100 books like The Nerd Herd

I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future. 

I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future. 

I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future. 

I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future. 

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.

I wrote my first cover story on climate change circa 1996, when the computer modeling made clear what would happen. Then I began to see clear physical evidence that the planet was warming, and not much was being written about it outside academic circles. That led to the book Feeling the Heat. I recruited a bunch of experienced environmental journalists, sent them around the world, and they came back with very detailed and important reporting based on what they’d seen—melting glaciers, rising seas, changing ecosystems.

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.