Here are 11 books that The G-String Murders fans have personally recommended if you like
The G-String Murders.
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Between humor and pathos, I lean humor. Even the saddest, most shocking events—murder, for instance—can be wrapped in kookiness. Combine this outlook with my love of old things (I’m sitting on a 1920s Chinese wedding bed and drinking from an etched Victorian tumbler at this very moment), and you’ll understand why I’m drawn to vintage screwball detective fiction. Although my mystery novels are cozies, I can’t help but infuse them with some of this screwball wackiness. I want readers to laugh, of course, but also to use my stories as springboards to see the hilarity and wonder in their own lives.
Golden Age mystery aficionados know Phoebe Atwood Taylor’s humorous Cape Cod mysteries, but they may not be familiar with the even more hilarious—in my opinion, anyway—mysteries she wrote as Alice Tilton.
A friend lent me Tillton’s The Left Leg. As soon as I’d read its last page, I was on the hunt for the rest of them.
Beginning with a Bash is the first in Tilton’s series starring Leonidas Witherall, a boys’ school headmaster, radio detective story writer, and dead ringer for William Shakespeare.
These mysteries read more like capers, with Witherall ricocheting around Boston as he stumbles over corpses, eludes gangsters, dons disguises, and deals with impudent children and persistent dogs. Guaranteed to make you laugh out loud.
Between humor and pathos, I lean humor. Even the saddest, most shocking events—murder, for instance—can be wrapped in kookiness. Combine this outlook with my love of old things (I’m sitting on a 1920s Chinese wedding bed and drinking from an etched Victorian tumbler at this very moment), and you’ll understand why I’m drawn to vintage screwball detective fiction. Although my mystery novels are cozies, I can’t help but infuse them with some of this screwball wackiness. I want readers to laugh, of course, but also to use my stories as springboards to see the hilarity and wonder in their own lives.
Constance and Gwenyth Little—sometimes listed under the portmanteau Conyth Little—wrote 21 screwball mysteries in the 1930s and 1940s, starting with The Grey Mist Murders.
I’m recommending their second book, The Black-Headed Pins, because I think it’s where the Little sisters really begin to show their storytelling chops. Constance Little generally thought up the plots and clues, and Gwenyth fleshed out the books, both of them reportedly writing in bed each morning.
The Littles’ mysteries aren’t a series, but they have several items in common. They feature smarty-pants heroines, snappy dialogue worthy of a Frank Capra movie, and romantic disaster—until it all turns out right. The Black-Headed Pins ticks all these boxes.
It takes place over Christmas and involves a moving corpse, a family curse, and a miserly hostess that makes Scrooge look positively benevolent.
Between humor and pathos, I lean humor. Even the saddest, most shocking events—murder, for instance—can be wrapped in kookiness. Combine this outlook with my love of old things (I’m sitting on a 1920s Chinese wedding bed and drinking from an etched Victorian tumbler at this very moment), and you’ll understand why I’m drawn to vintage screwball detective fiction. Although my mystery novels are cozies, I can’t help but infuse them with some of this screwball wackiness. I want readers to laugh, of course, but also to use my stories as springboards to see the hilarity and wonder in their own lives.
If screwball detective fiction intrigues you, you must read Craig Rice. Why not start withEight Faces of Three, the mystery introducing the wacky, rye-soaked team of Jake Justus, Helene Brand, and John Joseph Malone?
Justus is a good-looking press agent and the book’s moral center; Brand is a gorgeous heiress and non-stop partier; and Malone is a stumpy lawyer-slash-PI with good instincts and better luck. Imagine Philip Marlowe meets the Marx Brothers.
In Eight Faces of Three, a young woman awakes to find her aunt murdered, all the house’s clocks set to 3 am, and herself the prime suspect.
Craig Rice was the first mystery writer to grace the cover of Timemagazine. Her private life was strewn with ex-husbands and empty booze bottles, and she died way too young at 49.
However, her literary legacy—one critic dubbed her the “Dorothy Parker of detective fiction”—will keep her…
Pioneering woman crime writer Craig Rice introduces her series sleuth, gin-soaked Chicago lawyer John J. Malone
John J. Malone, defender of the guilty, is notorious for getting his culpable clients off. It’s the innocent ones who are problems. Like Holly Inglehart, accused of piercing the black heart of her well-heeled and tyrannical aunt Alexandria with a lovely Florentine paper cutter. No one who knew the old battle-ax liked her, but Holly’s prints were found on the murder weapon. Plus, she had a motive: She was about to be disinherited for marrying a common bandleader.
Between humor and pathos, I lean humor. Even the saddest, most shocking events—murder, for instance—can be wrapped in kookiness. Combine this outlook with my love of old things (I’m sitting on a 1920s Chinese wedding bed and drinking from an etched Victorian tumbler at this very moment), and you’ll understand why I’m drawn to vintage screwball detective fiction. Although my mystery novels are cozies, I can’t help but infuse them with some of this screwball wackiness. I want readers to laugh, of course, but also to use my stories as springboards to see the hilarity and wonder in their own lives.
