Here are 100 books that The Hill We Climb fans have personally recommended if you like
The Hill We Climb.
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A dozen years ago, my family moved from a homogeneous community where everyone looked, lived, and believed as we did to a vibrant neighborhood filled with difference and complexity. This shifted something deep inside me and ultimately changed the way I see the world and myself within it. It set me on a path toward understanding how authentic, ordinary community holds the power to transform our world. To live as neighbors is to draw near to each other. I have written three books on this central theme and plan to spend the rest of my life reaching for empathy as our best tool in reclaiming the goodness of humanity.
This is the poetry book for people like me, who aren’t “good” at poetry, but who desperately need to believe humanity is still mostly intact and the world around us still brims with beauty.
I keep this one on my bedside table and reach for it when I need a quick reminder that we still have a say in the direction our society leans. More blooms. More abundance. More ordinary goodness. More us.
An Indie Poetry Bestseller! What the world needs now - featuring poems from inaugural poet Amanda Gorman, Ross Gay, Tracy K. Smith and more. More and more people are turning to poetry as an antidote to divisiveness, negativity, anxiety, and the frenetic pace of life. How to Love the World: Poems of Gratitude and Hope offers readers uplifting, deeply felt, and relatable poems by well-known poets from all walks of life and all parts of the US, including inaugural poet Amanda Gorman, Joy Harjo, Naomi Shihab Nye, Ross Gay, Tracy K. Smith, and others. The work of these poets captures…
I am Monique “Nikki” Murphy, an awarded poet, author, and Diversity, Equity, and Inclusion professional. I grew up in a Black low-income neighborhood with the love of a single mother and the absence of a father, which all impacted the way I experienced the failed promise of justice and equality for all. My mother, an avid reader of Black novels, fostered a love of reading in me and a deep sensitivity to caring about the issues that affected Black people. This sensitivity manifested in a career in Diversity, Equity, & Inclusion and a love of creative writing & books that explore issues of inequality, trauma, and personal development. As a poet, I love the artistic exploration of our lived experiences and art that inspires activism.
Yrsa-Daley Ward is a complete sentence. Her work is everything and even Beyonce took note, bringing her on to write for Black Is King. Her debut poetry collection,Bone, introduced me to a perspective that I had not explored: that of a first-generation black British queer woman. Yet and still, her experience and words resonated so deeply, highlighting the interconnectivity of the African diaspora, and particularly, Black women. It shined a light on issues of sexual assault, religion, and society’s expectations of women, which are some of the same issues that I write about. And despite the trauma captured in the poems, it has an overarching inspirational message for all of us:
“yrsa daley-ward’s bone is a symphony of breaking and mending. . . . she lays her hands on the pulse of the thing. . . . an expert storyteller. of the rarest. and purest kind.” —nayyirah waheed, author of salt.
From the celebrated poet Yrsa Daley-Ward, a poignant collection of poems about the heart, life, and the inner self.
Foreword by Kiese Laymon, author of Heavy: An American Memoir
Bone. Visceral. Close to. Stark.
The poems in Yrsa Daley-Ward’s collection bone are exactly that: reflections on a particular life honed to their essence—so clear and pared-down, they become universal.
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.
Do you want to write a poem? This book will show you 'how to grow your own poem' . . .
Kate Clanchy has been teaching people to write poetry for more than twenty years. Some were old, some were young; some were fluent English speakers, some were not. None of them were confident to start with, but a surprising number went to win prizes and every one finished up with a poem they were proud of, a poem that only they could have written - their own poem.
Kate's big secret is a simple one: is to share other…
I am a neuroscientist best known for my studies and writings exploring the brain basis of consciousness. Trained as a physicist, I was for 27 years a professor of biology and engineering at the California Institute of Technology in Pasadena before moving to the Allen Institute in Seattle, where I became the Chief Scientist and then the President in 2015. I published my first paper on the neural correlates of consciousness with the molecular biologist Francis Crick more than thirty years ago.
