Here are 100 books that The Cripple of Inishmaan fans have personally recommended if you like
The Cripple of Inishmaan.
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I’m a playwright who loves not only writing plays but also teaching dramatic writing workshops – mostly through my San Francisco program and Chicago Dramatists where I’m a Resident Playwright. My plays have received many awards and honors, including three selections for the National Playwrights Conference at the Eugene O’Neill Theatre Center, and have been presented in Europe, Russia, and Australia as well as the U.S. Meanwhile my workshops and script consultations have given me the opportunity to work with thousands of writers over the past 35 years. This led me to begin writing books for writers, starting with The Dramatic Writer’s Companion, now in its Second Edition.
This is the play that made Suzan-Lori Parks the first African-American woman to win a Pulitzer Prize for Drama.
It features only two characters and takes place in only one room, but it is a dynamite exploration of the competitive relationship between two adult African-American brothers who have been abandoned by everyone else in their lives. One brother is a petty thief who wants to become a three-card-monte dealer. The other is an Abraham Lincoln impersonator who works as a target in a mock shooting gallery.
For me, the excitement of this play is all about discovering who these two men are, how they got that way, and how far each is willing to go to become a topdog in a world that has made them underdogs for years.
A darkly comic fable of brotherly love and family identity, winner of the 2002 Pulitzer Prize for Drama.
Suzan-Lori Parks' play Topdog/Underdog tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future.
Topdog/Underdog was first performed at the Joseph Papp Public Theater, New York, in 2001. Its UK premiere was at the Royal Court Theatre, London, in 2003.
I’m a playwright who loves not only writing plays but also teaching dramatic writing workshops – mostly through my San Francisco program and Chicago Dramatists where I’m a Resident Playwright. My plays have received many awards and honors, including three selections for the National Playwrights Conference at the Eugene O’Neill Theatre Center, and have been presented in Europe, Russia, and Australia as well as the U.S. Meanwhile my workshops and script consultations have given me the opportunity to work with thousands of writers over the past 35 years. This led me to begin writing books for writers, starting with The Dramatic Writer’s Companion, now in its Second Edition.
You don’t have to grow up Catholic to like this play, but It sure doesn’t hurt.
Set in a Catholic elementary school in the Bronx, Doubtintroduces us to Sister Aloysius, an uncompromising principal who runs her school as if it were a Marine bootcamp. This regime gets shaken when suspicions of sexual child abuse begin to arise.
What I like most about this play is how four flesh-and-blood characters – a school principal, a history teacher, a priest/gym instructor, and a student’s mother – can bring an entire school and community onstage in an incredibly vital way.
It’s why I think the play is superior to the later film adaptation and also why the play received so many awards, including a Tony for Best Play and a Pulitzer for Drama.
“A superb new drama written by John Patrick Shanley. It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times
“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides,…
I’m a playwright who loves not only writing plays but also teaching dramatic writing workshops – mostly through my San Francisco program and Chicago Dramatists where I’m a Resident Playwright. My plays have received many awards and honors, including three selections for the National Playwrights Conference at the Eugene O’Neill Theatre Center, and have been presented in Europe, Russia, and Australia as well as the U.S. Meanwhile my workshops and script consultations have given me the opportunity to work with thousands of writers over the past 35 years. This led me to begin writing books for writers, starting with The Dramatic Writer’s Companion, now in its Second Edition.
While most plays are driven by one protagonist, this Pulitzer finalist is a great example of how a group of characters can work together dramatically to fill that role.
Once again, it is the characters themselves who make this script so memorable: Lane, a successful doctor who met her husband in medical school over a dead body; Matilide, Lane’s Brazilian housekeeper who would rather be a stand-up comedian; and Virginia, Lane’s obsessive-compulsive sister who secretly cleans Lane’s house.
Breaking with realism, each of these characters addresses us directly at key times in the story and bring us into a “metaphysical Connecticut” where it may snow in a living room or where a perfect joke can cause someone to die laughing – literally.
“Passionate. Show-stopping. Daringly over-the-top and impressively consistent in its delirious excess. The Clean House shines.”—New Haven Advocate
“The Clean House is not, by any means, a traditional boy-meets-girl story. In fact disease, death, and dirt are among the subjects it addresses. This comedy is romantic, deeply so, but in the more arcane sense of the word: visionary, tinged with fantasy, extravagant in feeling, maybe a little nuts.”—The New York Times
“Touching, inventive, invigoratingly compact, and luminously liquid, Eurydice reframes the ancient myth of ill-fated love to focus not on the bereaved musician but on his dead bride—and on her struggle…
I’m a playwright who loves not only writing plays but also teaching dramatic writing workshops – mostly through my San Francisco program and Chicago Dramatists where I’m a Resident Playwright. My plays have received many awards and honors, including three selections for the National Playwrights Conference at the Eugene O’Neill Theatre Center, and have been presented in Europe, Russia, and Australia as well as the U.S. Meanwhile my workshops and script consultations have given me the opportunity to work with thousands of writers over the past 35 years. This led me to begin writing books for writers, starting with The Dramatic Writer’s Companion, now in its Second Edition.
