Here are 12 books that The Arbornaut fans have personally recommended if you like
The Arbornaut.
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A dozen years ago, my family moved from a homogeneous community where everyone looked, lived, and believed as we did to a vibrant neighborhood filled with difference and complexity. This shifted something deep inside me and ultimately changed the way I see the world and myself within it. It set me on a path toward understanding how authentic, ordinary community holds the power to transform our world. To live as neighbors is to draw near to each other. I have written three books on this central theme and plan to spend the rest of my life reaching for empathy as our best tool in reclaiming the goodness of humanity.
This book is an instant classic. It took me years to finish reading it because I did not want it to end.
Kimmerer’s writing appealed to the dreamer in me while also explaining the science of the natural world in ways that were unforgettable. This beautifully written book connected me to my physical home and the people around me. I will come back to it again and again.
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
I grew up fascinated by the natural world, in particular by the hemlock trees in a hollow in the North Carolina mountains where my family owned a cabin. Later, the hollow and that cabin would provide inspiration for my novel, Hemlock Hollow, in which a scientist wrestles with the ghosts of her past. Those hemlocks are in decline now due to the hemlock wooly adelgid, an invasive species working its way through the Appalachian Mountains. In many ways, my writing takes the grief of losing something so dear as grist for stories that center the power of place over time, and I’m drawn to other books that do the same.
What’s not to love about a book structured as a tree? This is a vast, episodic novel that takes traditional storytelling and turns it on its head.
A cast of characters connect through stories that grow from seed to trunk to limb. I finished this long read and immediately wanted to start again. It’s the kind of book that rewards a second or third pass. Complex, rife with science and faith and desperate longing, this book is a celebration of the tree, a clarion call to return our attention to our roots before it is too late.
One of Powers’ characters asks, “What do all good stories do?” He answers, “They kill you a little. They turn you into something you weren’t.” I think that’s true of all of these books, and most definitely this one.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
Growing up, I experienced “otherness.” My family was hard up amidst affluence. Typecast as Jewish, where that was a rarity, we were met with suspicion and unease. Being a woman held my mother back from her preferred profession. Racism was rampant; my growing appreciation of it and efforts to intervene added to “otherness.” My childhood was shadowed by illness, including my mother’s cancer. These influences drew me to medicine and science. Both are a way to overcome “otherness” and to protect one’s family, even as my sense of family expanded. Medicine forges extraordinary bonds between doctor and patient. Science brings people together from diverse backgrounds to share goals. These connections make meaningful stories.
I love how Simard weaves her life story together with the story of what she discovered.
I empathize with her standing up to rejection, even ridicule, to overcome being an “outsider,” both for her discoveries and for being a woman in science. I admire that she is equally attuned to the details of how trees and the fungi beneath them collaborate and communicate as she is to the industrial, societal, and climatological implications.
Through it all, she expresses the message that life is sustained and shaped by a web of interactions within species and among them.
NEW YORK TIMES BEST SELLER • From the world's leading forest ecologist who forever changed how people view trees and their connections to one another and to other living things in the forest—a moving, deeply personal journey of discovery
“Finding the Mother Tree reminds us that the world is a web of stories, connecting us to one another. [The book] carries the stories of trees, fungi, soil and bears--and of a human being listening in on the conversation. The interplay of personal narrative, scientific insights and the amazing revelations about the life of the forest make a compelling story.”—Robin Wall…
I’ve always found the art of storytelling to be important. It’s taken me to places I’ve dreamed of as well as places others have created. Drawing has always been my passion, and the desire to entertain audiences of all ages has matured with time. When I realized I could make my own stories and illustrate them, it was clear that it was something I wanted to do. I always appreciated books that spoke up to me rather than down or too simply. The books on this list do just that.
I wasn’t the strongest reader as a child, but the simple, wavy line drawings drew me in. They told the story just as well as the words, and the level of emotion behind them brings me back every time.
The book’s profound message of what “giving” is, together with the passage of time and the bond between the two characters, is not only intriguing for all ages, but demonstrates what love, kindness, and simple friendship mean. Everything about it marked me and created a long-standing change in my thinking.
As recommended by Meghan Markle as the one book she can't wait to share with her child - the timeless fable about the gift of love
Once there was a little tree ... and she loved a little boy.
