43 books like Rhetorics of Literacy

Selected Poems is the classic volume by the distinguished and celebrated poet Gwendolyn Brooks, winner of the 1950 Pulitzer Prize, and recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters. This compelling collection showcases Brooks's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world. This edition also includes a special PS section with insights, interviews, and more—including a short piece by Nikki Giovanni entitled "Remembering Gwen."

By 1963 the civil rights movement was in full swing across the United States, and more and more African American writers were increasingly outspoken… show more.

Winner of the 2007 Pulitzer Prize for poetry and former U.S. Poet Laureate, Natasha Trethewey's elegiac Native Guard is a deeply personal volume that brings together two legacies of the Deep South.
The title of the collection refers to the Mississippi Native Guards, a black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause.?
The racial legacy of the South touched Trethewey's… show more.

A literary landmark: the biggest, most ambitious anthology of Black poetry ever published, gathering 250 poets from the colonial period to the present

Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture.

One of the great… show more.

Conjuring numerous voices and characters across oceans and centuries, Faster Than Light explores widely disparate experiences through the lens of traditional poetic forms. This volume contains a selection of Marilyn Nelson's new and uncollected poems as well as work from each of her lyric histories of eighteenth-, nineteenth-, and twentieth-century African American individuals and communities.

Poems include the stories of historical figures like Emmett Till, the fourteen-year-old boy lynched in 1955, and the inhabitants of Seneca Village, an African American community razed in 1857 for the creation of Central Park. ""Bivouac in a Storm"" tells the story of a group… show more.

The lass is a menace, and she's mine.

Isobel:
Lennox is one hot Highlander.
Muscles bulging on thick arms.
A smirk and a bossy swagger.
In a kilt, he's devastating.
To everyone but me. As teenagers, he crashed my car, stole my first kiss, then walked away with another woman.
I'll be damned if my brother's best friend is getting an easy ride back into my life.

Nox:
Isobel is a menace. She races cars and has tattoos in places I can't even imagine. I shouldn’t want her. But I can't forget the one kiss we shared as teenagers. Fresh… show more.

In this accessible and provocative study, Brian Blount reads the book of Revelation through the lens of African American culture, drawing correspondences between Revelation's context and the long-standing suffering of African Americans. Applying the African American social, political, and religious experience as an interpretive cipher for the book's complicated imagery, he contends that Revelation is essentially a story of suffering and struggle amid oppressive assimilation. He examines the language of "martyr" and the image of the lamb, and shows that the thread of resistance to oppressive power that runs through John's hymns resonates with a parallel theme in the music… show more.

As the blackface minstrel show evolved from its beginnings in the American Revolution to its peak during the late 1800s, its frenetic dances, low-brow humor, and lively music provided more than mere entertainment. Indeed, these imitations and parodies shaped society's perceptions of African Americans-and of women-as well as made their mark on national identity, policymaking decisions, and other entertainment forms such as vaudeville, burlesque, the revue, and, eventually, film, radio, and television. Gathered here are rare primary materials-including firsthand accounts of minstrel shows, minstrelsy guides, jokes, sketches, and sheet music-and the best of contemporary scholarship on minstrelsy.

A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love

All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.

How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal… show more.

The new "nonfiction" the adaptation of storytelling techniques to journalistic articles in the manner of Truman Capote, Tom Wolfe, and John McPhee is an innovative genre that has been awarded virtually every Pulitzer Prize for literary journalism since 1979. And now Jon Franklin, himself a two-time Pulitzer Prize winner and undisputed master of the great American nonfiction short story, shares the secrets of his success. Franklin shows how to make factual pieces come alive by applying the literary techniques of complication/resolution, flashback, foreshadowing, and pace. He illustrates his points with a close analysis and annotation of two of his most… show more.