In 1940 Steinbeck sailed in a sardine boat with his great friend the marine biologist, Ed Ricketts, to collect marine invertebrates from the beaches of the Gulf of California. The expedition was described by the two men in SEA OF CORTEZ, published in 1941. The day-to-day story of the trip is told here in the Log, which combines science, philosophy and high-spirited adventure.
Born in England but living now in America’s mountain west, I am sucker for landscapes that dance with unusual plants and animals. I have been a commercial fisherman, a tool librarian, and a back-country park ranger. These days, I’m an award-winning public philosopher and author. I have written books and articles about powerful emerging technologies. However, I realized a few years ago that wild animals are an antidote to the technological and commercial forces that can flatten our world. From art painted on cave walls millennia ago to the toys we still give to our children, animals are an important part of human identity. I celebrate this in my work.
How can you not already love these underwater giants? But I didn’t know much about them before reading Gigg’s love letter to our undersea cousins. They live by breathing air and giving birth like we do, but most of their lives takes place in a hidden, watery world.
The horror our species inflicted on whales during commercial whaling became more repulsive as Giggs uncovered the layers of whales’ complexity and sociality. I learned that arthritis sufferers in the nineteenth century would bathe in holes cut into whale carcasses for their curative powers. I also tried to imagine an animal with blood vessels big enough for a child to crawl through and a heartbeat that can be heard through the water for over a mile.
WINNER OF THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION
WINNER OF THE NIB LITERARY AWARD
FINALIST FOR THE KIRKUS PRIZE FOR NONFICTION
HIGHLY COMMENDED IN THE WAINWRIGHT PRIZE FOR WRITING ON GLOBAL CONSERVATION
A SUNDAY INDEPENDENT BOOK OF THE YEAR
'There is a kind of hauntedness in wild animals today: a spectre related to environmental change ... Our fear is that the unseen spirits that move in them are ours. Once more, animals are a moral force.'
When Rebecca Giggs encountered a humpback whale stranded on her local beach in Australia, she began to wonder how the lives of…
I have been an educator for over 20 years teaching elementary-aged children. The environment is a passion of mine. After reading the book Plastic Ocean and meeting the author Charles Moore, I realized that the issues facing our environment are going to be best solved by the upcoming generation of children. They understand how important it is to preserve our planet. Combining my love of writing with my education background, I started writing books to teach children about the environment and inspire them to make lasting changes. I love recommending books that have the same mission. Small actions equal great changes!
I love this book as a supplement for the classroom or household library. It is filled with lovely photographs and depicts what is happening to our oceans. There is a nice ratio of text to pictures so as not to be overwhelming. It includes maps, vocabulary words, and a glossary to bring in the educational component without feeling like a textbook.
"Books like this one help lead the way to a better climate future for all inhabitants of Mother Earth. We are all in this together!" ― Jeff Bridges, Academy Award winner and environmentalist
A little more than 70 percent of Planet Earth is ocean. So wouldn’t a better name for our global home be Planet Ocean?
You may be surprised at just how closely YOU are connected to the ocean. Regardless of where you live, every breath you take and every drop of water you drink links you to the ocean. And because of this connection, the ocean’s health affects…
Books have always been an escape for me, historical mysteries in particular. Getting lost in another world, another time and someone else’s life is like therapy for me and something I will never tire of. Which is perhaps why I went on to write my own historical mystery trilogy. The Marion Lane series consists of The Midnight Murder, The Deadly Rose, and The Raven’s Revenge—all set in 1950’s London, in a mystical private detective agency concealed beneath the city streets.
This historical mystery slash adventure novel is set in 1886 in Australia and follows the plucky, headstrong Eliza Brightwell as she attempts to unravel the mystery behind the disappearance of her beloved father—a renowned pearler. I was so riveted by this heart-wrenching, atmospheric story and its unique setting. A great one for those who’d like to try something different in the historical mystery space.
For readers of The Light Between Oceans and The Island of Sea Women, a feminist adventure story set against the backdrop of the dangerous pearl diving industry in 19th-century Western Australia, about a young English woman who sets off to uncover the truth about the disappearance of her eccentric father.
Western Australia, 1886. After months at sea, a slow boat makes its passage from London to the shores of Bannin Bay. From the deck, young Eliza Brightwell and her family eye their strange, new home. Here is an unforgiving land where fortune sits patiently at the bottom of the ocean,…
I’ve always been interested in history. I grew up in London, where there's a lot of it. But what made me want to write fiction about the past was experiences of imaginative affinity for certain other times and places. My first book is set during World War One. I've always felt connected to the change in sensibility that many people went through then, from an optimistic, moralistic, Victorian outlook, in which, to quote Paul Fussell from The Great War and Modern Memory, people “believed in Progress and Art and in no way doubted the benignity even of technology” to an understanding that human beings and our societies contained deeper, more persistent shadows.
