Here are 100 books that Sacred Places fans have personally recommended if you like
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I am a Research Professor in history at UNSW Canberra at the Australian Defence Force Academy. I now mostly write on the military history of British India history but for 27 years I worked at the Australian War Memorial, Australia’s national military museum, where I became Principal Historian. Much of my career was devoted to Australian military history and more than half of my 40 or so books are in that field. That puts me in a good position to comment upon what I think are the five best books in the field of Australian military history (my own excepted, of course).
My late colleague at UNSW Canberra, Jeff Grey, wrote this important book at the age of just 31. The product of a military family, Jeff blossomed from a specialist in Commonwealth operations in the Korean war into the author of a confident, opinionated (but impressively well researched) general history that went through three editions before Jeff’s untimely death in 2016. Jeff deserves credit for seeing that despite the resurgence in interest in Australia’s military history over the 1980s, no one had spotted the need for a comprehensive book that showed us how the bits went together. Thirty years on, no one has bettered it.
A Military History of Australia provides a detailed chronological narrative of Australia's wars across more than two hundred years, set in the contexts of defence and strategic policy, the development of society and the impact of war and military service on Australia and Australians. It discusses the development of the armed forces as institutions and examines the relationship between governments and military policy. This book is a revised and updated edition of one of the most acclaimed overviews of Australian military history available. It is the only comprehensive, single-volume treatment of the role and development of Australia's military and their…
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
The Broken Years is a wonderful book about what Australian soldiers thought and felt during the war.
It originated in Bill Gammage’s PhD thesis, which was the first systematic study of the soldiers’ letters and diaries collected by the Australian War Memorial. The result is an illuminating and moving masterpiece, which proved transformational.
When he began his thesis he was in unfamiliar territory, as the concentrated use of these sources was unprecedented — in fact, military history itself was not popular. But he persevered, gradually sensing he was on to something, and indeed he was.
The Broken Years became an enduring classic. It was personally very influential for me during the 1970s when I was a dissatisfied, recently graduated lawyer considering a change to something more aligned with my interest in history. I took the plunge, left the law, and I’ve been a historian and biographer ever since.
WHEN THE GREAT WAR STARTED, MOST AUSTRALIANS BELIEVED IN THE NOTIONS OF PATRIOTISM, COURAGE AND UNSWERVING LOYALTY TO THE BRITISH EMPIRE. BUT AS THE WAR DRAGGED ON, AS THE HORRORS INTENSIFIED AND THE CASUALTY LISTS GREW, PATRIOTISM GAVE WAY TO CYNICISM AND COURAGE TO DESPAIR. USING THE DIARIES AND LETTERS OF ABOUT ONE THOUSAND FRONT LINE SOLDIERS IN THE FIRST AIF, BILL GAMMAGE SHOWS HOW AND WHY THESE CHANGES TOOK PLACE. THE BROKEN YEARS IS A VIVID, OFTER HORRIFYING AND MOVING PORTRAYAL OF SOLDIERS AT WAR - MEN LOCKED IN A TRAGEDY THAT ENGULFED AN AGE.
I am a Research Professor in history at UNSW Canberra at the Australian Defence Force Academy. I now mostly write on the military history of British India history but for 27 years I worked at the Australian War Memorial, Australia’s national military museum, where I became Principal Historian. Much of my career was devoted to Australian military history and more than half of my 40 or so books are in that field. That puts me in a good position to comment upon what I think are the five best books in the field of Australian military history (my own excepted, of course).
In 1942 about 22,000 Australians – an entire army division – were captured by the Japanese, mostly in Singapore. When the survivors returned from the Burma-Thailand railway and camps across south-east Asia and Japan, a third of them were dead. This ordeal, so much at variance with Australia’s tradition of victory in war, remained largely neglected. In the early 1980s academic historian Hank Nelson teamed up with Tim Bowden, a radio presenter, to interview hundreds of former PoWs of the Japanese, many speaking for the first time, and together they produced a powerful Australian Broadcasting Corporation documentary series which told their stories. Hank produced the equally profound book based on the recordings, effectively kick-starting the investigation of PoW history, now an important part of Australian military history.
