Here are 100 books that Quo Vadis? fans have personally recommended if you like
Quo Vadis?.
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In my teens, I read a book by Charles Berlitz titled Atlantis: the lost continent. I was enthralled and fascinated about this lost race of people, who were technically and sophisticated advance society and on one fateful day, vanished. My appetite for Greek mythology and ancient history grew from there, and I wanted to learn more about various ancient cultures and their mythologies. I eventually studied ancient history and continue my education as new archaeological discoveries and advancements are made. It wasn’t until a trip to Europe and seeing the Roman Forum and Colosseum, that I was inspired to write and combine my love for mythology and ancient history into historical fiction fantasy.
I’m cheating a little here by recommending a trilogy but this was one of the best historical fiction I’ve read.
The series is about Prince Aeneas and the legendary story of the war between the Trojans and the Greeks. David Gemmell sets the scene prior to war from the POV of Aeneas, who was regarded as pirate but as the story progresses you learn more about his actions and why he keeps roaming the sea.
It is full of action and stays true to the unfolding drama of the Trojan War. For me, the historical backdrop and the research the author included was one of the main reasons this series wins.
Three lives will change the destiny of nations. Hellkaon, the young prince of Dardania, haunted by a scarred and traumatic childhood. The priestess Andromache, whose fiery spirit and fierce Independence threatens the might of kings. And the legendary warrior Argurios, cloaked in loneliness and driven only by thoughts of revenge. In Troy they find a city torn apart by destructive rivalries - a maelstrom of jealousy, deceit and murderous treachery. And beyond its fabled walls blood-hungry enemies eye its riches and plot its downfall. It is a time of bravery and betrayal; a time of bloodshed and fear. A time…
I’ve loved history ever since I was a kid when I first had the realisation that it was made up of stories. Ancient Rome has always fascinated me, not the battles or the emperors or the big picture stuff, but the daily lives of the ordinary people. You only need to read some of the rude graffiti from Pompeii to realise that people have never really changed where it counts! I studied English and History at university, neither of them as thoroughly as I could have, but at least now when people ask me what I’d ever use an Arts degree for, I can point to my book.
Just like the Falco mysteries showed me that you could have fun with your historical detectives, this book showed me that there’s more drama in Ancient Roman history than in any daytime soap opera, and this novelisation of Marius and Sulla packs a lot more of an emotional punch than any textbook ever could.
I don’t know enough about Marius and Sulla to say how much poetic license the author took, but this really does read as a seamless and in-depth exploration of the bloody power struggles between two very different but equally ambitious men in the time of the Roman Republic.
With extraordinary narrative power, New York Times bestselling author Colleen McCullough sweeps the reader into a whirlpool of pageantry and passion, bringing to vivid life the most glorious epoch in human history.
When the world cowered before the legions of Rome, two extraordinary men dreamed of personal glory: the military genius and wealthy rural "upstart" Marius, and Sulla, penniless and debauched but of aristocratic birth. Men of exceptional vision, courage, cunning, and ruthless ambition, separately they faced the insurmountable opposition of powerful, vindictive foes. Yet allied they could answer the treachery of rivals, lovers, enemy generals, and senatorial vipers with…
Ever since I stumbled through the “Early Roman Empire” paper in Finals using I, Claudius by Robert Graves, I have held a deep admiration of those authors who can portray the complex world of Rome with such authority. I went on to teach the Greeks and Romans for 25 years, so I have grown to love these characters—Caesar is a philandering schemer, Augustus has ice for blood, Livia is a skilled practitioner of poisons… How can one resist such entertaining people who operate in a system where the upper classes must compete through bribery, intrigue and occasional revolutions?
This is the first book in Saylor’s “Roma sub rosa” series, and introduces one of the nicest heroes in historical mystery! Gordianus the Finder is the Roman equivalent of our private detective and he works for a young politician and orator, Cicero. Based on a real lawsuit from 80 BCE, Saylor makes great use of the actual speech made, and conveys the skill and showmanship of the lawyer at a time when a good speech was seen as entertainment for the masses. Into this original material though he weaves a hideous and complex murder plot. Riveting stuff!
I am a huge fan of Cicero, and it was really interesting—if a little hard at times!—to see him portrayed with all his flaws and weaknesses.
In the unseasonable heat of a spring morning in 80 B.C., Gordianus the Finder is summoned to the house of Cicero, a young advocate staking his reputation on a case involving the savage murder of the wealthy, sybaritic Sextus Roscius. Charged with the murder is Sextus's son, greed being the apparent motive. The punishment, rooted deep in Roman tradition, is horrific beyond imagining.
