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Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked.
This stunning short novel captures everything about the deep ties that both religion and family have on the Irish experience.
As a boy, I remember my grandmother’s deep religious devotion and how it fueled her way of life. The story touches on this, including an affection for the land, love of community, and the power in doing the right thing. Its moodiness reflects both the story’s unspoken depth and its sublime tenderness.
In Small Things Like These, the protagonist struggles with what he should or should not do after hearing rumors about the local convent and the young girls who live there.
Keegan is a master at delivering the below-the-surface emotions that drive men and women through life’s difficult decisions.
"A hypnotic and electrifying Irish tale that transcends country, transcends time." —Lily King, New York Times bestselling author of Writers & Lovers
Small Things Like These is award-winning author Claire Keegan's landmark new novel, a tale of one man's courage and a remarkable portrait of love and family
It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him…
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
Ask Again, Yes is a drama about two generations of two families and the tragedy within the book centres on the events of one fateful day.
Mary Beth Keane’s prose is a real pleasure to read and the story itself brings home how often lives are changed irrevocably in a moment. What I also loved about this book was that it takes the central characters from childhood to adulthood and we see how this makes them view events differently.
It’s one of the reasons I enjoy books with multiple narrators – being able to see the way they can justify their own decisions while judging the actions of others. A terrific read.
The triumphant New York Times Bestseller *The Tonight Show Summer Reads Pick*
Named one of the Best Books of the Year by People, Vogue, Parade, NPR, and Elle
"A gem of a book." —Taylor Jenkins Reid, author of The Seven Husbands of Evelyn Hugo
How much can a family forgive?
Francis Gleeson and Brian Stanhope, rookie NYPD cops, are neighbors in the suburbs. What happens behind closed doors in both houses—the loneliness of Francis’s wife, Lena, and the instability of Brian’s wife, Anne, sets the stage for the explosive events to come.
In Mary Beth Keane's extraordinary novel, a lifelong…
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
Mother and daughter relationships are a theme that I love to read – and write! – about and Joanna Glen does this brilliantly in All My Mothers.
From childhood, Eva had a complex relationship with her own mother and is convinced that there is more to her story than she’s been told. Glen uses a children’s picture book as a motif to explore the many kinds of mothers that Eva meets in her life and it affected me quite profoundly.
What kind of mother am I? What kind of mother do children most need? The relationship that made me most emotional was that between Eva and her best friend. Many tears were shed onto my kindle!
I was drawn to writing family drama because complex family dynamics are endlessly fascinating to me. I’m an adopted person whose parents went on to divorce and remarry. I have two teenagers of my own and I’ve found that there are a multitude of choices we have to make as parents, and sometimes dilemmas don’t have a clear answer. If we get it wrong, the effects on the people we love can be devastating. Love within families can be tricky. The gap between what we want and what we need can be vast. There’s so much to explore in family dramas!
Secrets and lies always keep me turning the pages and this book has those in spades.
I love that Fisher writes about the kind of women we all know. Her characters are truly relatable and the dilemma of whether Maggie should expose her husband’s lies or protect the people she loves is an agonising one.
There’s so much humour in Fisher’s writing. I love a book that brings out laughter and tears.
In this heart-wrenching, emotionally gripping USA Today bestseller, a woman with a seemingly perfect life finds a mysterious letter that reveals dark secrets from the past that threaten to destroy her family.
Lara's life looks perfect on the surface -- gorgeous doting husband, Massimo; sweet little son, Sandro; and the perfect home. But Lara knows something about Massimo. Something she can't tell anyone else, or everything he has worked so hard for will be destroyed: his job, their reputation, their son. This secret is keeping Lara a prisoner in her marriage.
Maggie is married to Massimo's brother, Nico, and lives…
I was drawn to writing family drama because complex family dynamics are endlessly fascinating to me. I’m an adopted person whose parents went on to divorce and remarry. I have two teenagers of my own and I’ve found that there are a multitude of choices we have to make as parents, and sometimes dilemmas don’t have a clear answer. If we get it wrong, the effects on the people we love can be devastating. Love within families can be tricky. The gap between what we want and what we need can be vast. There’s so much to explore in family dramas!
Her prose is so fluid that it’s easy to lose yourself in her stories, which explore dilemmas that seem like impossible choices for her relatable characters, until a tear-jerking reveal.
The decision Rebecca eventually comes to in My Husband’s Daughter made me wail like a wounded mouse. This book is beautifully written and packed with emotion.
A heartbreaking and emotional story about love, friendship, and what it truly means to be a parent.
On a cold Friday evening, Rebecca and her husband Jack’s doorbell rings. Outside is a woman who introduces herself as Jack’s ex-girlfriend Cara. And she’s holding the hand of a shivering, blue-eyed, four-year-old girl. Who she claims is Jack’s daughter.