I am a Research Professor in history at UNSW Canberra at the Australian Defence Force Academy. I now mostly write on the military history of British India history but for 27 years I worked at the Australian War Memorial, Australia’s national military museum, where I became Principal Historian. Much of my career was devoted to Australian military history and more than half of my 40 or so books are in that field. That puts me in a good position to comment upon what I think are the five best books in the field of Australian military history (my own excepted, of course).
The study of battles, and often individual actions by small groups of men, has been an important part of Australian military history, and the Australian military historical tradition has produced many fine practitioners of operational military history. One author who produced a fine example of the genre is Gerard Windsor, the author of fiction and memoir who, though without any previous experience of writing military history, produced All Day Long the Noise of Battle, a study of the attack made by one company of Australian infantry upon a Viet Cong bunker system in Phuoc Tuy province, South Vietnam, in 1968. Sparked by a chance encounter with a schoolmate, Windsor began investigating a hitherto unnamed battle, one of the most fierce the Australians fought in their ten-year war in Vietnam, and a superb example of how to write about men in battle.
"In 1968 an Australian infantry company assaulted a Vietnamese bunker complex in a three-day battle. Yet it passed unacknowledged in Australia, and the men were insulted by command's failure to recognise their courage. Gerard Windsor's All Day Long the Noise of Battle looks at the men's strengths and weaknesses, their alliances and tensions, their morale, their reactions to combat, their stand-out characters and their leaders. And throughout, the book becomes an essay on the nature of men's memory of battle. Windsor brings a fiction writer's eye to this tragic episode. Full of memorable personalities Windsor's book is seminal and moving."
I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
Sometimes a book comes completely out of nowhere. Such was the case with Trevor Conomy’s Down Under. Conomy was not an author with a pedigree in music journalism or anything like that, but when Down Under came out, in 2015, it spoke for itself. The life story of a song – Melbourne pub band Men At Work’s “Down Under” – what makes the book compelling is not so much the story of its fluky success, when in 1982 it become a huge hit all round the world, but rather the aftermath: How more than a quarter-century later the song went to court against a copyright infringement claim. That it lost the case was a travesty and a human tragedy, and Conomy’s short, punchy little book reveals why in all its gory detail.
This is the biography not of a person but of one of the most loved and controversial songs in the history of Australian music.
Originally released as a B-side in 1980, 'Down Under' made Men at Work the biggest band on the planet. The song became an alternative Australian anthem and its video (recorded on the sand dunes of Cronulla) became an image of Australia recognised the world over.
Even when Men at Work suddenly disappeared, 'Down Under' remained in the national psyche. Nearly three decades later, Spicks and Specks innocently revealed a link between the song and the tune…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other and betwixt.
The quality and production of this phenomenal hardcover of imposing size are mesmeric. Its metaphoric text on mental illness and accompanying artwork are visually appealing and poignantly immersive. Transformative text transports the reader, any reader—child, young adult, adult—to beauty and hurt, evolution and transformation. The perfect book for anyone living with psychosis or other illness, and for everyone else to understand the fragility of debilitating conditions.
I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Gerald Murnane describes the flat, boring landscape of Victoria, Australia and its minute variations with such crystalline clarity and sublime meaning that it resembles a dreamlike fiction, or a landscape viewed through a clear prism.
Murnane probes the boundaries between life and fiction, between landscape and mind. In between, he finds a membrane, a shimmering spiritual essence purer than either real life or fiction.
This book taught me that if one stares at the mundane world with enough hard objectivity, it can look more alien and beautiful than any amount of fanciful embellishment. It also demonstrates how a story can be told with no dialogue, no character names, and hardly any resolution, and yet can be as compelling as a conventionally written story.