An extraordinary gem of a booklet that considers the many ways that four lines of a single poem, composed by an 8th century Chinese Buddhist, have been translated into modern idiom. It is amazing how a mere twenty ideograms, depicting a mountain and forest scene devoid of people, can illuminate the variety and subtlety of consciousness. I recommend the 2016 edition with additional translations.
The difficulty (and necessity) of translation is concisely described in Nineteen Ways of Looking at Wang Wei, a close reading of different translations of a single poem from the Tang Dynasty-from a transliteration to Kenneth Rexroth's loose interpretation. As Octavio Paz writes in the afterword, "Eliot Weinberger's commentary on the successive translations of Wang Wei's little poem illustrates, with succinct clarity, not only the evolution of the art of translation in the modern period but at the same time the changes in poetic sensibility."
I have been a keen walker/hiker/backpacker since I was five when my parents named a local footpath James’s Path. Almost fifty years later, I have walked all over the UK and further afield in the Pyrenees and the Alps, Nepal, and the Antipodes. Walking for me is both a means to an end—to reach mountaineering routes and as exercise—and as an end in itself. Days spent walking can be reflective, social, demanding, and memorable. I always take a book, even if it's a day walk, and two or three if it’s a multiday trip. I hope you’re as energized and stimulated by my suggestions as I’ve been.
Whatever my current passion, from mountaineering to grafting apple trees to hiking, I like to immerse myself in the literature. Simon Armitage’s account of The Pennine Way in the Peak District (UK) is one of my favorite walking memoirs and is informative, eclectic, and funny. In addition, the route starts only a few miles from my house.
I’m walking it with my wife, in sections, so we might meet you on the way! If you’re not a walker, Walking Home may inspire you to start—even to set out on a long-distance footpath.
The wandering poet has always been a feature of our cultural imagination. Odysseus journeys home, his famous flair for storytelling seducing friend and foe. The Romantic poets tramped all over the Lake District searching for inspiration. Now Simon Armitage, with equal parts enthusiasm and trepidation, as well as a wry humor all his own, has taken on Britain's version of our Appalachian Trail: the Pennine Way. Walking "the backbone of England" by day (accompanied by friends, family, strangers, dogs, the unpredictable English weather, and a backpack full of Mars Bars), each evening he gives a poetry reading in a different…
I have been writing and teaching about African American poetry and poetics for more than two decades. My passion began when I kept discovering long-lost poems that were published once, in Black newspapers, and then forgotten. I wondered why I had never learned about Gwendolyn Brooks in school, though I’d read about e.e. cummings and Robert Frost. Once I stumbled on the fact that Claude McKay discovered cummings, I realized how much the questions of influence and power aren’t really central topics in thinking about the genealogy of Black poets and their influence on each other and on poetry in general.
Marilyn Nelson’s poetry is staggeringly good, particularly the way she writes formal poems—sonnets!—in a humble voice, like her sonnet “From an Alabama Farmer.” Nelson’s poem “To the Confederate Dead,” with its epigraph by Allen Tate is a better poem than Robert Lowell’s “For the Union Dead,” with which it is in conversation. Nelson’s ‘wreath’ of sonnets, “A Wreath for Emmett Till,” is simply sublime.
Conjuring numerous voices and characters across oceans and centuries, Faster Than Light explores widely disparate experiences through the lens of traditional poetic forms. This volume contains a selection of Marilyn Nelson's new and uncollected poems as well as work from each of her lyric histories of eighteenth-, nineteenth-, and twentieth-century African American individuals and communities.
Poems include the stories of historical figures like Emmett Till, the fourteen-year-old boy lynched in 1955, and the inhabitants of Seneca Village, an African American community razed in 1857 for the creation of Central Park. ""Bivouac in a Storm"" tells the story of a group…
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
Hanif Abdurraqib has a way of making you forget you’re reading poetry while also reminding you that nothing else could be as poetic as one of his poems. They always unravel in a way only his unique way of storytelling permits. It’s truly a skill that is mastered beautifully in this collection.
