Fans pick 100 books like Tastes of Byzantium

My interest in medieval food and cookery combines two of my great passions in life, but I first started to become seriously interested in the combination when researching religious dietary ideas and practices. I am fascinated by the symbolic role played by food and drink in religious life, and by fasting and self-denial as part of a religious tradition, but also in the ways in which medieval communities feasted and how tastes in food and drink developed through trade and cultural exchange. I teach an undergraduate course on Feast, Fast, and Famine in the Middle Ages because questions about production, consumption, and sustainability are crucially important for us all.  

My interest in medieval food and cookery combines two of my great passions in life, but I first started to become seriously interested in the combination when researching religious dietary ideas and practices. I am fascinated by the symbolic role played by food and drink in religious life, and by fasting and self-denial as part of a religious tradition, but also in the ways in which medieval communities feasted and how tastes in food and drink developed through trade and cultural exchange. I teach an undergraduate course on Feast, Fast, and Famine in the Middle Ages because questions about production, consumption, and sustainability are crucially important for us all.  

My interest in medieval food and cookery combines two of my great passions in life, but I first started to become seriously interested in the combination when researching religious dietary ideas and practices. I am fascinated by the symbolic role played by food and drink in religious life, and by fasting and self-denial as part of a religious tradition, but also in the ways in which medieval communities feasted and how tastes in food and drink developed through trade and cultural exchange. I teach an undergraduate course on Feast, Fast, and Famine in the Middle Ages because questions about production, consumption, and sustainability are crucially important for us all.  

My interest in medieval food and cookery combines two of my great passions in life, but I first started to become seriously interested in the combination when researching religious dietary ideas and practices. I am fascinated by the symbolic role played by food and drink in religious life, and by fasting and self-denial as part of a religious tradition, but also in the ways in which medieval communities feasted and how tastes in food and drink developed through trade and cultural exchange. I teach an undergraduate course on Feast, Fast, and Famine in the Middle Ages because questions about production, consumption, and sustainability are crucially important for us all.  

I have been a scholar of Orthodox Christianity for more than 20 years; & authored or (co-)edited several books. It took the fall of communism to overcome the relative poverty of Western literature & gain better knowledge of the Orthodox religious landscape. Personally, I am interested in the relationship between Orthodoxy and culture/politics. This relationship runs deep into the heart of several Orthodox nations – as the war in Ukraine aptly demonstrates. By the 21st century, Orthodox Christianity is no longer exclusively affiliated with its historical birthplace of Eastern and Southeastern Europe but there are millions of Orthodox Christians in North America and Western Europe.

Like any writer, I’m fascinated with what makes people tick and why they act the way they do. Naturally, this means I read a lot of history. I love reference reading; I love researching arcane questions for a tiny detail that will bring a character or their world to life. Creating epic fantasy is an extension of both my drives as a reader and a writer. Pouring myself into characters who inhabit different settings is a deeply satisfying exercise in both craft and empathy, and each history book has some small bit I can use to make my settings more compelling, more enjoyable for readers, and more real.

I first became interested in Byzantium in high school, when I read Edward Gibbon’s Decline and Fall of the Roman Empire, and I’ve been interested in Byzantine subjects ever since. I’ve traveled to almost every country that was once part of the Byzantine Empire, all around the Mediterranean seaboard. I’ve written ten books and many articles on Byzantine politics, Byzantine scholarship, Byzantine literature, the Byzantine economy, the Byzantine army, Byzantine religion, and Byzantine art (with my wife, a Byzantine art historian). It’s such an enormous field, spanning thirteen centuries, three continents, and Greek, Roman, Christian, and many other cultures, that there’s always something new, surprising, and marvelous to discover.

I’m a British scholar – a former university lecturer, many moons ago – now living in rural southern Greece. In fact, I have Greek as well as UK citizenship, which really pleases me because I’ve loved Greece and things Greek since boyhood. I started to learn ancient Greek at the age of ten! I’ve written over fifty books, mostly on ancient Greek history and philosophy, including many volumes of translations from ancient Greek. But I’ve also written children’s fiction in the form of gamebooks, a biography, a book on hypnosis, a retelling of the Greek myths (with my wife Kathryn) ... I’ll stop there!

I was infuriated to learn how my government was misrepresenting the recent war in Syria. I learned of this deceit from Syrians who had fled their war-torn country and relayed a very different narrative from the one we're all hearing. From 2016-17 Baylor University’s Institute for Oral History sponsored and archived our collection of audio-recorded interviews of Syrian Christians. This book is the end result of their entrusting us with their harrowing testimonies. I'm a Senior Lecturer in History at Baylor University. I routinely teach, among other courses, the history of the United States from a Global Perspective in which I discuss with my students the same lessons I learned while writing Syria Crucified.

Both as a writer and reader, I adore stories of fantasy and magic. The thing is, these stories have what I call a “price of admission,” which is the time and effort it takes to learn the world of the story in order to immerse yourself in it. That's one reason I am passionate about reading series books: they welcome me back to a world I already love and understand. Speaking as a writer, multiple volumes allow me to make the world I've created richer and deeper with each new book. A new book in a beloved series feels like catching up with an old friend, whether you're reading or writing.