The case becomes a political nightmare when Gordianus's investigation takes him through the city's raucous, pungent streets and deep into rural Umbria. Now, one man's fate may threaten the very leaders of Rome itself.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to…
We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
The fact that this trilogy was turned into a stage show is a measure of
its fantastic popularity! On the face of it, a set of novels about the machinations of late Republican politics might not hold broad appeal, but it is the genius of Robert Harris to bring the crime and corruption-riddled streets of 1st century BC Rome bursting to life.
Apparently, he spent several years immersing himself in contemporary
literature before putting pen to paper, and it really shows. I admired
how his research paints vivid background colour without ever stepping
upon the toes of the brilliantly drawn characters. I loved his Cicero
(and Caesar and Pompey and Antony) and, despite some tough competition,
cannot think of any historical figures so authentically portrayed in any
other Roman historical fiction.
And yet, for me, it's Cicero's humble secretary, Tiro, who steals the show. I think it was a masterstroke…
When Tiro, the confidential secretary of a Roman senator, opens the door to a terrified stranger on a cold November morning, he sets in motion a chain of events which will eventually propel his master into one of the most famous courtroom dramas in history.
The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Cicero, a brilliant young lawyer and spellbinding orator, determined to attain imperium - supreme power in the state.
This is the starting-point of Robert Harris's most accomplished novel to date. Compellingly written in Tiro's voice, it takes us…
Ian Ross was born in England and studied painting before turning to writing fiction. He has been researching the later Roman empire and its army for over a decade, and his interests combine an obsessive regard for accuracy and detail with a devotion to the craft of storytelling. His six-novel Twilight of Empire series follows the career of Aurelius Castus as he rises from the ranks of the legions to the dangerous summit of military power, against the background of a Roman world in crisis.
The setting for this book is only marginally late Roman, but the picture it evokes, of the shadows lengthening over the classical world, is entirely appropriate. Our hero Lucius is the duumvir, or leading magistrate, of a provincial city in Lusitania at the end of the 2nd century AD. Cultured and urbane, devoted to the classical traditions and philosophies of Rome, Lucius is disturbed both by the appearance of a fervent sect of Christians in his city, and by rumours of an approaching horde of Moorish barbarians. With conflict both within the city and without, and the daughter of the richest citizen turning to the new religion, Lucius soon finds his nerves stretched and his ideals questioned. As the barbarians surround the city walls, and Lucius tries to repel their assault with his ragged band of militia, the duumvir’s faith in his own civilisation is tested to destruction. A God…
Winner of the Portuguese Writers' Association Grand Prize for Fiction and the Pegasus Prize for Literature, and a best-seller in Portugal, Mario de Carvalho's A God Strolling in the Cool of the Evening is a vivid and affecting historical novel set at the twilight of the Roman Empire and the dawn of the Christian era. Lucius Valerius Quintius is prefect of the fictitious city of Tarcisis, charged to defend it against menaces from without -- Moors invading the Iberian peninsula -- and from within -- the decadent complacency of the Pax Romana. Lucius's devotion to civic duty undergoes its most…
Growing up, I could never “get” the secrets of math or science. If I could, I would have been an archaeologist. But I was always interested in “origins;” where do our modern ideas come from? My passion for reading led me to begin to uncover “origins” (or, the element of “looking for clues” in a “murder mystery”). Uncovering “ancient origins” entails thoroughly exploring ancient society. I continue to daily keep up with the research and new interpretations in the study of these fascinating worlds.
I first encountered Lane Fox when I was working on my dissertation in graduate school. Working on “Gentiles” in the New Testament, I had to thoroughly understand the historical background. This book became my “pagan Bible,” in effect. The first half fully details ancient concepts and rituals, and the second emphasizes which elements were absorbed by the rise of Christianity and which were rejected and why.
Explores the character of early Christianity, with details on religious life, secular daily life, and the condition of paganism at the time of its defeat
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler…
When I watched the Ridley Scott film Gladiator for the first time, I knew then my heart belonged in Ancient Rome. Countless books, films, research papers, museums, and shenanigans later, that is still true. I was a master of make-believe by age ten, and when the time was right, both passions fused into my debut novel, also set in Ancient Rome. I don’t want to just read or write a good book. I want to experience Ancient Rome vicariously through powerful characters that linger in my memory long after the last page. If that’s you too, give these a try.
This is the gold standard of Ancient World Christian Fiction for a reason. The author is an RWA Hall of Fame recipient and ACFW Lifetime Achievement Award winner. This first book in the Mark of the Lion series is so much more than a book about early Christianity and why Rome hated it. Words to describe Hadassah and Marcus’s story are… epic, profound, life-changing, powerful, captivating, and I could go on and on. It still freaks me out and totally awes me when reviews for my novels mention her in the same sentence. I want to be flattered and offended on her behalf at the same time, which is completely crazy. If you’re only going to invest in one book from my list, it should be this one.