“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” ―Booklist, Starred Review
In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness,…
I'm a writer and a late-life fine arts photographer. For eight years I had been writing a book set in the personal and historical past. I would sit at the computer, shut my eyes, and say to myself, “Go deeper.” Eventually, I was able to recall long-forgotten details. When I looked up from those years of writing, the memoir, entitled Phantom Limb, was finished and being published. However, I discovered that I could no longer see – really see – what was around me. Along the way, I had lost that alert attention to the way light falls, to colors that used to hit me between the eyes. I felt the loss deeply. I’ve always loved to look. I had to do something to summon it back.
In order to retrieve my sense of seeing in the present, I went to my second home in Mexico, read a little each morning, and then went walking without any destination. This is the book I was reading those mornings in Mexico, before my walks. It may seem odd to start with a book about poetry, but this one opened the gate to seeing and to taking my first
photograph.
A Gate Enables passage between what is inside and what is outside, and the connection poetry forges between inner and outer lives is the fundamental theme of these nine essays.
Nine Gates begins with a close examination of the roots of poetic craft in "the mind of concentration" and concludes by exploring the writer's role in creating a sense of community that is open, inclusive and able to bind the individual and the whole in a way that allows each full self-expression. in between, Nine Gates illumines the nature of originality, translation, the various strategies by which meaning unfolds itself…
Leah Naomi Green is the author of The More Extravagant Feast, selected by Li-Young Lee for the Walt Whitman Award of The Academy of American Poets. She received the 2021 Lucille Clifton Legacy Award for compassion, courage, truth-telling, and commitment to justice, as well an Academy of American Poets 2021 Treehouse Climate Action Poetry Prize. The More Extravagant Feast was named “one of the best books of 2020” by The Boston Globe, is a silver winner of the 2020 Nautilus Book Awards, and was featured on NPR’s “All Things Considered”. She lives in Rockbridge County, Virginia where she and her family homestead and grow or find much of their food for the year.
In this book-length poem, Ross Gay manages to “talk” to the reader intimately without once “mansplaning” the way that so much of the tradition of “nature writing” has, for centuries, done. With the refrains of “what am I seeing?” and “what am I practicing?” Gay creates what feels like a genuine conversation with the reader, allowing me to ask myself the same questions as I read, to form my own thoughts and feelings, rather than passively receiving his.
In what I find to be his best work yet, Gay offers a genuine invitation to the reader to join into the seeing and feeling and meaning-making, thus making the meaning-making infinitely more meaningful. Be Holding is like a personal letter taken from its envelope, but somehow intended for all of us. It is as intricate as it is accessible and clear.
Through a kind of lyric research, or lyric meditation, Be Holding connects Dr. J's famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love.
Be Holding wonders how the imagination, or how our looking, might make us, or bring us, closer to each other. How our looking might make us reach for each other. And might make us be reaching for each…
As a poet and a dreamer, I believe in a world where we live in harmony with other people, nature, and the Divine. During the completion of my Master of Arts degree, I discovered a love of poetry: the lyrical cadences of the romantic poems reminded me of the sung psalms of my youth. No life is without sorrow, and the gift of poetry — both writing and reading it — has offered me hope through many a dark time, inspiring me to push on towards a new dawn. My wish for you is that, in these poetry collections, you too find a light during these turbulent times that we’re living in.
While this book of poems, first published in 1964, does hark back to a past era, the poems themselves are timeless. There’s an underlying sense of peace, which gives me solace when I feel bleak and filled with a nameless anxiety. Despite the sorrows, there’s grace in these poems, and in the world Berry speaks of — a simpler world than the one we live in today. Yet, each time I read them, I’m enriched with comfort and hope that frees me from the melancholy of living in a modern world that appears to be losing its way.
I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
The poems of Wendell Berry invite us to stop, to think, to see the world around us, and to savour what is good. Here are consoling verses of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging; luminous hymns to the land, the…