The question of how to portray a historical atrocity like slavery in a work of fiction is obviously monumental. Toni Morrison, Gayl Jones, Colson Whitehead, and John Keene have approached this with consummate brilliance by writing the experience and subjectivity of enslaved and formerly-enslaved people. Johnson, however, focuses on the perpetrators: the men who engage in and profit from the capture and trafficking of other human beings. As in Mantel’s novel, the choice of the protagonist is key. Rutherford Calhoun is a ne’er-do-well free Black man from New Orleans who runs away on a ship to escape debts and engagement to a woman whose love he hasn’t done much to deserve. It turns out this ship is bound for Africa to collect a cargo of people, members of the Allmuseri tribe, an ethnicity Johnson invented for his fiction. But along with the people, they are also collecting something much more…
The Apocalypse would definitely put a crimp in my career plans.
Rutherford Calhoun, a puckish rogue and newly freed slave, spends his days loitering around the docks of New Orleans, dodging debt collectors, gangsters, and Isadora Bailey, a prim and frugal woman who seeks to marry him and curb his mischievous instincts. When the heat from these respective pursuers becomes too much to bear, he cons his way on to the next ship leaving the dock: the Republic. Upon boarding, to his horror he discovers that he…
I first found fantasy literature about the same time as I got into tabletop gaming, for me this was AD&D. Edgar Rice Burroughs, J.R.R. Tolkien, Arthur C. Clarke, Fritz Lieber, and Roger Zelazny were just a few of the authors that showed me what was possible. Writing my first novel cemented my understanding that I wanted to create the kinds of worlds that readers would want to experience. The kinds of worlds that would let them get away from their lives, if only for a few hours, where they could live a life of adventure and discovery. Just like the novels I recommended here did for me.
This is a novel of historical fiction set in the time of the French revolution. The series is named after the main character, Alan Lewrie. This novel introduces you to this rapscallion of a character, someone who is a spoiled, and indolent 16-year-old young man. Against his will he will find his place in the world and it will be in the very last place he would have imagined, commanding a ship of the Royal Navy. The novels follow his travels and adventures as he rises through the ranks, and it was incredibly fun to watch the young man evolve and grow into the man he becomes.
His exploits echo with the bustle of crowded ports and the crash of naval warfare...
It is 1780 and seventeen-year-old Alan Lewrie is a brash young libertine with a head full of dreams. When he is found in bed with the wrong woman, he is forced to leave his profligacy behind for a new life at sea.
Though sickness and hard labour await him aboard the tall-masted Ariadne, Lewrie finds himself gradually adapting to the world of a midshipman.
But as he heads for the war-torn Americas into a hail of cannonballs, will he ever catch wind of the plot…
As a child of immigrants I lived in three countries and went to five schools by grade eight, and I loved it! It started a passion in me for people and cultures. I’ve now lived in six countries, I speak five languages and visited countless places as a tourist. Learning about people and cultures is in my blood. Seeing the world, expanded my imagination and love for fantastical worlds. But, because I’ve met with many cultures and individuals, reading books with shallow characters and badly developed cultures is painful for me. I can tell when an author truly understands their characters and the worlds they create and I value that.
I’m a sucker for teen romance, but, I don’t like it when that’s all the story is about. Fable and Namesake had that awesome teen love but it was perfectly intertwined into the larger plot of the story. On that note, the plot was great! It was rich and extensive, not just a cover for the romance. Additionally, the book delved into parent-teen relationships on a realistic and detailed level, which I find to be a rarity in YA fantasy novels.
With the Marigold ship free of her father, Fable and its crew were set to start over. That freedom is short-lived when she becomes a pawn in a notorious thug's scheme. In order to get to her intended destination she must help him to secure a partnership with Holland, a powerful gem trader who is more than she seems.
As Fable descends deeper into a world of betrayal and deception, she learns that the secrets her mother took to her grave are now putting the people Fable cares about in danger. If Fable is going to save…
Working with the natural world has long been my life’s compass. I have been dedicated to conservation, education, and management of terrestrial and marine ecosystems for my entire career. I strongly believe we must approach the crisis that we now live in with humor, joy, and devotion, and we must be able to fall in love with this world over and over again, even if it breaks our hearts. This is why I write, and this is how I live. I love reading science books that allow this connection, that lead me
into the complexities of why we must never stop feeling wonder at this
magnificent world.
This book is absolutely fascinating. This author makes me wish that I could take her classes. She provides the sweet release of wonder, the gloriousness of the deep sea, the alien, and the mysterious and the magical.
She walks us through the world of the unknown, the struggle of the scientist to try to understand something we can never truly know. She also shatters us with the many ways that we must watch this world disappear, even when we never really knew it existed in the first place. We get a tiny glimpse as humans into the Wild West that is the deep, and yet our impact reaches far beyond our knowledge. We are destroying something so rich and vast it’s akin to outer space.
Break my heart, but keep putting it back together.
The deep sea is the last, vast wilderness on the planet. For centuries, myth-makers and storytellers have concocted imaginary monsters of the deep, and now scientists are looking there to find bizarre, unknown species, chemicals to make new medicines, and to gain a greater understanding of how this world of ours works. With an average depth of 12,000 feet and chasms that plunge much deeper, it forms a frontier for new discoveries.
The Brilliant Abyss tells the story of our relationship with the deep sea - how we imagine, explore and exploit it. It captures the golden age of discovery…
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