So begins the classic bestseller, beautifully written and illustrated by the gifted and versatile Shel Silverstein.
Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk ... and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree…
I’m a lover of wildlife and have written several nonfiction picture books on the topic, includingWinged Wonders: Solving the Monarch Migration Mystery, Cougar Crossing: How Hollywood’s Celebrity Cougar Built a Bridge for City Wildlife, and Ocean Soup: a Recipe for You, Me, and A Cleaner Sea. I’m also a humane educator, which inspires the focus of all my nonfiction picture books on “solutionaries” helping people, animals, and the planet. At heart, my books—which have won Golden Kite Nonfiction and Eureka! Nonfiction Honors and more—aim to inspire compassion, inclusivity, and positive action.
I picked this book because it’s a great reminder that plants are wildlife, too—and they’re as important and as endangered as animals! It’s also a truly fascinating story of the woman who figured out how to study the rainforest canopy, a hundred feet in the air! I love how this book tells one woman’s inspiring story while at the same time inspiring kids to care and learn more about the much-needed flora on our planet.
NSTA/CBC Best STEM Book John Burroughs Association Riverby Award Honorable Mention, Sigurd F. Olson Nature Writing Award
This picture book biography tells the story of Meg Lowman, a groundbreaking female scientist called a "real life Lorax" by National Geographic, who was determined to investigate the marvelous, undiscovered world of the rainforest treetops.
Meg Lowman was always fascinated by the natural world above her head - the colors, the branches, and, most of all, the leaves and mysterious organisms living there. Meg set out to climb up and investigate the rain forest tree canopies - and to be the first scientist…
I study streams and rivers and it took me a while to recognize that many of the streams that flow through forests should have far more downed wood pieces and logjams than are commonly present. The lack of wood in streams reflects a long history of deforestation along rivers, as well as actively pulling wood out of rivers for navigation and flood control. As I’ve come to appreciate dead wood and the many benefits it creates for a wide range of inland, coastal, and marine ecosystems, I’ve also become increasingly interested in the lives that trees live before they become dead wood.
I have been fortunate enough to go on canopy walkways through tropical forests and the diversity of colors, shapes, scents, and sounds are fascinating. Lowman describes how the first scientists to venture into the unexplored world of the forest canopy actually got up there and what they found. Lowman tells the story of her own life in the canopy, providing a window into how scientists work, and explaining how she has balanced a research career featuring international travel and motherhood.
Forest canopies have been characterized as one of the last biotic frontiers on Earth: tree crowns have been difficult to study scientifically because access to them has been so challenging. During the past two decades, however, methods for canopy access have greatly improved. In this book a pioneer canopy scientist describes the mysteries of the treetops-their inhabitants, flowers and fruits, growth and mortality, patterns of diversity, and plant and animal interactions. Margaret Lowman writes about different canopy access techniques in conjunction with the scientific hypotheses she was addressing while using each one. She also portrays the life of a field…
I feel passionate about spreading the word about all the fantastic children’s literature set in South America. As an author and a multilingual mom whose son enjoys learning about his Latin American heritage, I’ve always brought home stacks of picture books—in Spanish and English—that celebrate Latin American cultures and settings. I’ve loved traveling to the Andes mountains and the Amazon rain forest as part of my children’s book collaborations with Indigenous women in those regions. Most of all, I love transporting young readers to these inspiring places through story.
Several years ago, I took a beautiful and eye-opening trip to an Indigenous-run ecolodge in the Amazon Rain Forest.
Tragically, the following year, the community was displaced after an oil company invaded and destroyed their forest. So, I connected strongly to this book, which tells the story of Zonia, an Indigenous Asháninka girl living in the Peruvian Amazon, who forms playful and sacred bonds with her plant and animal friends.
But when she comes across felled trees, she must respond to the forest’s call for help. The illustrations are sweet and warm, inviting readers to take part in Zonia’s experiences. And when we witness the stark devastation, we feel her despair and her call to action.
I loved this book that encourages us all to support Indigenous and environmental rights.
A heartfelt, visually stunning picture book from Caldecott Honor and Robert F. Sibert Medal winner Juana Martinez-Neal illuminates a young girl’s day of play and adventure in the lush rain forest of Peru.