Besides Nick and Nora, it’s not easy to find compelling sleuthing couples. Jane and Dagobert Brown are an exception. She Shall Have Murderintroduces the duo.
Dagobert is a charming genius with an inability to settle down to a job, or, indeed, even a meaningful hobby for more than a few months. The novel is told from Jane’s point of view. She’s our Watson and is alternately frustrated and entranced by Dagobert. She’s also a crime novelist.
In She Shall Have Murder, Jane and Dagobert aren’t yet married. Dagobert is disentangling from his estranged wife, and Jane hasn’t yet established herself as a writer. With Dagobert’s encouragement, Jane drafts a mystery novel that takes place in the law office where she works. To their shock, the elderly client Jane has pegged as the book’s murder victim actually dies.
The coroner rules it an accidental death, but Dagobert is sure…
Dagobert Brown’s always got a new interest, Gregorian chant, wildflowers, sixteenth-century French poetry. His latest hobby, however, is murder—or at least, the murder mystery he wants Jane Hamish to write. Jane is the practical one, a no-nonsense girl, who has one weakness: Dagobert, who exasperates her and intrigues her in equal parts. “Dagobert is my hero,” she says, “but he persistently refuses to act like one.” So, together they start looking at people in Harriet’s office for plot ideas. Mrs. Robjohn seems like the perfect victim for Jane’s book: a lonely, delusional spinster who haunts the law offices where Jane…
Mystery fiction was one of my favourite book genres growing up. I especially enjoy reading mysteries taking place in remote locations, since it narrows down the suspects to only the people present there. Having the cast isolated from the rest of the world creates a special kind of pressure on them to find out who committed the crime. These mysteries also often involve ensemble casts and deep and complicated relationships between characters that are fun to keep track of. Reading these mysteries, including the ones in this list, inspired me to write my own! I’ve written and self-published two amateur sleuth murder mystery books, and I’m currently writing my third one!
The murder taking place at a comic con, of all places, really drew me in as a reader. I thought it did a great job capturing the essence of a comic con too, from enthusiastic fans to cosplayers and vendors!
Combining the chaos of the con with investigating the actual murder mystery going on throughout the book made for some really funny and unexpected scenes. I thought that the mystery and the complications of investigating it, thanks to its comic con setting and the people involved, make this book really engaging and fun.
Comic book illustrator Michael Yoo is having a terrible week. He's just arrived in San Diego for Comic-Con -- the annual nerd Mardi Gras that triples the beachside city's population with 150,000 fans. Michael hopes to spend the next five days working his booth in Artist's Alley, where he'll sign autographs and sell sketches for $40 a pop. Instead he's implicated in the death of his editor, the widely feared and reviled Danny Lieber. There are plenty of suspects onhand -- from rival illustrators to burlesque cos-players. But the most valuable clues might be hidden in Michael's own sketchbook. He's…
When I studied Shakespeare’s works as an undergraduate, I became intrigued by the questions of why and how we got to the point where Shakespeare’s name is recognised all over the world, his plays are quoted in everyday conversation, and his works are central to every English Literature course. I’ve pursued these questions in my academic research, where I look at the history of Shakespeare in performance, but also at how these performances are remembered in souvenirs, pictures, and objects.
Alan R. Young’s close focus on an individual play over nearly two centuries shows how far images can shape our ideas of what a play is about. He looks at paintings, illustrations, prints, photographs, and comic burlesques, demonstrating the incredible variety of images which have been inspired by Hamlet. I find Young’s chronological approach incredibly helpful, since it shows how one image influences another, and how representations of a single scene can change over time in line with fashions in the art world.
This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare.
I am a former network television executive who is fascinated by the history of mass media and have authored or co-authored nine books and many articles on the subject. These include The Complete Directory to Primetime Network and Cable TV Shows, 1946-Present and Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. I’m particularly drawn to subjects that are underexplored, or which seem to be greatly misunderstood today. I quickly learned that you are not likely to earn a living from writing, so I decided to write about subjects I cared about, and hopefully add something to our knowledge of cultural history. I became more aware of what the professional minstrel show was really like while researching Lost Sounds, based on original accounts, recordings, and films.
A collection of essays by leading scholars in the field exploring various aspects of the minstrel show in the 1800s, including its portrayal of women, social commentary, its music, and the prominent participation of African-Americans who staged their own minstrel shows. Good, concise treatment of many elements of the genre.
