100 books like The Mistake

This is the first book in a great hockey romance series. Bad-boy college hockey player Garrett is in desperate need of tutoring. After relentlessly pestering classmate Hannah, she finally agrees to tutor him. But, despite his playboy reputation, Hannah seems immune to his charms. She’s crushing on another guy, and Garrett hatches a plan to help Hannah reel him in: He’ll date her to elevate her social status and make the guy jealous. Except Garrett is getting increasingly interested in Hannah himself.

I love books where one kiss changes everything, and this is a great slow-burn of a book, with lots of banter and an unlikely friendship leading to a beautiful relationship. It’s fun and sexy with just the right amount of seriousness.

I’ve always wanted to study literature at Oxford University. I never have and almost certainly never will, but Carolyn Weber is the friend I would have made if I had that opportunity, and thanks to this powerful, luminous memoir I still got to “meet” that friend and experience what our long conversations over tea might have been like. 

Weber’s deeply honest story of discovering Christianity while stumbling upon the footsteps of other seekers after truth and beauty at an ancient university made both an old, old town and the ancient truth of the Gospel seem bright and fresh. 

Wait for You by Jennifer L. Armentrout was a book I read long ago, and it's one that still sticks with me to this day. It's a book I've read and reread.

I love how the main character, Avery, is flawed–making her feel real. And I love Cam and how patient he is with her. Avery is a character who's had some trauma, and she's running. Little does she know she's running right into the arms of the man she's supposed to be with. These characters felt so real.

The writing was good, but not over the top to where I had to stop and think, "Who talks like this?" And it was paced perfectly–the couple grew to be closer over a longer amount of time rather than to meet, fall in love, and overcome everything in a matter of days or weeks. It's another example of something beautiful coming… show more.

Imogen, Obviously was such a fantastic read that I really could relate to.

Imogen was a lot like me in high school, a people pleaser who thought she was straight. She considered herself an ally, but then sometimes would have thoughts about girls, but passed them off as wanting to be their friend and looking back, I had the same thing happen to me. I really wished this book was available to me in high school because it would have helped me understand a lot more about myself.

This book has a memorable cast of characters including Imogen’s love interest Tessa and I’m going to be thinking about this book for a long time. 

The ‘sorority girl’ is a stock character in most novels set on American college campuses, and you’ll be hard pressed to find one who isn’t portrayed as beautiful but vapid and one misstep away from the twin horrors of having a bad hair day and witnessing their ex leave a party with their best friend.

Patton’s novel self-consciously leans into the stereotypes of white Greek culture at a big southern university, which makes its critique of that culture and its broader cast of characters both funny in their exaggeration and horrifying in their appeal.

This is exactly the kind of sorority-themed novel you would expect from the genre but also, because of a couple of unexpected twists, the one you never saw coming.

Anthropology professor Rebekah Nathan made the bold decision to do what anthropologists do best: live amongst those of a misunderstood culture. After fifteen years of teaching at a large university, she left her faculty position and went undercover as a freshman. Nathan moved into a dorm, ate off the student meal plan, and enrolled in courses as a full-time student. The book is filled with thoughtful insights about the challenges first-year students face, including academic stressors, looming student debt, and an increasingly disengaged student culture. My Freshman Year exposes a realistic view of the new transactional-cultured university campus, while simultaneously offering a compassionate peek into the daily struggles of new students.

When Lacey Campbell escapes a serial killer as a co-ed, she helped send him to prison for life. Years later, she’s a forensic scientist, working for the Medical Examiner and the case comes back to haunt her. 

Elliot’s skill with writing chilling suspense and steamy romance – combined with a knowledge of forensics – leaves the reader always wanting more. Luckily, there are five books in the Bone Secrets series, so there’s a lot more to enjoy. 

What drew me to Kendra Elliot’s work was a review someone else wrote where they said her accuracy and penchant for realism were so good that they (a forensic scientist in real life) didn’t get pulled out of the story by any errors. 

That reviewer was right. The accuracy, combined with the twists and turns in the stories, have you reading with the lights on. (My favorite kind of book!)

Anne Gardiner Perkins’ Yale Needs Women combines rigorous historical research and riveting storytelling to produce a book that is both insightful and inspirational. She explains how Yale University’s first female students in 1969 faced extensive discrimination and had to fight rampant misogyny, outdated traditions, and backwards views on a daily basis to get an education.

I’m recommending this book because I really enjoyed the way this story was structured. It starts off in 1946 with an art heist in Boston where the priceless works of art are stashed in the Charlesgate Hotel, hence the title. It then jumps to 1988 when the hotel has been converted into a college dorm and one of the remaining thieves has been let out of jail, comes looking for the art, and recruits the help of one of the college students living there. It then jumps to thirty years later when the building has been turned into condos, where one of the former college students now lives, and the art is still missing. It’s a great crime story, told in a unique way, with some great shady characters.  

I love this because, in many ways, it is a kind of modern take on Sargasso Sea, with a liberal dash of Catcher in the Rye thrown into the soup: an exploration of what happens when you apply the same kinds of patriarchal oppression and expectations Antoinette suffered in the 19th century to a young 20th-century woman living in what is supposedly a more “progressive” and “modern” era.

Esther Greenwood’s unraveling is both brutally relatable and unexpectedly humorous at points, and there are images from it that are so starkly drawn that they stay embedded in your mind like glass shards after an explosion. It’s a modern classic for a reason.