Here are 69 books that The Last Queen of England fans have personally recommended if you like
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I inhabit the past. You may find me lurking in my four-hundred-year-old Devon cottage, or spot me thinly disguised as the formidable Mistress Agnes, a good wife of a certain age who leads a somewhat chaotic life during the mid-seventeenth century. I write, I read, I research, I share my passion, I write some more. My life revolves around reading, writing and researching history. Having spent the past forty-five years unravelling my own family’s story and loving both historical and crime novels, what could be better than a book that combines all these elements. I have to say that if genealogy was as dangerous a career as some of these books imply, no one would be advised to take it up!
Peter Coldrick is a man without a past, that is until he hires forensic genealogist, Morton Farrier. There are those who will go to any lengths to ensure that Coldrick’s origins remain hidden. Morton’s investigations lead him into danger and make him realise that he needs to begin the quest to uncover the story of his own hidden past.
Peter Coldrick had no past; that was the conclusion drawn by years of personal and professional research. Then he employed the services of one Morton Farrier, Forensic Genealogist – a stubborn, determined man who uses whatever means necessary to uncover the past. With the Coldrick Case, Morton faces his toughest and most dangerous assignment yet, where all of his investigative and genealogical skills are put to the test. However, others are also interested in the Coldrick family, people who will stop at nothing, including murder, to hide the past. As Morton begins to unearth his client’s mysterious past, he is…
I inhabit the past. You may find me lurking in my four-hundred-year-old Devon cottage, or spot me thinly disguised as the formidable Mistress Agnes, a good wife of a certain age who leads a somewhat chaotic life during the mid-seventeenth century. I write, I read, I research, I share my passion, I write some more. My life revolves around reading, writing and researching history. Having spent the past forty-five years unravelling my own family’s story and loving both historical and crime novels, what could be better than a book that combines all these elements. I have to say that if genealogy was as dangerous a career as some of these books imply, no one would be advised to take it up!
When Esme Quentin’s sister, Elizabeth, is assaulted, Esme discovers that her sister has a secret. Who is the elderly, Mrs Roberts and what is her connection to Elizabeth? Esme’s attempt to unravels the sixty-year-old family mystery becomes a hazardous mission and she has to reassess her perception of blood ties.
A desperate crime, kept secret for 60 years...but time has a way of exposing the truth...Esme Quentin is devastated when her sister Elizabeth is beaten unconscious, miles from her home. Two days later Esme discovers that Elizabeth has a secret past. Desperate for answers which the comatose Elizabeth cannot give, Esme enlists the help of her friend Lucy to search for the truth, unaware of the dangerous path she is treading. Together they unravel a tangle of bitterness, blackmail and dubious inheritance, and as the harrowing story is finally revealed, Esme stumbles upon evidence of a pitiful crime. Realising too…
I inhabit the past. You may find me lurking in my four-hundred-year-old Devon cottage, or spot me thinly disguised as the formidable Mistress Agnes, a good wife of a certain age who leads a somewhat chaotic life during the mid-seventeenth century. I write, I read, I research, I share my passion, I write some more. My life revolves around reading, writing and researching history. Having spent the past forty-five years unravelling my own family’s story and loving both historical and crime novels, what could be better than a book that combines all these elements. I have to say that if genealogy was as dangerous a career as some of these books imply, no one would be advised to take it up!
The Cost of Silence begins with the murder of a genealogist. Have they been silenced before they could uncover something inconvenient? Twenty-three years later, can genealogist Madeline Porter retrace the research of the dead genealogist and uncover a motive for his murder? More to the point, will she put herself in danger if she does?
On the day of the General Election in 1992, a man is stabbed to death in a country church. The murderer is caught quickly, confesses and is convicted. He dies in prison shortly afterwards, having never disclosed the reasons behind his actions. Twenty-three years later, a recently retired crime reporter decides to write a book about the murder, hoping to uncover the motive. He establishes that the murdered man was a genealogist researching parish records held in the church, and he suspects that therein lies the answer. Being unfamiliar with the ins and outs of family history research, he calls…
I inhabit the past. You may find me lurking in my four-hundred-year-old Devon cottage, or spot me thinly disguised as the formidable Mistress Agnes, a good wife of a certain age who leads a somewhat chaotic life during the mid-seventeenth century. I write, I read, I research, I share my passion, I write some more. My life revolves around reading, writing and researching history. Having spent the past forty-five years unravelling my own family’s story and loving both historical and crime novels, what could be better than a book that combines all these elements. I have to say that if genealogy was as dangerous a career as some of these books imply, no one would be advised to take it up!
