100 books like Goddess of the Americas

If you try to learn about the cultural history of the sacred female cross-culturally, you are likely to encounter the attitude in our patriarchal society that Goddesses couldn’t really have been widespread or ever been very important. A handy refutation can be found in this book, which contains information on over 11,000 Goddesses, nymphs, spirits, and deified women around the world. Grouped according to geographic regions, each entry gives you not only the translation of the Goddess’s name but also her story. That is, it’s a biographical dictionary because it gives the characteristics and the mythology associated with each Goddess. If you read through the entries for any one region, you will become immersed in a deeply poetic sense of the resonant cultural history underlying later developments.

There are hundreds of good books on Goddess spirituality. This one presents a heart-centered approach that blends beautiful color plates of historical Goddess art and artifacts from around the world with an accessible explication of each Goddess’s mythology and cultural significance—as well as Hallie Iglehart Austen’s invitation to join her in a brief guided mediation for each Goddess. Her stated goal is that readers might “come into balance, reclaiming the lost feminine deep within ourselves and sharing that wisdom and power with the world.” Here’s the opening to a preface entitled “A Millennial’s Initiation”: “Every book is a teacher, yet some books reveal truths that flow into your deepest roots and stay with you forever. Reading The Heart of the Goddess was, truly, a rite of passage for me.” 

With The Goddess Path the late Patricia Monaghan, author of The New Book of Goddesses and Heroines, bequeathed a well-designed and deeply wise pathway into spiritual engagement. She begins in “Basics of Goddess Spirituality” by answering commonly heard questions, then presents “Frameworks for Goddess Imagery” and “The Goddess Year” of rituals. The rest of the book is “The Goddess Revealed”: a chapter on each of twenty Goddesses, presenting her historical or traditional invocation, her myth and meaning, her symbols, and her feasts. At that point, Patricia Monaghan presents suggestions for invoking each Goddess through the reader’s personal ritual. Here she wisely speaks of the dynamics of women’s lives in modern culture and the power of this spiritual practice, flowing from extremely ancient roots into the presence of 21st-century women.

This is a beautiful book about women’s home altars, from the traditional to the “wildly revisionist.” Kay Turner was the editor of the most exquisite journal of the Women’s Spirituality movement in the 1970s, Lady-Unique-Inclination-of-the-Night. Here she presents an aesthetic, historical, and perceptive exploration of women’s home altars as a place apart, an expression of intimate connection with the divine, human, and natural realms. Kay Turner sees women’s altars as a continuation of the practice in matrifocal, prepatriarchal cultures, such as the altars of Çatal Hüyük (5th millennium BCE) and those depicted on Minoan seal rings centuries later. A woman’s personal altar today might be so small as to fit on a bookshelf, but it is a nexus of interrelatedness, a personal honoring of that which is integrative and vital.

I live in southern California, where la Señora de Guadalupe appears all around us in bright murals on grocería walls, on t-shirts and jackets, as tattoos, even as dangling air fresheners. According to the earliest legend, included in this volume, she first appeared in 1531 to a peasant named Cuauh-tlahtoa—a.k.a. Juan Diego—on the hill of Tepeyac, at the edge of modern Mexico City.

The site was sacred to Tonantzin (the local name for a mother goddess), but Mary emerged there at dawn in her bright green and red gown amidst a flowerful garden that resembled the paradise of the Aztecs. It took a miracle for Juan Diego to persuade the Archbishop of Mexico City that the Virgin wanted a shrine built on the hill; he turned up at the episcopal palace one December day with his cloak full of out-of-season roses. When he spilled the flowers at the bishop’s feet,… show more.

This lavishly illustrated story of the Virgin of Guadalupe is simply stunning. The authors committed themselves to extensive research, from the very first story of the Virgin's appearance through discoveries about the constellations on her robe, the images in the background, and even recent discoveries of the images in her eyes.

And still, the question remains: Why has this tulpa made of peasant’s cloth not deteriorated, like all other fabrics from that era? Now I understand why the Virgin of Guadalupe is the patron of Mexico City.

Psychedelic literature is unquestionably dominated by the white, male author. If, like me, you yearn to hear other voices and other perspectives, then this collection of essays couldn’t be more timely. The twenty-three chapters, from academic and non-academic authors, cover a range of perspectives, and while you may not agree with all of them, they’re refreshing nonetheless. It’s hard to single out any particular essay, but it’s always a pleasure to read Kathleen Harrison. Harrison, who was once married to Terence McKenna, spent years living with the Mazatec people, and treats us to her animistic vision of the world as something that’s alive and communicative. But the whole book contains riches and paves the way to a more diverse psychedelic literature.

I admire and deeply respect Vicki Noble, a wild, witchy woman whose legacy and ongoing activity paved the path for reviving the Goddess. Her book, Shakti Woman, was bequeathed to me from my best friend’s magickal collection after she crossed to the Other Side. This book is a fierce reclamation of the Divine Feminine within each of us and a rallying cry for equalizing the imbalance of energy that has caused so much mental, physical and spiritual instability, and pain. When the female is left out of the divine, we all suffer, and our Magick and Witchcraft are covered up. Shakti Woman brings us to wholeness because when we see ourselves as equally God and Goddess then we come to know that self-care is how we tend the Divine within. 

This is a brilliant scholarly examination of the Neopagan movement. What differentiates this book from other Witchy titles is that, although Ms. Adler was, in fact, a Pagan herself, this is not a “how-to” book. Instead, the author uses her background in anthropology, journalism, and historical academia to offer much-needed perspectives.

I was fortunate to have met the author at a large Neopagan convention called PantheaCon back in 2008, where I expressed profound gratitude for this book and for her poignant journalism. Not only was she an incredible journalist for NPR (National Public Radio), but her book was imperative in my early years of realizing and recognizing myself as a natural Witch. During my early Pagan studies, this book helped offer me a well-rounded approach to the Craft, even having influenced my future calling to pursue a degree in cultural anthropology!

In 1893 the eminent scholar of Jewish studies, Moritz Steinschneider, astutely identified Jews as “Dolmetscher”— mediators between East and West, Christianity and Islam, ancient and modern languages. While early academic interest in Jewish translation primarily focused on the Middle Ages, the past two decades have seen a burgeoning fascination with translation across other periods (and spaces) of Jewish history.

Several outstanding books have emerged by literary historians such as Abigail Gillman, Aya Elyada, Tessa Rajak, and Omri Asscher, making it challenging to single out just one recommendation. But Naomi Seidman’s book had me hooked from page 1, where Seidman recounts the story of her father’s strategic mistranslation between Yiddish and French in Post-War Paris. For Seidman, whose brilliant analysis of this translation narrative offers one of the best introductions to an academic book I’ve read, such strategic mistranslations are emblematic of the complexities of Jewish-Christian dialogue and of the Jewish… show more.