100 books like Singing Bronze

I have written 13 books and over 200 national magazine articles on U.S. Military weapons and am Field Editor for the NRA’s American Rifleman magazine. The story of the World War II weapons and campaigns have been widely covered but the First World War is sometimes all but forgotten. Those who are not familiar with America’s rather brief, but important, role in the conflict often do not realize how the First World War helped make the United States one of the world’s “superpowers.”

I’ve been fascinated by the First World War ever since I read Vera Brittain’s Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nurses’ memoirs and diaries, and for the last fifteen years or so have continued to read and write about women’s experiences during and after the war as a university academic researcher, often from a comparative perspective. Men’s stories and memories of the First World War still dominate our understanding of it, but I believe that women’s perspectives give us a vital and often overlooked insight into the war and its consequences.

Wendy Moore is a journalist and author of five non-fiction books on medical and social history. Her writing has appeared in the Guardian, Times, Observer and Lancet. Her new book is about Endell Street Military Hospital which was run and staffed by women in London in the First World War.

As an American novelist and Anglophile who enjoys writing about British history, I never planned to venture into world war fiction, but once a story led me there I was hooked. I love doing deep-dive research and learning about real men and women of the past who faced high stakes: life and death situations and having to make impossible decisions, both on the battlefield and in the hidden world of espionage. Their courage and resourcefulness inspire me, and I realize that even when we’re at our most vulnerable, we can still rise to become our best and bravest when it counts. 

My mother went back to school for her PhD in Anatomy when I was a pre-teen. During the summers of my high school years I worked with her in her lab, and let me tell you, you see your mother in a new light when you see her dissect a rat. Though I didn’t go into medicine, anyone raised in our household learned an impressive amount of biology just sitting around the dinner table. Consequently, I’ve always loved fiction with a medical bent. My mother was also the one to introduce me to historical fiction, so perhaps I was fated to write a historical novel with a nurse protagonist.

As an American novelist and Anglophile who enjoys writing about British history, I never planned to venture into world war fiction, but once a story led me there I was hooked. I love doing deep-dive research and learning about real men and women of the past who faced high stakes: life and death situations and having to make impossible decisions, both on the battlefield and in the hidden world of espionage. Their courage and resourcefulness inspire me, and I realize that even when we’re at our most vulnerable, we can still rise to become our best and bravest when it counts. 

Although I’m neither a healthcare professional nor a historian, my passions are reading great fiction and continually striving to write it. Degrees in literature led to college teaching and then full-time writing. And that, to the publication of six works of fiction, including four historical novels. So, add to the mix, then, the years spent studying and teaching literature as well as those spent writing and rewriting—and, too, being an inveterate reader—and you have, in brief, the sum of my expertise. Each of the works listed below, I feel, has super qualities. I certainly enjoyed reading such masterful work and hope you will as well.   

I read my first book on WWII when I was 8 years old. It was about the Battle of Britain and I’ve never looked back. I began specializing in 20th Century Canadian military history in very literally all its facets. Discussing the war with hundreds of Canadian veterans over the last half century has been immensely inspirational to me. I’ve obtained a Ph.D. in Canadian military history from McGill University, visited Canadian battlefields in Europe at least 15 times, worked as the WWII historian at the Canadian War Museum, and have published on many aspects of Canadian military history. For more than 30 years I have been able to teach these subjects to students.

I teach history at The Ohio State University. This project began when I listened in 1976 to a radio broadcast in which Jack Eddy, a solar physicist, speculated that a notable absence of sunspots in the period 1645-1715 contributed to the “Little Ice Age”: the longest and most severe episode of global cooling recorded in the last 12,000 years. The Little Ice Age coincided with a wave of wars and revolution around the Northern Hemisphere, from the overthrow of the Ming dynasty in China to the beheading of Charles I in England. I spent the next 35 years exploring how the connections between natural and human events created a fatal synergy that produced human mortality on a scale seldom seen before – and never since.

A retired professor, an art historian who taught at Berkeley, Northwestern, and the University of Pennsylvania. Since my main interest is the emergence of Europe from the late Middle Ages and into the Early Modern period around 1500, I naturally gravitate to non-fiction books that engage with the shifting interests and values of that era, and my own books include similar efforts to discuss visual art in relation to religion, literature, politics, and wider contemporary cultural movements. Among my own books I would cite: Rubens, Velázquez, and the King of Spain (with Aneta Georgievska-Shine); Europe Views the World, 1500-1700; and the forthcoming Art and Dis-Illusion in the Long Sixteenth Century.