As the blackface minstrel show evolved from its beginnings in the American Revolution to its peak during the late 1800s, its frenetic dances, low-brow humor, and lively music provided more than mere entertainment. Indeed, these imitations and parodies shaped society's perceptions of African Americans-and of women-as well as made their mark on national identity, policymaking decisions, and other entertainment forms such as vaudeville, burlesque, the revue, and, eventually, film, radio, and television. Gathered here are rare primary materials-including firsthand accounts of minstrel shows, minstrelsy guides, jokes, sketches, and sheet music-and the best of contemporary scholarship on minstrelsy.
Full disclosure: I am a fantasy world nerd! I treasure my visits to these imaginary places, and I love imagining how the world goes on after the last page. I’ve spent hours pondering what would happen in Narnia after the invention of the internal combustion engine, or in Middle Earth when populations reach levels requiring building codes and infrastructure planning. (I told you I was a nerd!) Advancing fantasy technologies creates new problems, new solutions, and new parallels to our own time. The books on this list redefine our assumptions of what a fantasy world is, and what stories they have to share.
Oh, man… I love this book so much! Donnelly writes the kind of prose that makes me jealous. I frequently stop and go back, rereading her words just to savor the imagery and effortless flow. Characterizations are rich and full, not only for the leads but also for the background characters. Now, I need to point out that there is no magic in this book, so if you’re looking for dragons and lightning bolts, it won’t scratch that itch. But Amberlough feels like a proper fantasy world, and that earns it a place on this list. if you enjoy the encroaching global conflict of Lord of the Rings, but also love John LeCarre and Cabaret, Amberlough is the perfectly-blended cocktail you’ve been looking for.
A double-agent sacrifices all his ideals in order to save his smuggler lover before a government coup takes over their decadent city in Lara Elena Donnelly’s glam spy thriller debut, now a Nebula finalist for Best Novel!
“Exploring the roots of hatred, nationalism, and fascism, while at the same time celebrating the diversity, love, romance, fashion, and joy the world is capable of producing.” ―Bookriot
In Amberlough, amidst rising political tensions, three lives become intertwined with the fate of the city itself.
The Smuggler: By day, Aristide Makricosta is the emcee for Amberlough City’s top nightclub. By night, he moves…
I have written stage and radio plays, poetry, short story collections, and, beginning in 2013, novels that comprise The American Novels series, published by Bellevue Literary Press. Unlike historical fiction, these works reimagine the American past to account for faults that persist to the present day: the wish to dominate and annex, the will to succeed in every department of life regardless of cost, and the stain of injustice and intolerance. In order to escape the gravity of an authorial self, I address present dangers and follies through the lens of our nineteenth-century literature and in a narrative voice quite different from my own.
I suspect that I was led to takeThe Malady of Death from my shelf by a subconscious directive. I admit that I am afraid of this book, its relentless probing, afraid I will never understand it however much I struggle. Confounded by it twenty-five years ago, I put it aside until my consciousness could mature. (Ha!) The fault must be mine, since her style, language, and structure are as limpid as Ernaux’s or Davis’s, although Duras’s prose carries a poetical charge deliberately absent in the other two writers. I begin to think that the trouble lies in my sex, that as a man, an Other to women, I can’t possibly know what Duras’s narrator is being made to gradually reveal not with the leer of a striptease artist but with the solemnity of a priestess presiding over ancient feminine mysteries.
A man hires a woman to spend several weeks with him by the sea. The woman is no one in particular, a "she," a warm, moist body with a beating heart-the enigma of Other. Skilled in the mechanics of sex, he desires through her to penetrate a different mystery: he wants to learn love. It isn't a matter of will, she tells him. Still, he wants to learn to try . . .This beautifully wrought erotic novel is an extended haiku on the meaning of love, "perhaps a sudden lapse in the logic of the universe," and of its absence,…
I began my freelance career as a travel writer, though I now also write about drinks. While living in London I worked for a while at the men’s magazine, Mayfair, and around that time went out for several months with a woman who was a stripper. I didn’t know that when we met, so judged her by her personality not her profession. One of the magazine’s models was murdered, and one of the staff questioned by police. He was totally innocent. I wanted to write the kind of book I like reading, bringing together those two storylines to create a fictional version of a very real part of London life.
I knew the author when I worked for his literary agent in London, and this is a fascinating and frightening look at the London crime world of the Kray Twins. They ruthlessly ruled parts of London, including the East End, and was an essential background re-read when I wrote my own London crime novel. I was trying to show behind the scenes of the world of striptease, but this book is a reminder of what’s behind even that behind-the-scenes world. I used to send a 6-monthly royalty cheque to their mother as their share for co-operating with the book, which is why it’s so authentic.
The classic, bestselling account of the infamous Kray twins, now a major film, starring Tom Hardy.
Reggie and Ronnie Kray ruled London's gangland during the 60s with a ruthlessness and viciousness that shocks even now. Building an empire of organised crime that has never been matched, the brothers swindled, extorted and terrorised - while enjoying a glittering celebrity status at the heart of the swinging 60s scene, until their downfall and imprisonment for life.