Probate genealogist, Anna Ames, is given the task of researching the history of the Draycott family. As she does so, she is drawn into the lives of this dysfunctional family, who are not as conventional as they seem. Her research unfolds against a background of the warm portrayal of Anna’s own family life with her husband, who has early-onset dementia, her teenage children, her poetry-loving father, and Bobble the dog.
Anna Ames is not pleased to be asked by her boss to write a profile of a wealthy local family instead of continuing with her usual probate research but the conventional, dull-seeming Draycott family turn out to be seething with secrets. As she discovers more about each one she is at first amused and then alarmed and finally horrified and saddened as she realises the true nature of her task. But when her own family are drawn into a scenario of crime and violence that she had never suspected existed on the streets of Birmingham and the quiet fields and…
Like myself, each of these novels involved older professional Black women protagonists. Each of these authors presented multidimensional women experiencing circumstances that surpass culture and ethnicity. As women age, not only do we take on new roles, but we physically and emotionally change. I appreciate books with relatable characters coping with issues I experience—menopause, aging parents, an empty nest. Reading mysteries with fictional characters dealing with situations I experience makes me feel less isolated.
Hudson and Lowell Legacy Consultants is a genealogy business formed by Johanna Hudson. The first line of the novel reads, “... clients don’t consider… that genealogy outcomes can be disappointingly unpredictable.” This statement is a prelude to the conflict weaving throughout the novel as the protagonist becomes embroiled in murder. Johanna makes a career move to pursue a new business opportunity. I left clinical medicine to have more time for writing. It was a difficult choice because I enjoyed taking care of people.
A 30 year-old genealogist is forced to face the pain of her own past while discovering that her talents can be used to solve more than her clients' ancestor family lines -- including blackmail and murder.
Genealogist Johanna Hudson discovers that the intersection of unintended consequences and murder is unavoidable, and her determination to find an heir puts her in the path of a killer who is just as determined to stop her.
I started reading detective stories in my teens, and I’ve never quit. They’ve become part of my professional identity. I’ve taught detective (and crime) fiction at various universities in the U.S. and the Middle East. I believe the genre is incredibly rich, allowing the writer to explore anything from contemporary social issues to historical events and from psychological phenomena to philosophical problems. Apart from my academic work, I also write and edit detective/crime stories, and I try to keep up with the stream of new works being published every year. The list here contains some of my all-time favorites, and I hope you will enjoy them as much as I have.
This was difficult to do well, but Ackroyd makes it work–and he makes it look easy: One half of the story is told in a very idiosyncratic version of early eighteenth-century English (the other half in contemporary English). The level of sheer craftsmanship is impressive.
The story gripped me: a serial killer mystery with touches of the occult and supernatural. London is a haunted place in this story, but not only the victims of the past but also the killers are still with us today. We come to understand that our entire world is built on the flawed achievements of the past.
'There is no Light without Darknesse and no Substance without Shaddowe'
So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and the man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . .…
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
There are few joys to match happening upon a fabulous book by accident. This was the case in Kate Summerscale's work. I knew nothing about it when I picked it up, but I liked the premise. I started to read it on the bus going home and finished it in two days.
This real 1860 murder inspired many writers, from Dickens to Conan Doyle, and I can see why. It contains all those elements so dear to the hearts of mystery lovers like me: a corpse, a detective, and a closed circle of suspects in a country manor. This is a book I will reread, probably more than once.
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WINNER OF THE SAMUEL JOHNSON PRIZE FOR NON-FICTION
THE NUMBER ONE BESTSELLER
A RICHARD AND JUDY BOOK CLUB PICK
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'A remarkable achievement' - Sunday Times
'A classic, to my mind, of the finest documentary writing' - John le Carre
'Absolutely riveting' - Sarah Waters, Guardian
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On a summer's morning in 1860, the Kent family awakes in their elegant Wiltshire home to a terrible discovery; their youngest son has been brutally murdered. When celebrated detective Jack Whicher is summoned from Scotland Yard he faces the unenviable task of identifying the killer - when the grieving family are the…
I’ve always loved a good character-driven mystery, with people in all their wonder and weirdness at its heart. The perfect book to me is one that has enough of a puzzle to allow me to escape into it, while offering a sense of comfort that it will all come together in the end. My family moved around a lot when I was a child, before finally settling down in Chennai, India and books – particularly mystery novels – were a real constant in my life. I moved to Sydney, Australia as an adult and live here, where I write stories that celebrate my heritage and my love of a good mystery.
