100 books like The Magic Mirror of M. C. Escher

Legendary artist and printmaker M.C. Escher wrote very little about his working method, but fortunately, he gave writer and longtime friend Bruno Ernst full access to his creative process. Ernst does a superb job unpacking the reasoning and revealing the secrets of this always logical but sometimes opaque master. After I read Ernst's chapter explaining the cylindrical perspective in Escher’s classic prints "House of Stairs" and "High And Low", I went right to work drawing my own cylindrical grid, which eventually appeared in my second instructional book Extreme Perspective!

For me, this book was a real education. It provided insight into how the greatest artists strive to break the rules and find interest in juxtapositioning different versions of reality and fantasy.  The perfect summation, to me, of what Escher strived to do is communicated in this quote, “My topics are often playful too. I cannot stop fiddling around with our incontestable certainty. It is a pleasure, for example, to deliberately mingle two- and three-dimensions, flat and spatial and to poke fun at gravity.” One of the main takeaways from this book is to always strive to reimagine reality, break rules, be playful, and never be afraid to fail.  

They say that Plato was not a mathematician but was a maker of mathematicians. The same could be said of Martin Gardner, a prolific author who wrote, among many other things, the “Mathematical Games” column for Scientific American for a quarter of a century. Although all his books are excellent, The Colossal Book of Mathematics is a great entry point to Gardner’s oeuvre. It consists of what Gardner viewed as his 50 best Scientific American columns along with addenda containing updated material on each topic. With topics like topology, geometry, recreational mathematics, the infinite, and probability, each article is an informative, playful, well-written gem. 

I think this book is very illuminating in learning the social aspect of sustainability.

She particularly focuses on urban regeneration projects in European cities. It shows how social sustainability can be assessed, measured, and monitored by using various regeneration projects in five European cities (Sant Adria de Besos in Spain, Turin in Italy, Rotterdam in the Netherlands, Leipzig in Germany, and Cardiff in the UK).

I like this book because of its comprehensive assessment of the social sustainability of these projects by examining the institutional arrangements, financial products and tools, stakeholders’ involvement, and their contribution, monitoring, and measurement systems. In this way, it provides us with a new framework for assessing social sustainability. 

With humor and grace, Valerie describes her trials and tribulations as she transitions from a divorce and corporate job in Johannesburg, to renting and eventually purchasing an old barge in the city of Rotterdam in the Netherlands. As she points out, “one of the first things you learn about living on a barge is that an awful lot of stuff is going to end up in the water.”

This story seized my imagination from the off for its unusual setting and sleuth. I mean, you don’t get to be transported to the Netherlands in the 17th Century every day of the week. Our narrator is a priest – always a fascinating field for a sometime convent schoolgirl. And he’s an unusual priest at that. Master Mercurius is not always at ease with his calling and even less keen on the spying task he is set by William of Orange. I was lost in Mercurius’s world even before the murder and the escalating twists and turns kept me on tenterhooks. This is a series to be savoured.

Weary of people asking him what his plans for the future are, eighteen-year-old Dutch teen Tycho decides to travel from his Holland home to America to work at a camp for international kids. Along the way, he meets Oliver, who’s from Norway, and is also going to work at the camp. The two quickly become fast friends and then something more. When their love relationship is discovered, they’re expelled from the camp, and the two fly back to Norway where Tycho will stay with Oliver while the boy’s mother is gone. No, there are no wild parties, just a lovely examination of an emerging relationship that is challenged by Oliver’s keeping a closely guarded secret. If this sounds dull, trust me, it isn’t! Find out why I’m so crazy about this book by reading it. Tell them Michael sent you...

Why does the past speak to us? What do the 1920s – those decadent years of jazz and cocktails and sex – have to offer the 2020s?

When I was writing my book, I was obsessed with the interwar decades – Sayers’ Golden Age of Crime – and with the detective-like quality of my own work, as I chased scraps of information about my subjects’ lives in scattered archives.

In Lote, we meet Mathilda, who has what she calls Transfixions: fragments of the past, especially the Black queer past, that mesmerize and absorb her. Mathilda’s quest for contact with that past takes her into surreal, extravagant adventures.

This is an intoxicating novel and a must for anyone who has ever swooned before a black-and-white photo, a handwritten letter, or a claret-coloured dress.

An insightful examination of art collector Peggy Guggenheim, a fascinating character, Ms. Guggenheim was friends with a vast assortment of American and European writers and artists. The reader gets to see the contradictory sides of this brilliant and unconventional woman. As a result of reading this book, I wrote a play about her entitled The Collection.

Both reference book and travel guide, this second edition includes over 90 sculpture parks in 27 European countries. The parks featured are those that have an ‘art and nature’ element, in which artists collaborate with nature, working in and with nature to create artworks and situations that help us think about and enjoy both. One to take with you on your next trip around Europe!