100 books like Antony and Cleopatra

Suetonius wrote his short biographies of Julius Caesar and the following eleven Roman Emperors sometime in the second century AD, probably during the reign of Hadrian.

Although it is biased in order to keep in the good books of the Emperor, it is a great source for the history of the early empire. More importantly though, it is a damned good read, full of gossip and scandal, murder and treachery, and it has delighted and horrified readers for nearly two thousand years.

Plutarch’s Lives of the Noble Greeks and Romans is also a good contemporary biographical source, but can’t compete with Suetonius for the level of juicy and sordid details that we all, secretly or not so secretly, love. 

Caracalla was described by Gibbon in his Decline and Fall of the Roman Empire as the “Common Enemy of Mankind.”

But much of what is known about this third-century Emperor was written by Cassius Dio, a Senator who served under him, and hated him. Caracalla certainly committed his fair share of evil deeds, but arguably not to any greater extent than some Emperors who are lauded today such as Augustus, Marcus Aurelius, and Constantine.

Ilkka Syvanne, a Finnish history professor, attempts to rehabilitate Caracalla’s reputation, with mixed success. You may not agree with all his arguments and conclusions, but you will learn a lot about a fascinating Emperor.

My own copy is covered with notes and highlights as a vital source for my Imperial Assassin series. 

Most Ancient Roman biographies are about men.

This is mainly because there is much less information about Roman women than men. As in many ancient societies, Roman women were not considered equal to men, and did not hold positions of power or authority.

Writing by Roman women themselves is also rare. But modern biographers and historians are attempting to redress the balance. This book is part of the Women in Antiquity series, and tells the life story, as much as can be known, of a formidable woman.

Fulvia was married to and widowed by two powerful Romans before her third marriage to Mark Antony. She was a huge influence on him, and a power in Rome in her own right, wielding authority in Antony’s name, even when he was in the east, gallivanting with Cleopatra.

Another vital source for my Mark Antony series, this book is a great read about… show more.

Heliogabalus became Emperor aged 14, manipulated into power by his mother and grandmother.

As a relative and possible illegtimate son of Caracalla, he appears in my Imperial Assassin series in the days before he rose to power. He is considered by many to be one of the worst Roman Emperors on account mainly of his outrageous lifestyle.

He married a Vestal Virgin, and a male charioteer, was reputed to have prostituted himself and to have turned the palace into a brothel, and offered a fortune to any doctor that could turn him into a woman.

He scandalised the religious Romans by replacing Jupiter as head of the gods with the eastern god Elagabal, of whom he was high Priest. But to modern eyes, a more sympathetic reading is of a teenage boy with a confused sexual orientation who unexpectedly had unlimited power and wealth thrust upon him.

Harry Sidebottom writes… show more.

Ever wonder how in the world Hannibal got elephants across the alps? Ross Leckie’s violent and graphic account answers that question and more as it plunges the reader into the mind of the Carthaginian general driven to avenge his father’s defeat and this country’s humiliation in the first Punic War. The book revels in the fascinating details of ancient military campaigns and battle tactics. It’s a blood-drenched fever-dream of a novel that’s not for the squeamish, but a compulsive read for the rest of us.

Ashton's Cleopatra and Egypt considers Cleopatra from an Egyptian perspective.

Her detailed examination of the Egyptian sources for Cleopatra's life and reign distinguishes her work from most other books, which tend to place Cleopatra into a framework of Greek and Roman history. A large number of images center the Egyptian monuments and works of art associated with Cleopatra.

The text provides ample background on the Egyptian political and religious traditions onto which the Ptolemies imposed their rule.

Burstein's The Reign of Cleopatra is an accessible introduction to Cleopatra's life and the context in which she lived.

Biography and historical background combine with an exploration of the politics of Ptolemaic Egypt, scholarship and the arts at Alexandria, and the multicultural Hellenistic world. Primary sources, both artifacts, and documents, bring the story to life.

A glossary defines relevant terminology and an annotated bibliography provides guidance for further study. 

This book showed me how important it was for women to write ancient history and how different their interpretations of that history could be. Stacy Schiff’s biography of Cleopatra does full justice to her complicated subject and the fraught historical era she had to negotiate.

I appreciate how richly Schiff evokes Cleopatra’s world, from the palace in Alexandria she lived in as a child to the fleet she commanded in her last, fateful battle. Even more, I love how skeptically Schiff reads the ancient sources on Cleopatra and how thoughtfully she constructs her own more nuanced portrait of the powerful Egyptian queen.  

This is a very accessible introduction to six of the most powerful women of Egypt, women whose actions took place around, and sometimes as, pharaohs. Little-known queens, Merneith, Tawosret, and Neferusobek are considered alongside Hatshepsut, Nefertiti, and Cleopatra. This approach helps Cooney to weave together a compelling story about female lives and expectations for women in ancient Egypt, and how this shaped these individuals’ access, use, and justifications for wielding power, some of which sound very familiar to discussions about women who hold power in our own time.

The evidence is necessarily patchy and the arguments sometimes speculative, as Cooney brings in much recent research and includes extensive footnotes that are well worth reading to understand the various debates that are underway in the field right now.

The first time I read this book I couldn't put it down. I read it in a single day. Every time I've read it since it's been the same. I'm just sucked into the voice and the story and I never want it to end. I've loved Egypt almost all my life and The Heretic Queen is one of the best Egyptian Historical Fiction novels I have ever read. To me, storytelling is about the journey, about the change in the voice as the character ages, about overcoming the hardships of life, and hoping for the future when the story ends. This book covers all of those and more.