I saw the world premiere of this play at the Goodman Theatre in Chicago and never forgot it.
What stays with me most is the powerful main character Mama Nadi, a fierce, shrewd businesswoman who runs a brothel in the Democratic Republic of Congo during a civil war. And though she lives in a world where sex trafficking, rape, mutilation, and other brutality is commonplace, she knows how to keep her establishment flourishing and her girls, safe.
Playwright Nottage based her characters on women and girls whom she interviewed during a trip to Africa. The authenticity of the characters and storyline may help explain why the play went on to earn multiple awards, including a Pulitzer Prize for Drama.
“A powerhouse drama. . . . Lynn Nottage’s beautiful, hideous and unpretentiously important play [is] a shattering, intimate journey into faraway news reports.”—Linda Winer, Newsday
“An intense and gripping new drama . . . the kind of new play we desperately need: well-informed and unafraid of the world’s brutalities. Nottage is one of our finest playwrights, a smart, empathetic and daring storyteller who tells a story an audience won’t expect.”—David Cote, Time Out New York
A rain forest bar and brothel in the brutally war-torn Congo is the setting for Lynn Nottage’s…
A Southern California-based author and screenwriter whose adventures in and around the film business have led to hundreds of feature stories for such magazines as Vibe, Playboy, Entertainment Weekly, American Film, Smithsonian, and Movieline. My books include three dedicated to Disney animated classics and a volume on the art of American movie posters. The lovingly satirical book Bad Movies We Love, co-written with Edward Margulies, inspired a Turner Network movie marathon series. My next non-fiction book will be published in 2024.
Newbie novelist Jacqueline Susann created an iconic all-time bestseller with her tale of three young glamazons who vault to the show business heights, only to tumble into a pit of addictions, poor choices in men, and delightfully overripe dialogue. Susann made her sweeping, sexy soap opera shenanigans even more irresistible by patterning her characters on such 20th-century headline-makers as Marilyn Monroe, Judy Garland, Grace Kelly, Ethel Merman, and the Kennedys. Said publicity-savvy Susann, “They can keep calling it that ‘roman à clef'. It’ll only make my books sell.” They did. It did. Although the sanitized and critically bashed 1967 movie version toned down the à clef elements, it became a box-office smash that has gone on to become enshrined as a kitsch classic.
Before Jackie Collins, Candace Bushnell and Lena Dunham, Jacqueline Susann held the world rapt with her tales of the private passions of Hollywood starlets, high-powered industrialists and the jet-set.
Valley of the Dolls took the world by storm when it was first published, fifty years ago. Never had a book been so frank about sex, drugs and show business. It is often sited as the bestselling novel of all time.
Dolls - red or black; capsules or tablets; washed down with vodka or swallowed straight. For Anne, Neely and Jennifer, it doesn't matter, as long as the pill bottle is…
As a young person I loved to read history novels, but each book had to be about either British monarchs or American generals. Then I watched the movie Bye Bye Blues, a Canadian prairie story by Anne Wheeler, and realized for the first time that the story was about me, about us. It was such a heady feeling that I decided to study Western Canadian history at university. Three weeks after I got my M.A. from the University of Victoria I was offered the chance to write about Vancouver Island coal miners and the rest, as they say, is quite literally history.
I love a book that weaves fiction into historical events. The Cypress Hills are on the Canadian side of the international border where it cuts through the North American central plain. This was a gathering place for First Nations and Metis people, but the area also attracted American whisky traders and wolf hunters. The reasons for the massacre that occurred in 1873 are disputed, but fifty years later, the last living survivor, by then a grizzled bit player in Hollywood, tells his story to a young screenwriter.
Counterpointing the stories of the legendary Western cowboy Shorty McAdoo and Harry Vincent, the ambitious young screenwriter commissioned to retell his story in 1920s Hollywood, this novel reconstructs an epic journey through Montana into the Canadian plains, by a group of men pursuing their stolen horses.
The Englishman's Boy intelligently and creatively depicts an American West where greed and deception are tempered by honor and strength. As Richard Ford has noted, "Vanderhaeghe is simply a wonderful writer. The Englishman's Boy, spanning as it does two countries, two centuries, two views of history―the Canadian Wild…
I am a film fan and scholar who has a joyful yet complex relationship with Hollywood. I have basked in the classics of Hollywood’s Golden Age (1930s-1950s) from my teen years on, including the musical delights of Fred Astaire and Ginger Rogers, the screwball comedies of Katherine Hepburn and Cary Grant, the magnificent Universal monsters, and the deliciously dark creativity of film noir. Reading about the history of Hollywood has helped me enjoy this pastime even more, learning everything from economics and politics to method and form. The more I know, the richer grows my interest in both the past and present of that unique institution we call Hollywood.