On their vast estates, the landowning families of the plains have preserved a rich and distinctive culture. Obsessed with their own habitat and history, they hire artisans, writers and historians to record in minute detail every aspect of their lives, and the nature of their land. A young film-maker arrives on the plains, hoping to make his own contribution to the elaboration of this history. In a private library he begins to take notes for a film, and chooses the daughter of his patron for a leading role. Twenty years later, he begins to tell his haunting story of life…
I'm a political historian who writes for my fellow citizens and I have chosen books by writers who do the same. Books which are written with passion and purpose: to shift political understanding, to speak truth to power, to help people understand their country and the world, and to inspire a commitment to improving them.
Australian women won the right to vote decades before their British and American sisters. In 1893 the colony of South Australia was the second place to grant it, after New Zealand the year before, and the first to give women the right to stand for parliament. Many Australian women joined the international suffrage crusade as activists, agitators, and intellectuals. This is their story, as they marched, organised, lectured, and staged amazing stunts, like dropping handbills from a dirigible on the procession of King Edward to open the winter session of the British parliament in 1909.
For the ten years from 1902, when Australia’s suffrage campaigners won the vote for white women, the world looked to this trailblazing young democracy for inspiration.
Clare Wright’s epic new history tells the story of that victory—and of Australia’s role in the subsequent international struggle—through the eyes of five remarkable players: the redoubtable Vida Goldstein, the flamboyant Nellie Martel, indomitable Dora Montefiore, daring Muriel Matters, and artist Dora Meeson Coates, who painted the controversial Australian banner carried in the British suffragettes’ monster marches of 1908 and 1911.
Clare Wright’s Stella Prize-winning The Forgotten Rebels of Eureka retold one of Australia’s…
I have been writing novels for many years now about the social history of Birmingham and the West Midlands and often find myself writing about World War Two. It’s the history of most families in this country. But I also grew up—unusually for my generation—with parents who were active adults in the war, my father in the army in North Africa and Italy, my mother in a factory that had gone over to munitions in Coventry. So the war felt very present as they talked about it a lot. Only later I grew to understand what it means to people and explored the history for myself.
I read this story in my teens and as a result, spent years wanting to join the navy. (That did wear off!) Having read it again recently, it seems a much darker story than I had remembered. But the mystery at its heart won’t let you go. Nevil Shute was a great storyteller and like many writers of his generation had many experiences to draw on. The story is quite slow-moving, but poignant—heartbreaking in fact. Gradually, he unfolds the mystery of Jessie Proctor, an Englishwoman working for a family in Australia. It begins with Jessie’s suicide and we uncover the events that have haunted this young, ex-servicewoman’s life. As Shute says, "a war can go on killing people for a long time after it’s all over."
The mysterious death of a young woman on an Australian farm reveals a bittersweet story of doomed wartime romance amidst a family crisis.
Alan Duncan returns to his family home in Australia after the war and several years of study in England. But his homecoming is marred by the mysterious suicide of his parents' quiet and reliable parlour-maid. A search through her belongings in search of clues leads to heartbreaking revelations about the woman's identity, the death of Alan's brother Bill and, above all, the disappearance of his brother's fiancee, Janet.
I have always loved horses and riding. My dream was to become a showjumper but, unfortunately, my opportunities in London were limited and although I rode a lot in Australia, my jumping was limited to the odd log in the bush. I’m an avid reader and particularly enjoy horse books written for adults, which is why I wrote a book for horse lovers. I have recommended books that gave me pleasure and which I am sure other horse lovers will enjoy.
High, Wide, and Handsome is a non-fiction, pictorial history of Australian Showjumping from 1900-1950. These black and white photos depict the very different riding styles of showjumpers during these earlier years. Riding in long stirrups and even side-saddle, these fearless riders tackled enormous jumps on their courageous horses, up to nearly eight feet in height. Other photos show them jumping three or four abreast, the Section Fours, the riders sometimes going so far as to colour-co-ordinate their horses.
