100 books like The Jewish Moral Virtues

In a conversational and, at times, anecdotal style, Telushkin describes what a compassionate, righteous life might look like.

There are chapters on good manners, charity, forgiveness, and humility along with considerations on anger, envy, hatred, and the instinct of revenge. Telushkin backs up his suggestions with references to Torah, Talmud, and Commentaries, and he includes some delightful stories to illustrate his points.

I can’t imagine a more comfortable guide to living conscientiously.

Pirke Avos—often translated as “The Ethics of the Fathers” or “The Chapters of the Sages”—is the only book of the Talmud devoted exclusively to ethics. (The Talmud is a collection of rabbinical commentaries on the Torah, or “Old Testament”). Don’t be put off by the “gendered” title. Pirke Avos is a treasure trove of ethical guidance and psychological insight for anyone seeking a richer spiritual life. This particular edition brings together scores of sages and scholars in one volume. 

Judaism is sometimes accused of being obsessed with rituals and laws, at the expense of interpersonal relationships. Rabbi Feldman’s insightful book debunks that charge, focusing in psychologically astute ways on human relationships. Topics include revenge, violence, love, and generosity. While scholarly in content, this book has a friendly, informal tone, such as the chapter titled, “One strike and you’re out: hitting and raising a hand in violence.” 

Professor Judah Goldin’s new translation of Pirke Avot, along with his introductory essay on the Talmud, provides a concise, easily understood introduction to Jewish ethics. Prof. Goldin also provides some of the first English translations of many classical commentaries on Pirke Avot, all in a compact, paperback format. By making these translations available to the general public, Goldin has performed a valuable service.  

This is a book about the Jewish movement called “Musar” – devoted to turning well-meaning but clumsy humans into upright, caring adults with a positive impact on all who know them.

Morinis is particularly good at helping the reader determine where in his/her personality the most attention is needed. And Morinis’s consideration of “the inner adversary” – the impulse that tempts us to mitigate our goodness every time we think of expressing it – is masterful.

The next time you decide to do a good deed – and then suddenly find reasons not to do it – you’ll remember Morinis and Musar. And you might do the good deed after all. 

Dara Horn is a fabulous writer. A recent work, People Love Dead Jews, won the National Jewish Book Award, and for good reason. She is an exquisitely profound, solidly intellectual writer in Guide for the Perplexed. In All Other Nights, she proves herself as a master storyteller on matters of the heart and soul. Set during the Civil War, a young Jewish man volunteers for not-so-patriotic reasons in the Union Army and is set upon a mission of spying and assassination at the bosom of his Southern family. It’s a brilliant story of lovers and enemies separated and reunited with the tragedies of war in between. Beyond all that, it’s a meditation on loyalty and the cruel duplicity of man. Our hero faces innumerable moral choices that attempt to answer the question: What’s a nice Jewish boy doing in a war like this? Horn’s answers do not… show more.

The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.

Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer. Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)

Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.

A deft, charming re-telling of a Jewish folk tale, and winner of the Ruth Schwartz Award. In this gentle story, young Joseph grows up in a shtetl in a warm and loving home. His grandfather, a tailor, makes him a beautiful blanket at birth. As he grows, the blanket becomes worn, but Grandpa can always rejig the fabric into something new. At last, however, the sad day arrives when nothing is left of the blanket… until Joseph realizes that what’s left is a wonderful story. 

I nominate this book as a storyteller’s delight because of its comforting, cyclical nature, and surprise ending. While Gilman’s glowing pictures augment the story perfectly, with their warm, humorous depiction of family life, the story can easily be memorized, told, and enjoyed when no pictures are available.

A spirit of comédie humaine suffuses this collection of short stories set largely among Orthodox Jewish communities. Englander has an affectionate comic touch, and that’s obvious here.

Just as important is his gift for limning out the pain of people pulled between the comfort of belonging on the one hand and, on the other, the urge, perhaps the need to rebel.

As a result of vast outpouring of important Jewish writing over the last century, it is difficult to navigate what is important and what should be included in the mainstream of Jewish life.

This is a curated collection of some of the most important writing and documentation of the period. I found it personally helpful to know what I should be reading and what I should be aware of. It also provides a helpful blueprint for those of us who are educators—what should be teaching in the years ahead to raise literate Jews of this generation, as well as those of other faith communities who may be interested in the trajectory of Jewish intellectual and religious life of this period.