100 books like Shots

This might be my all-time favorite memoir. Every time I sit down to write, I tend to read a few pages of it to absorb the rhythm of Patti Smith’s unadorned, lyrical writing.

Like Taylor Swift, Patti Smith is a music icon, a poet, and a genius wordsmith. For me, this book totally captured the radiant nostalgia of a bygone era and a romantic love that evolves into something more permanent and transcendent.

A tender meditation on all the disparate threads, sounds, loves, conversations, and lessons that meld together to create an artist. Watching Bob trying to throw off the accolades and labels that want to pin him down like butterfly and explore whatever takes his fancy is my favorite part of this trip, weaving through all the stolen records and ghosts and signposts and colored lights beckoning. 

As someone that lovingly collected fallen sequins from a theatre dressing room floor after a show as a kid, I relate hard to this story of the intense love and awe Warren Ellis has for Nina Simone, and for seeing the world through a lens of music in general. His snowballing obsession with Nina Simone’s discarded gum (which I once had the pleasure of seeing, back when it lived unceremoniously inside a plastic bag on a shelf) makes for a wild absurdist ride through true love.

Marissa centers on three contemporary songwriters, Kacey Musgraves; Maren Morris; and Mickey Guyton, to illuminate the experiences of country women more broadly during the twenty-first century. Facing closed doors and narrowed constraints, this trio carved channels for music business success, using new-century tools to reach audiences and ears. The industry-old guard was left to catch up.

The backdrop for their stories is the well-documented nosedive for women on country radio airwaves since 2000, but terrestrial radio matters less for this younger generation. Dolly’s own path-clearing journey inspired these artists. At one notable intersection of their stories and hers, Dolly’s surprise appearance onstage during an all-women performance at the Newport Folk Festival drew a reaction from musicians and the crowd alike. One close observer remembered it was like they had seen “f-ing Snow White.” 

This novel is elegantly written and emotionally authentic, and while it is a light and zippy read, the more you think about it, the more it seems to say. 

It is about a week in the life of Melbourne man Simon Larsen. Things are not going very well for Simon. He was a successful architect but during lockdown his business failed and his beautiful home had to be sold. Now Simon has moved his family to a tiny flat, and he is unemployed, broke, and can hardly get off the sofa. 

While Simon seems hopeless, the family he has married into are formidable, from his beautiful wife Tansy to his terrifying mother-in-law Gloria. I loved the Schnabels but still, I’m not sure I would want to be related.

This laugh-out-loud crime mystery has a special place for me because I read it not long after migrating to Australia and, through the lead character, Murray Whelan (a political staffer who spends his time digging himself in and out of holes), I was not only introduced to Australian humour but also to a new way of viewing Melbourne, its politics, establishments, and suburbs. In Stiff, as with Shane Maloney's other books in this series, the city landscape is as much a character as Murray Whelan himself, and this sense of place adds a richness to the story that would be missing if it were merely treated as a backdrop.

I really enjoyed reading this tale about Australia’s first female-owned and all-female garage in Melbourne in the 1920s. I was given the book twice, once as a gift and once as I presented with the author, so knew that I just HAD to read it. I was astounded to find that the subject of my book (with Les Parsons) The Red Devil - pioneer aviator Harry Butler – had a garage (Butler and Nicholson) which had sponsored Alice Anderson’s (garage owner’s) adventurous trip from Melbourne to Alice Springs after his death.

Sometimes a book comes completely out of nowhere. Such was the case with Trevor Conomy’s Down Under. Conomy was not an author with a pedigree in music journalism or anything like that, but when Down Under came out, in 2015, it spoke for itself. The life story of a song – Melbourne pub band Men At Work’s “Down Under” – what makes the book compelling is not so much the story of its fluky success, when in 1982 it become a huge hit all round the world, but rather the aftermath: How more than a quarter-century later the song went to court against a copyright infringement claim. That it lost the case was a travesty and a human tragedy, and Conomy’s short, punchy little book reveals why in all its gory detail.

Back in the early ‘90s in Melbourne, I talked my way into a temporary job typesetting Explore Australia, a mammoth full-colour guidebook. I ended up staying several years, undertaking desk-based research, managing the photo library, and editing text and maps. I spent my days poring over cartographic proofs, sifting through glorious photos of rust-red mountain ranges, cobalt-blue skies, and dense tropical rainforest abutting white-sand beaches. I spoke to those manning the tourist information offices around the country: at Coral Bay, where the Ningaloo Reef is just a metre from the beach, at Healesville, when the cackle of a kookaburra interrupted my call, and at Cossack, a gold-rush-era ghost town with a population of one man and one dog. Some years later I sold my home, bought a 4x4, and set off to see all those places that I had visited vicariously…

Corris and his protagonist, the hard-scrabble private detective Cliff Hardy, are quintessentially Australian. The Dying Trade introduces Cliff (smoker, drinker, ex-boxer) and sets the standard for all the books that follow in this series. It’s dry and laconic, with a wonderful sense of place (a very gritty 1980s Sydney). There’s a definite nod to the greats— Chandler and Hammett in this series; you know Cliff Hardy probably shouldn’t take this job, it’s odds-on he’ll cop a beating along the way, possible he’ll find love and lose it again. I enjoy the author’s economy with words and the moral complexity of his characters. If you like hard-boiled crime, this series is worth a look!

*Note: Sydney is much nicer than it may seem when you walk in Corris’s shoes!