Rebecca is shocked to discover he has a child from his last relationship—one he hadn’t known about. Especially since becoming parents isn’t part of their life plan. But Cara needs them. Because she has a devastating secret that she can’t tell anyone yet.…
I was drawn to writing family drama because complex family dynamics are endlessly fascinating to me. I’m an adopted person whose parents went on to divorce and remarry. I have two teenagers of my own and I’ve found that there are a multitude of choices we have to make as parents, and sometimes dilemmas don’t have a clear answer. If we get it wrong, the effects on the people we love can be devastating. Love within families can be tricky. The gap between what we want and what we need can be vast. There’s so much to explore in family dramas!
‘My stomach is in knots!’ Motherhood for Slackers, ⭐⭐⭐⭐⭐
‘Devastating and jaw-dropping’ A Tick to Everywhere, ⭐⭐⭐⭐⭐
‘A heart-stopping thriller’ Goodreads Reviewer, ⭐⭐⭐⭐⭐
‘Fantastic! I absolutely loved every page.’ Books and Candles, ⭐⭐⭐⭐⭐
Everyone is going to the housewarming party.
All the same people who lived on the street the day Abi vanished…
Will her mother finally learn the truth?
Ava only left her daughter in the pushchair for five minutes. The buckle was fastened, and she was sure it was safe. But when she came downstairs, the door was open and Abi was gone – she walked down the…
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
As I come from a small family, I am always fascinated by families with lots of siblings and the dynamics between them.
In I’ll Leave You With This, Kylie Ladd gives us four very different sisters grieving the loss of their only brother. Each of their voices was very distinct and made me think about how we all have our ‘role’ in the family. Do eldest daughters always take control? Do youngest siblings always feel overlooked?
As they find their way towards each other and through a way to navigate their tragic loss, they all pulled at my heartstrings in different ways.
A totally heartbreaking but uplifting story about family, loss and second chances.
Three years after Daniel was killed by a senseless act of violence, all his sisters have left of him are their memories - and responsibility for Daniel's mischievous dachshund John Thomas. Daniel donated his organs, his death facilitating life-saving miracles for other families, while his own loved ones struggle to come to terms with their devastating loss, each at a crossroads of her own.
It's been twelve years since film director Bridie had a hit, and while she's still invited to glitzy media events, nowadays it is as…
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
I sobbed my way through this one! I was a few chapters in when I discovered that it was a sequel to The Last Days of Rabbit Hayes, but I was so invested by then that I couldn’t stop and go back.
Anna McPartlin has the enviable skill of combining comedy and tragedy to great effect. The Hayes family are a mess of grief and confusion and misplaced blame, but their love for one another, and their wonderful humour, meant that I took them to my heart immediately.
A book that makes me laugh out loud one minute and blub like a baby the next is always a winner for me. I would read anything that this author chose to write. (I read Rabbit Hayes immediately afterwards and loved that, too!
'Brilliant, funny and immensely moving' Catherine Isaac, author of You, Me, Everything
'Well, that was a tearjerker! Anna McPartlin's Below the Big Blue Sky is a MORE than worthy follow-up to The Last Days of Rabbit Hayes' Marian Keyes
***
There's no family quite like the Hayes, and yet they're just like any other - they love each other, they look out for each other and they drive each other mad. When their youngest, Rabbit, dies tragically at just forty, the Hayes are almost torn apart by their grief.
Without her beloved mum, twelve-year-old Bunny is adrift; without Rabbit, there…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
This book is a masterwork of more than thirty years of research into why people tell stories. Booker breaks down literature into seven archetypal themes which occur across all types of stories. Using a wealth of examples ranging from ancient myths and folktales to plays and novels of great literature to the popular movies and TV soap operas of today, he demonstrates how these archetypal themes have remained constant over the generations. Not everyone will agree with Booker, but everyone will learn from him—about reading, writing, and understanding. This fascinating read provides writers with a new way to look at their own plotting and tap into the hero’s journey.
This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to…
I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
I’m cheating a little here, but I made the rules and there’s a little clause in the rules I made that says I can break them as long as I announce that I am breaking them. Herewith, I announce.
This isn’t a book about readers. It’s a book about watchers—specifically the Dutch audience for the soap opera Dallas. But this book is so good and so wild, it changed forever the way I think about “reception,” including reading. I recommend this book all the time and if you want to understand the freedom and creativity of readers, you have to read it.
Dallas, one of the great internationally-screened soap operas, offers us first and foremost entertainment. But what is it about Dallas that makes that entertainment so successful, and how exactly is its entertainment constructed?
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