Gabler offers a detailed and persuasive history of Hollywood’s first producers, all immigrant Jewish Americans seeking to achieve the American dream.
This handful of men started in New York as peddlers or small business owners and then moved west to build their own film empires. No one saw motion pictures as more than a superficial pastime, but it seemed a good business opportunity. Unfortunately, Thomas Edison owned the rights and patents that kept Jewish entrepreneurs from accessing New York, so the immigrants went west.
MGM, Warner Brothers, Paramount, 20th Century Fox, and Universal: these were their kingdoms and are still the names we know today as the major Hollywood studios. Meet the remarkable (and sometimes horrible) men who built this world and learn about their lives and ambitions in Gabler’s engaging book.
A provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America's motion picture industry.
The names Harry Cohn, William Fox, Carl Laemmle, Louis B. Mayer, Jack and Harry Warner, and Adolph Zucker are giants in the history of contemporary Hollywood, outsiders who dared to invent their own vision of the American Dream. Even to this day, the American values defined largely by the movies of these émigrés endure in American cinema and culture. Who these men were, how they came to dominate Hollywood, and what they gained and lost…
We write mysteries set during the Golden Age of Hollywood that feature costume designer Edith Head, so naturally, we love books about film history. We’ve found that some of the best books to tackle the subject aren’t biographies of individuals or profiles of film studios but case studies of single films. Concentrating on one movie and all of the personnel and creative decisions behind it allows an author to explore every aspect of filmmaking and explain how it really works…even when the film in question doesn’t.
We believe you can learn more from failure than success. Misfires don’t come much bigger than the 1990 adaptation of Tom Wolfe’s blockbuster novel The Bonfire of the Vanities. The movie busted nary a block, which only makes director Brian De Palma’s willingness to open up the process to reporter/critic Salamon more remarkable.
This visits every department—including our favorite, costume design—and underscores that no one knows if a movie will be a smash or a flop while they’re making it, so cast and crew work just as hard on both. We love the story of second-unit director Eric Schwab seizing the opportunity to prove himself.
When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities , both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade. She shadowed the film from its early stages through the last of the eviscerating reviews, and met everyone from the actors to the technicians to the studio executives. They'd all signed on for a blockbuster, but there was a sense of impending…
After years of struggling to start my own business, I had a revelation that changed everything for me. The best marketers weren’t marketers—they were resourceful punks, propagandists, cult leaders, and other assorted riff-raff. I began to adopt their tactics, and I started having some success—first as a freelance copywriter and then as a marketing agency owner. Ever since, I’ve been obsessed by the weird psychology we fall into when we’re with other humans and how people can hack that psychology to make others do what they want.
If you want to read about how to make hype happen while making people happy, check out Shep Gordon’s autobiography. This book played a big part in making me realize that hype can be used as a force for good as well as evil. At the very least, it can add a whole lot of color to the world.
Shep Gordon had no connections and no money when he started out as a manager in the entertainment industry. But somehow, he managed to turn Alice Cooper into an international superstar, resurrect the career of a Vaudeville legend, and singlehandedly create the celebrity chef movement. This guy continues to inspire me.
I’m a Stanford professor who became fascinated
with oil and everything it does to for us and to us. For years I traveled the
world talking to the people who know petroleum: executives in the big oil companies,
politicians and activists, militants and victims, spies and tribal chiefs. Blood
Oil explains what I learned and how we can make our oil-cursed world better
for all of us.
You may have seen There Will Be Blood, which won
Daniel Day Lewis an Academy Award.
Sinclair’s novel (which inspired the film) satirizes
the petroleum-fueled tycoons and preachers of Southern California a century
ago. For an extra treat, follow this novel with Darren Dochuk’s Anointed
with Oil: How Christianity and Crude Made Modern America, which weaves together
the stories of American oil, American religion, and the great schism within today’s
Republican Party.
In Oil! Upton Sinclair fashioned a novel out of the oil scandals of the Harding administration, providing in the process a detailed picture of the development of the oil industry in Southern California. Bribery of public officials, class warfare, and international rivalry over oil production are the context for Sinclair's story of a genial independent oil developer and his son, whose sympathy with the oilfield workers and socialist organizers fuels a running debate with his father. Senators, small investors, oil magnates, a Hollywood film star, and a crusading evangelist people the pages of this lively novel.