While I do love Miss Marple (if you don’t, I’m not sure we can be friends), I also love a good romp, which is exactly what this is. Our heroine Anne Beddingfield is in search of an adventure. Heading up to London, she finds herself investigating a murder involving mysterious clues, stolen diamonds, and the Secret Service. Her investigation quickly leads to a one-way passage on the Killmordan Castle, a liner heading for South Africa.
She soon finds herself mired deep in a complex intrigue but is bright, resourceful, and just foolhardy enough to be believable as a complete amateur who unravels it (with a touch of kidnapping along the way).
Read this if you’re looking for a book where the author subverts expectations to deliver a punchy, action-packed adventure.
Nadina, a dancer in Paris, receives a visit from Count Sergius Paulovitch. Both are in the service of "the Colonel", an international agent provocateur and criminal. "The Colonel" is retiring, leaving his agents high and dry. Nadina has a plan to blackmail the Colonel. Anne Beddingfeld is an orphan after the sudden death of her archaeologist father. Longing for adventure, she jumps at the chance live in London. Returning from an unsuccessful job interview, Anne is at Hyde Park Corner tube station when a man falls onto the live track, dying instantly. A doctor examines the man, pronounces him dead,…
I am by no means an expert on the Victorian era, but I am most certainly passionate – I have written seven novels set in this period and have researched different aspects of the social, domestic, and gender-related issues for each of those books. The Victorian era is such a fascinating time – from the huge differences in money and class, to the beginnings of women starting to initiate (or maybe even demand) change with the first murmurings of women’s suffrage and, of course, the Married Women’s Property Act 1882. Rich in storytelling possibility and the opportunity to bring societal, gender, and sexual issues to the fore, I find writing in the Victorian period immensely exciting.
I stumbled across this book while browsing through a charity shop – a murder/mystery set in Whitechapel when Jack the Ripper is still roaming free. I am by no means a follower of Ripper stories, legend or myth, despite recommending this book, but there is something about Victorian London in the 1880s that fascinates me.
The Yard is the first in a series that I have devoured over the last few years. I love Alex Grecian’s easy writing style and the main character, Detective Inspector Walter Day is one I wish I had created myself. He has a brilliant mind, a quick and quiet humour, and a soul that is truly good. Of course, he does have his faults, but they are all forgivable…at least for me!
If you were fascinated by The Five, you'll love this gripping and atmospheric historical thriller set in Victorian London in the wake of Jack the Ripper.
A killer is haunting London's streets . . .
A year after Jack the Ripper claimed his last victim, London is in the grip of a wave of terror. The newly formed Murder Squad of Scotland Yard battles in vain against the tide of horror.
When the body of a detective is found in a suitcase, his lips sewn together and his eyes sewn shut, it becomes clear that no one is safe from…
At an early age, I became a fan of tightly plotted mysteries that play fair with the reader. This led to my career in mystery games and videos and a dozen books of short mysteries. It also led to my TV career. When the creator of Monkrealized he needed some twisty plots, he visited a bookstore, found my books, and tracked me down. Since then, I’ve been plying my trade on the small screen as well, working with some very talented people, like Steve Martin, who needed a mystery guy to come in and add some structure to their ideas.
Although a suspense novel rather than a mystery, this one utilizes plenty of tricks to keep you enthralled and guessing. It starts with a “Strangers on a Train” kind of premise, the exchanging of murders by people who just met. Then it takes off, morphing into unexpected incarnations, each one exciting and satisfying. If you become a fan, and I’m betting you will, be warned. Swanson uses similar plot developments in his other books. This is by far his best one.
You should never talk to strangers...Gone Girl meets Strangers on a Train in this year's must-read psychological thriller. "Extremely hard to put down". (Sophie Hannah). "Chilling and hypnotically suspenseful". (Lee Child). 'Hello there.' I looked at the pale, freckled hand on the back of the empty bar seat next to me in the business class lounge of Heathrow airport, then up into the stranger's face. 'Do I know you?' Delayed in London, Ted Severson meets a woman at the airport bar. Over cocktails they tell each other rather more than they should, and a dark plan is hatched - but…