Book 1 in the 3-book historical Christian fiction series by the New York Times bestselling author of Redeeming Love and The Masterpiece.
The first book in the beloved Mark of the Lion series, A Voice in the Wind brings readers back to the first century and introduces them to a character they will never forget―Hadassah.
While wealthy Roman citizens indulge their every whim, Jews and barbarians are bought and sold as slaves and gladiators in the bloodthirsty arena. Amid the depravity around her, a young Jewish slave girl becomes a light in the darkness. Even as she’s torn by her…
I'm a professor of history at the Graduate Center and Queens College at the City University of New York, where I'm also director of the Irish Studies program and the MA program in Biography and Memoir. My specialty, covered in five books that I’ve authored or co-edited, is English and Irish history in the sixteenth and seventeenth centuries; my new book represents the culmination of a decade’s research devoted to Ireland. In addition to teaching British and Irish history, I offer more unusual and wide-ranging classes including the history of the devil, the history of crime and punishment, and the history of the body. My life is divided between New York City and mid-coast Maine.
I was always interested in how the emperor Nero was associated from antiquity onwards with the Antichrist: the world-destroying and tyrannical son of Satan who would prevail until the final victory of God. Only Judas matched him as a villain in the Christian imagination. Malik traces the Nero-Antichrist “paradigm” across centuries, exploring the ways in which Christians viewed Nero as an arch-fiend, the beast in the Book of Revelation, and a figure of evil who tested their mettle and faith. While recent scholars have softened the traditional picture of Nero, his afterlife continues to wield its menacing power, based in no small part on these Christian traditions.
It has traditionally been assumed that biblical writers considered Nero to be the Antichrist.. This book refutes that view. Beginning by challenging the assumption that literary representations of Nero as tyrant would have been easily recognisable to those in the eastern Roman empire, where most Christian populations were located, Shushma Malik then deconstructs the associations often identified by scholars between Nero and the Antichrist in the New Testament. Instead, she demonstrates that the Nero-Antichrist paradigm was a product of late antiquity. Using now firmly established traits and themes from classical historiography, late-antique Christians used Nero as a means with which…
As an Irish-Italian-American, I’ve got a lifetime of cultural and family traditions to bring to the table, and I want that in the books I read. I love books that celebrate the beauty of life, love, family, and creation. A novel can open up the world, and uplift the reader, adding joy to life – that’s what I’m looking for when I read, and I imagine others, too, want uplifting stories. That doesn’t mean preachy or sanctimonious – stories should be about real imperfect people who sometimes fall short of the ideal – but I definitely want stories that take place in a universe where God, and right and wrong, exist.
The setting is Rome, in the year 50 AD, when Christianity was not yet even on the radar of the Romans.
And yet, to be a Christian meant going against the grain of the culture, and it could get you fired from your job, or worse.
Meticulously researched (the author is a professor – but the book is not dry and boring), the book tells a compelling story about the early Christians in Rome, and includes info boxes to tell you all about Roman culture, life in Rome, and other stuff you’ll want to know.
The story is fiction, but the setting, and all the historical details are spot-on. If you want to know what life was really like for the earliest Christians, you need to check out this book.
In first-century Rome, following Jesus comes at a tremendous social cost.
An urbane Roman landowner and merchant is intrigued by the Christian faith-but is he willing to give up his status and lifestyle to join the church? Meanwhile his young client, a catechumen in the church at Rome, is beginning to see just how much his newfound faith will require of him.
A Week in the Life of Rome is a cross section of ancient Roman society, from the overcrowded apartment buildings of the poor to the halls of the emperors. Against this rich backdrop, illuminated with images and explanatory…
It's 1943, and World War II has gripped the nation, including the Stilwell family in Jacksonville, Alabama. Rationing, bomb drills, patriotism, and a changing South barrage their way of life. Neighboring Fort McClellan has brought the world to their doorstep in the form of young soldiers from all over the…
I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition.
I normally avoid books on historical witchcraft since they are normally written by biased academics who have never set foot in a magic Circle. This title is recognised as one of the most influential historical studies of European witchcraft beliefs; it began as an enquiry into the origins of the great European witch-hunt. It ended as something wider. It argues that the stereotype of the witch, as it existed in many parts of Europe in the fifteenth, sixteenth and seventeenth centuries, is made up of elements of diverse origins, and that some of these derived from a specific fantasy which can be traced back to Antiquity. (1975) Cohn argues that there never were any devil-worshipping witches in Early Modern Europe, and that all of those persecuted for being so were innocent.
This is a history of the irrational need to imagine witches and an investigation of how those fantasies made the persecutions of the Middle Ages possible.
