Fans pick 100 books like The Heart of the Goddess

If you try to learn about the cultural history of the sacred female cross-culturally, you are likely to encounter the attitude in our patriarchal society that Goddesses couldn’t really have been widespread or ever been very important. A handy refutation can be found in this book, which contains information on over 11,000 Goddesses, nymphs, spirits, and deified women around the world. Grouped according to geographic regions, each entry gives you not only the translation of the Goddess’s name but also her story. That is, it’s a biographical dictionary because it gives the characteristics and the mythology associated with each Goddess. If you read through the entries for any one region, you will become immersed in a deeply poetic sense of the resonant cultural history underlying later developments.

Christianity is a syncretic religion, incorporating elements from earlier religious traditions, not only in the eastern Mediterranean basin but also in the lands where it spread. In each of the national shrines to the Virgin Mary in Europe, for instance, she is depicted with indigenous symbols or elements. Nowhere is the presence of the preChristian, indigenous sacred female stronger in such syncretic blendings than in Mexico with the Virgin of Guadalupe. The editor of this anthology refers to her as Guadalupe-Tonantzin, one of the variations of her name in the indigenous Nahautl language. These essays are scholarly, cultural, and engagingly personal. Don’t miss the brilliant essay by the late Gloria Anzaldua, as well as other memorable pieces by several well-known Mexican-American authors. This is lived religion.

With The Goddess Path the late Patricia Monaghan, author of The New Book of Goddesses and Heroines, bequeathed a well-designed and deeply wise pathway into spiritual engagement. She begins in “Basics of Goddess Spirituality” by answering commonly heard questions, then presents “Frameworks for Goddess Imagery” and “The Goddess Year” of rituals. The rest of the book is “The Goddess Revealed”: a chapter on each of twenty Goddesses, presenting her historical or traditional invocation, her myth and meaning, her symbols, and her feasts. At that point, Patricia Monaghan presents suggestions for invoking each Goddess through the reader’s personal ritual. Here she wisely speaks of the dynamics of women’s lives in modern culture and the power of this spiritual practice, flowing from extremely ancient roots into the presence of 21st-century women.

This is a beautiful book about women’s home altars, from the traditional to the “wildly revisionist.” Kay Turner was the editor of the most exquisite journal of the Women’s Spirituality movement in the 1970s, Lady-Unique-Inclination-of-the-Night. Here she presents an aesthetic, historical, and perceptive exploration of women’s home altars as a place apart, an expression of intimate connection with the divine, human, and natural realms. Kay Turner sees women’s altars as a continuation of the practice in matrifocal, prepatriarchal cultures, such as the altars of Çatal Hüyük (5th millennium BCE) and those depicted on Minoan seal rings centuries later. A woman’s personal altar today might be so small as to fit on a bookshelf, but it is a nexus of interrelatedness, a personal honoring of that which is integrative and vital.

Psychedelic literature is unquestionably dominated by the white, male author. If, like me, you yearn to hear other voices and other perspectives, then this collection of essays couldn’t be more timely. The twenty-three chapters, from academic and non-academic authors, cover a range of perspectives, and while you may not agree with all of them, they’re refreshing nonetheless. It’s hard to single out any particular essay, but it’s always a pleasure to read Kathleen Harrison. Harrison, who was once married to Terence McKenna, spent years living with the Mazatec people, and treats us to her animistic vision of the world as something that’s alive and communicative. But the whole book contains riches and paves the way to a more diverse psychedelic literature.

I admire and deeply respect Vicki Noble, a wild, witchy woman whose legacy and ongoing activity paved the path for reviving the Goddess. Her book, Shakti Woman, was bequeathed to me from my best friend’s magickal collection after she crossed to the Other Side. This book is a fierce reclamation of the Divine Feminine within each of us and a rallying cry for equalizing the imbalance of energy that has caused so much mental, physical and spiritual instability, and pain. When the female is left out of the divine, we all suffer, and our Magick and Witchcraft are covered up. Shakti Woman brings us to wholeness because when we see ourselves as equally God and Goddess then we come to know that self-care is how we tend the Divine within. 

This is a brilliant scholarly examination of the Neopagan movement. What differentiates this book from other Witchy titles is that, although Ms. Adler was, in fact, a Pagan herself, this is not a “how-to” book. Instead, the author uses her background in anthropology, journalism, and historical academia to offer much-needed perspectives.

I was fortunate to have met the author at a large Neopagan convention called PantheaCon back in 2008, where I expressed profound gratitude for this book and for her poignant journalism. Not only was she an incredible journalist for NPR (National Public Radio), but her book was imperative in my early years of realizing and recognizing myself as a natural Witch. During my early Pagan studies, this book helped offer me a well-rounded approach to the Craft, even having influenced my future calling to pursue a degree in cultural anthropology!

The idea that in the 21st century, we could be having a discussion about the Feminine face of God fundamentally made me feel more welcomed and connected to Divinity, by whatever name you call it. These two accomplished theologians debate how to think about Divinity and what we call sacred.

Their discourse is powerful and thoughtful. They aren’t exposing black-and-white thinking in religion and just pointing out how “bad” traditional religions are at understanding the mystery of divinity. They brought me with them on a deep dive into their own mystical excursions, which, in turn, made it much more safe for me to wrestle with my own conflicts. 

The book chronicles Kidd’s evolution from a patriarchal religion into a spirituality that honors her as a woman. She’d built her reputation and made her livelihood as a Christian writer and speaker, and she risked everything: career, marriage, family, and friends in leaving that behind. I was making a similar journey when I found the book, leaving behind the organized religion I’d grown up with and significantly, married into. Fighting broke out when I quit attending services, and I received a lot of condemnation for seeking to free myself from a religion thousands of years old. How dare I! I was letting my immediate, and not so immediate, family and community down. I was headed for damnation. Kidd’s book uplifted and supported my decision. It’s honest, too, in addressing one’s internal conflicts about change. The book gave me the courage to face my fears, my guilts, and keep following my… show more.

Dr. Davidson has written extensively about Norse mythology, both books and articles. Her scholarship is terrific, and I have three of her books in my research library. What makes this book so unique, though, is that she concentrates on the goddesses of the Norse pantheon and women’s roles in the Viking world in general, of which not much is written. Reading this book is like taking a master class in Norse women’s studies, and I had to replace my print copy because I’d scribbled so many notes in it that it became impossible to read.