Here are 100 books that The Master of Rain fans have personally recommended if you like
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Right from an early age, I have always been interested in the fallibility of the human condition, being particularly conscious of my own faults. People who are too good to be true are of little interest, except that I want to know their faults or their secrets. I have found myself drawn to complex characters, those who have good and bad characteristics, and some of the novels and movies that I have enjoyed most feature such characters. In my career as a lawyer, I have met all kinds of people who have made bad decisions or suffered misfortune, and it has always been a pleasure trying to help them.
When I first read this book, I was somewhat mystified by what the fuss was all about. All I could see was a story of a group of dissolute and disillusioned expats living a pointless life of pettiness and drinking. However, as I separately learned more about Hemingway and his writing style, I was drawn back to the book, and on subsequent readings, I was able to discern more in the characters and the plot than was apparent in my first reading.
The protagonist Jake Barnes, impotent because his penis appears to have been shot off as a result of a wound in World War I, is further emotionally damaged, possibly with PTSD from his war experiences and with a cynicism and sadness that engage the reader’s attention.
Jake Barnes is a man whose war wound has made him unable to have sex—and the promiscuous divorcée Lady Brett Ashley. Jake is an expatriate American journalist living in Paris, while Brett is a twice-divorced Englishwoman with bobbed hair and numerous love affairs, and embodies the new sexual freedom of the 1920s. The novel is a roman à clef: the characters are based on real people in Hemingway's circle, and the action is based on real events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona festival and fishing in the…
In a previous career, I traveled extensively to many parts of the world. I always found new cultures, old traditions, strange languages, and exotic environments fascinating. Perhaps even more fascinating, were the expats I found who had traded in their home country for an existence far from where they were born and different from how they were reared. In many instances, I’ve attempted to incorporate—in Heinlein’s words—this stranger in a strange land motif in my work. It always seems to heighten my interest. I hope the reader’s as well.
Graham Greene is considered by many to be the acknowledged master of expat tales. This is actually one of his lesser-known novels. It tells the story of Querry, an internationally famous architect suffering from terminal ennui. Life no longer holds meaning for him, or even pleasure. He takes a boat up river in Africa to its last stop, a leper village in the Congo. There, he attempts to lose himself by helping the indigenous afflicted, and in so doing begins to cure his own ills as well. But fate and the white community can’t let well enough alone.
Querry, a world famous architect, is the victim of a terrible attack of indifference: he no longer finds meaning in art or pleasure in life. Arriving anonymously at a Congo leper village, he is diagnosed as the mental equivalent of a 'burnt-out case', a leper mutilated by disease and amputation. Querry slowly moves towards a cure, his mind getting clearer as he works for the colony. However, in the heat of the tropics, no relationship with a married woman, will ever be taken as innocent...
In a previous career, I traveled extensively to many parts of the world. I always found new cultures, old traditions, strange languages, and exotic environments fascinating. Perhaps even more fascinating, were the expats I found who had traded in their home country for an existence far from where they were born and different from how they were reared. In many instances, I’ve attempted to incorporate—in Heinlein’s words—this stranger in a strange land motif in my work. It always seems to heighten my interest. I hope the reader’s as well.
It’s Berlin, 1949. The second world war has ended but the geopolitical intrigue hasn’t. Russia, the U. S., Great Britain, and France engage in cold war espionage as disparate citizens of the German city struggle to survive. A young Jewish writer who fled the Nazis for America is caught up in Joseph McCarthy’s communist witch hunt. For the sake of his family and to keep from being deported, he agrees to help the CIA by returning to Berlin for a secret assignment. Kidnapping, murder, and more ensue, as he’s forced to keep tabs on the woman he left behind. Then he himself becomes the hunted. After returning to a city trying to rise from the ashes, this expat may or may not wind up ever being able to leave Berlin.
* Don't miss THE ACCOMPLICE, the next heart-pounding and intelligent espionage novel from 'master of the genre' (The Washington Post), Joseph Kanon *
'Up there with the very best . . . Kanon writes beautifully, superbly . . . He is the master of the shadows of the era' The Times
From the author of The Good German (made into a film starring George Clooney), Leaving Berlin is a sweeping post-war story and an international bestseller.
