Fans pick 100 books like The Footnote

I am a biographer and literary scholar who loves to resurrect stories otherwise lost to history. I first felt this calling on football Saturdays at the University of North Carolina-Chapel Hill, when I would sneak into the Rare Book Room to pore over old records, while my friends all went to the game. There I checked out manuscript boxes that told stories of the communities I inhabited. On these Saturdays, I started to see the invisible forces that created my physical world and marked my presence. Every book I picked below does the same precise work—they make visible a past that shapes our present.

I am a professor of history at Sarah Lawrence College and the author of The Plain and Noble Garb of Truth: Nationalism and Impartiality in American Historical Writing, 1784-1860. What has always fascinated me about history is how differently it can be interpreted by different people, even when looking at the exact same subject. While I write and teach on a variety of topics, ranging from the American Revolution to historiography, all of my courses and research deal in some way with the conflicts over how to represent the past that have divided both historians and the general public throughout the long history of history as a subject. 

I am a professor of history at Sarah Lawrence College and the author of The Plain and Noble Garb of Truth: Nationalism and Impartiality in American Historical Writing, 1784-1860. What has always fascinated me about history is how differently it can be interpreted by different people, even when looking at the exact same subject. While I write and teach on a variety of topics, ranging from the American Revolution to historiography, all of my courses and research deal in some way with the conflicts over how to represent the past that have divided both historians and the general public throughout the long history of history as a subject. 

I am a professor of history at Sarah Lawrence College and the author of The Plain and Noble Garb of Truth: Nationalism and Impartiality in American Historical Writing, 1784-1860. What has always fascinated me about history is how differently it can be interpreted by different people, even when looking at the exact same subject. While I write and teach on a variety of topics, ranging from the American Revolution to historiography, all of my courses and research deal in some way with the conflicts over how to represent the past that have divided both historians and the general public throughout the long history of history as a subject. 

It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.

Having first discovered the mystery of ancient Egypt as a small child via my father’s war-time souvenirs, this interest grew over the years until it became a serious magical under-taking, culminating in Initiation into the magical order of the Temple of Khem. I became Principal tutor of the Order in 1998 and published Liber Ægyptius: The Book of Egyptian Magic in the same year. I continue to teach the Egyptian Mystery Tradition to those willing to submit themselves to the exacting discipline needed to enter the priesthood, and remain a member of the Egypt Exploration Society to keep up-to-date with the current archaeological discoveries in Egypt.

As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up! 

I’ve been fascinated by ancient Egypt since I was ten. I started my first project in Luxor, Egypt, when I was 21, and for the last 35+ years, these projects have uncovered the stories of Theban tomb owners and the times in which they lived. For this reason, I’ve chosen some of the most accessible books on ancient Egyptian tombs and their decoration. I hope that these books will excite you about the humanity of those who lived thousands of years ago in ancient Egypt.

I've had a passion for all things Roman since visiting various ancient Roman sites around Britain as a child with school and with my dad. Over the last fifteen years I've been writing novels set in Ancient Rome. I now have ten published Roman historical fiction novels to my name spanning three series, as well as a short story collection and a novella. My Carbo of Rome series, set in the reign of Tiberius, follows a traumatised veteran of the legion as he tries to retire in peace in Rome, but is constantly dragged into the criminal underworld of the poorest parts of the city.

I’ve been interested in ancient Egypt ever since I read Asterix and Cleopatra when I was a boy. The hilarious moment of Obelix accidentally knocking off the Sphinx’s nose has always stayed with me in particular. By my early twenties, I was reading authors like Graham Hancock, Robert Bauval, and Colin Wilson, who showed me that what we think we know about ancient Egypt is not wholly correct. For instance, there’s little evidence that the Great Pyramid’s purpose was to be a tomb and the Sphinx seems to be much older than Egyptologists believe. In 2010, at thirty-four years old, I finally got to visit the wonders of Egypt myself.