Zonia’s home is the Amazon rain forest, where it is always green and full of life. Every morning, the rain forest calls to Zonia, and every morning, she answers. She visits the sloth family, greets the giant anteater, and runs with the speedy jaguar. But one morning, the rain forest calls to her in a troubled voice. How will Zonia answer? Acclaimed author-illustrator Juana Martinez-Neal explores the…
All my writing starts with the question, How did we get here? As the granddaughter of a grocer and the daughter of a food editor, I grew up wondering about the quest for new and better foods—especially when other people began saying “new” and “better” were contradictions. Which is better, native or imported? Heirloom or hybrid? Our roses today are patented, and our food supplies are dominated by multi-national seed companies, but not very long ago, the new sciences of evolution and genetics promised an end to scarcity and monotony. If we explore the sources of our gardens, we can understand our world. That‘s what I tried to do in The Garden of Invention, and that’s why I recommend these books.
David Fairchild was one of the early leaders of the US Department of Agriculture, traveling the world like a botanical Indiana Jones to gather cuttings and learn about local methods of cultivation and pest control. He introduced thousands of new crops to the United States, from mangos to soybeans. Wouldn’t you love to list “plant explorer” as your job description?
David Fairchild wrote this book to describe his extensive world travels and his work introducing new plant species to the United States. In addition to sharing his legendary tropical botanical expertise, Fairchild provided graphic accounts of native cultures he was able to see before their modernization. He was an accomplished photographer and illustrated the book himself.
This is his personal story of his experiences, traveling endlessly, absorbing information about plant life and sending back cuttings to experiment with, investigating plant disease, and so on. His training and experiences in European laboratories and his travels brought him into contact with most…
I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.
On a slightly lighter note, although still involved in the solving of murder, this book is written by a forensic botanist.
It’s about how dirt, seeds, and grasses can be utilised in solving crime. An unusual and unique career and all the more fascinating because of it. He talks about his frustration with dealing with some police officers who don’t appreciate how important this science can be.
It’s a brilliant demonstration of how simple, old botanical observations are still relevant and can be crucial in solving a murder in an age of DNA and digital analysis. All of this explained in language that we can all understand.
Dr Mark Spencer is a forensic botanist - in other words, he helps police with cases where plants can unlock clues to solve crimes, from murder and rape to arson and burglary.
Murder Most Florid is an enthralling, first-person account that follows Mark's unconventional and unique career, one that takes him to woodlands, wasteland and roadsides, as well as police labs, to examine the botanical evidence of serious crimes. From unearthing a decomposing victim from brambles to dissecting the vegetation of a shallow grave, Mark's botanical knowledge can be crucial to securing a conviction.
As a woman, I am passionate about valuing the voices of women equally with those of men. When we listen to each other, we will be able to come into a better balance that will help us restore ourselves and our Earth. We need the visions of women to help guide us through these challenging times! I’m also passionate about the wild beauty of nature, especially trees, and spend lots of time hiking and meditating in the ancient redwood forests near my home. This has helped me heal and expanded my perception. In a way, being in the forest has brought me home to myself.
To Speak for the Trees is one of my favorite books ever, partly because I love trees, and partly because of my own Celtic heritage from my maternal line. Diana Beresord-Kroeger, a scientist in biochemistry and botany, begins with her childhood in Ireland. After losing her parents at a young age, she is raised in the ancient Celtic nature wisdom and Druid beliefs by an entire community, and literally taught the language of trees: Ogham. Blending scientific discoveries about trees and the importance of forests to our species' survival, this book is a fast and delightful read that I won’t forget. I feel enriched from having been blessed to spend time with such a brilliant woman through the pages of her book.
Diana Beresford-Kroeger - a world-recognised botanist and medical biochemist - has revolutionised our understanding of the natural world with her startling insights into the hidden life of trees. In this riveting memoir, she uncovers the roots of her discoveries in her extraordinary childhood in Ireland. Soon after, her brilliant mind bloomed into an illustrious scientific career that melds the intricacies of the natural world with the truths of traditional Celtic wisdom. To Speak for the Trees uniquely blends the story of Beresford-Kroeger's incredible life and her outstanding achievement as a scientist. It elegantly shows us how forests can not only…
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