Berlin is still in ruins almost four years after the war, caught between political idealism and the harsh realities of Soviet occupation. Alex Meier…
In a previous career, I traveled extensively to many parts of the world. I always found new cultures, old traditions, strange languages, and exotic environments fascinating. Perhaps even more fascinating, were the expats I found who had traded in their home country for an existence far from where they were born and different from how they were reared. In many instances, I’ve attempted to incorporate—in Heinlein’s words—this stranger in a strange land motif in my work. It always seems to heighten my interest. I hope the reader’s as well.
This novel brings readers up close and personal with Hong Kong. Clarke is a young Englishman doing a banking stint in the fabled city. He lives a relatively sedate existence in his corporately antiseptic neighborhood. But one day he decides to get off his beaten path and winds up having his life changed dramatically. He becomes enamored with a shantytown prostitute, embroiled in the geopolitical struggle with Mainland China, and involved in a potential swindle of international proportions. In addition to spinning an interesting tale, Craft is also able to weave in the ticking time bomb of environmental hazards that plague the area without pious preaching and totally within the confines of the story he’s telling.
Rivers had become toxic and the ocean shore is a sea of plastic: there's money to be made. But for Philip Clarke, handsome, clever, and decidedly available, that world seemed a distraction from an altogether different one, where the possibilities of pleasure overwrote the machinery of commerce.
Newly arrived in Hong Kong, his island world lay somewhere between the looming shadow of China, and its strange double downtown, where bankers and brokers breathed the same crowded air as a new breed of political activists. In his mind, he was thankfully immune from both.
My career has given me the chance to travel around China and see parts that most foreigners do not get to see. Having studied Chinese in Oxford and Taiwan, working in China for a metal trading company in the 1980s gave me a chance to travel widely around the country when access to foreigners–especially diplomats and journalists–was highly restricted. Later, I became an early investor in the domestic stock market, focusing on smaller, entrepreneurial companies, which involved a lot of travel. I have now visited nearly every province except Hainan. Planting a vineyard and building a Scottish castle in Shandong introduced me to rural China and the local Communist Party.
Due to strict censorship, Professor Qiu decided to use the detective story genre and his hero, Detective Chen, to be able to publish a critical view on developments in modern Chinese society without getting locked up. Another device commonly used by Chinese authors is to deal with contemporary issues using historical settings or science fiction.
Qiu Xiaolong's Anthony Award-winning debut introduces Inspector Chen of the Shanghai Police.
A young “national model worker,” renowned for her adherence to the principles of the Communist Party, turns up dead in a Shanghai canal. As Inspector Chen Cao of the Shanghai Special Cases Bureau struggles to trace the hidden threads of her past, he finds himself challenging the very political forces that have guided his life since birth. Chen must tiptoe around his superiors if he wants to get to the bottom of this crime, and risk his career—perhaps even his life—to see justice done.
I have always loved history and art. Combining the two makes perfect sense and provides the inspiration to keep writing. I can spend hours in a museum, just soaking up the magic in Impressionist paintings. I never get tired of researching the artists or their paintings, and I relish the unexpected discoveries.
Incredible character development, fascinating history, and a story that takes place in one week, yet has enough action and details to fill several years. [This book is what inspired me to incorporate dates and/or times/locations in my chapter headings.] The story is set in Hong Kong in the early 1960s and the author’s understanding of the culture clash between the British who think they are in control and the Chinese who are using them, while making plans for their inevitable exit.
Taking place over the course of an eventful week in 1963 Hong Kong, James Clavell’s Noble House is a masterfully woven novel of true suspense.
Ian Dunross, the current tai-pan of the illustrious yet financially troubled Struan empire, is racing to undo the damage his predecessor left behind and to once again stand on stable ground. And he’ll do whatever it takes—including striking a hard-fought deal with an American millionaire. But his rival, Quillan Gornt, has other plans. Suddenly caught in a dubious plot involving Soviet spies, Hong Kong’s criminal underground, and the hostile takeover of his company, Dunross holds…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
This story is so sweet and funny, I must have read it a dozen times since first arriving in China. That a Western male writer conceived a female Chinese character as charming and relatable as Suzie without ever straying into offensive farce really says something about the author, Richard Mason’s, craft. His prose is old-school eloquent, and deftly includes the smallest details that bring Suzie, a naughty yet affectionate hooker with a big heart, and her 1950s Hong Kong brothel settings, to vivid life. If I had only five desert-island books, The World of Suzie Wong would be one of them.
Penguin Books reintroduces the timeless story of the love affair between a British artist and a Chinese prostitute.
Robert is t he only resident of the Nam Kok hotel not renting his room by the hour when he meets Suzie at the bar. She becomes his muse and they fall in love. But even in Hong Kong, where many white expatriates have Chinese mistresses, their romance could jeopardize the things they each hold dear. Set in the mid-1950s, The World of Suzie Wong is a beautifully written time capsule of a novel. First published more than fifty years ago, it…
Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasn’t particularly famous, at least to people from outside the region. I’ve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often women’s stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But I’ve always believed that women’s stories are no less interesting than men’s. These books look at history’s worst conflict from unique perspectives that foreground the female experience.
Though these collected stories were popular in Chang’s native China when first published in the 1940s, decades passed before they were translated into English. The title story brings war-torn Hong Kong to life, but even against the most dramatic political backdrop, Chang’s focus is firmly on women and relationships. Though the time and place may seem remote, readers will find universal emotions in these carefully constructed tales.
Masterful short works about passion, family, and human relationships by one of the greatest writers of 20th century China.
A New York Review Books Original
“[A] giant of modern Chinese literature” –The New York Times
"With language as sharp as a knife edge, Eileen Chang cut open a huge divide in Chinese culture, between the classical patriarchy and our troubled modernity. She was one of the very few able truly to connect that divide, just as her heroines often disappeared inside it. She is the fallen angel of Chinese literature, and now, with these excellent new translations, English readers can…
“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”
Hard to imagine now, but when Tess Johnston arrived in Shanghai as an American diplomat in 1981, no one was researching or writing much about Old Shanghai. Fascinated by the city’s old Western buildings, she collaborated with Shanghainese photographer Deke Erh to piece together the stories behind the once-grand architecture. Photographed in the 1980s and ’90s, A Last Look provides a provocative visual history of Old Shanghai, accompanied by succinct text penned in Johnston’s personable style. This oeuvre is not only an appealingentrée into a lost era but has become a precious remembrance, as many of its subject buildings and neighborhoods have since been demolished. Although the book is out of print, it’s worth ordering a used copy.
From the moment I could understand that there was a country very far away where my mother was born, where my parents met, where their Russian and Austrian families could live safely, where there was no antisemitism, I wanted to know more about China. The cultures my family came from could not have been more different than Chinese culture, yet my great-grandparents, grandparents and parents chose to find haven in a distant land that presented obstacles, but did not throw up barriers. I’ve come to discover that throughout time, regardless of culture, regardless of station, women have achieved amazing things in the complicated and mysterious society that has been China throughout time.
In 1929, Bernardine Szold Fritz, age 33, accepted a proposal of marriage that brought her to Shanghai. From the very beginning, I was intrigued. Why would a single Jewish woman hop a train to China to be with a fourth husband, a man she met briefly in Paris? While the marriage is a disappointment, Art Deco Shanghai is not.
Like other Jewish women before her, she started a salon in her home and an International Arts Theater that saw the likes of Hollywood luminaries and famous names in the arts and politics. I was mesmerized by how Bernardine’s commitment to intellectual pursuits defied the fragile political situation that existed in Shanghai through the civil wars and the time period leading up to World War II. She brought creativity and joy to a city that would soon change forever.
Meet the Jewish salon host in 1930s Shanghai who brought together Chinese and expats around the arts as civil war erupted and World War II loomed on the horizon.
Bernardine Szold Fritz arrived in Shanghai in 1929 to marry her fourth husband. Only thirty-three years old, she found herself in a time and place like no other. Political intrigue and scandal lurked on every street corner. Art Deco cinemas showed the latest Hollywood flicks, while dancehall owners and jazz musicians turned Shanghai into Asia's top nightlife destination.
Yet from the night of their wedding, Bernardine's new husband did not live…
