93 books like Paper Moon

To empathize with a demon is not something I ever thought I would do, yet while looking at the world through the eyes of a junior one in training I truly felt his pain.

One would think it would be easy to trick a simple human into making mistakes, but with God on their side it would seem not. As hilarious as it is profound, while being deeply enlightened into the ways humans are so vulnerable to their darker nature, I laughed my way through this one, finding it as funny to see the particular faults of others as it was to recognize the many predictable faults in myself.

You cannot mention a coming-of-age novel without mentioning this classic.

Pip is an orphan who meets an escaped prisoner in a graveyard, does him a good deed, then is made a gentleman from an inheritance he knows nothing about. All of us enter our youth with great expectations and some of us are lucky enough, or unlucky, to meet our own beautiful Estella or the damaged and doomed Miss Havisham or the worldly and wise attorney Mister Jaggers.

Set in London where the worlds of extreme poverty and privilege co-exist side by side, we experience this world firsthand as Pip does wondering, all the time, if we can survive it unscathed. Ignore all other movie adaptations since they will only disappoint. Screen the 1946 version directed by David Lean. It is a great film.

Mark Twain’s wit somehow manages to transcend time as he infuses this iconic character with the freshness of an innocent who is anything but.

The “road” in this story is the Mississippi River, and the method of transportation is a raft. The journey takes Huck on a transformational journey as he unlearns everything his society has taught him about good and bad and right and wrong. This uneducated boy begins to think for himself.

Once the plot resolves, Huck wants to escape being “sivilized” because he has learned it is anything but. He wants to “light out for the territory”, a metaphorical place that, although impossible as a realistic solution to his problems, still seems a place of freedom worth seeking out.

Salinger broke a lot of unspoken rules of fiction-writing–and thus life–with Catcher. It was emotionally cauterizing for me as a teenager while incessantly trying, and failing, at learning rules adults apparently didn’t want us to know.

I’m certain many of my contemporaries identified with Holden Caulfield’s stream-of-consciousness introspection as deeply as I did. And when I think back about it, I find myself once again in the grip of how it was: ferreting out how life works but getting no guidance from parents, teachers, or bosses, only the terror of making mistake after mistake until the world didn’t make sense any longer. Just as had happened to Holden, but at last, I understood I was not alone in my confusion.

I was immediately engaged in the story of a nurse who follows a man to Mayotte and, unable to conceive, adopts a child whom she brings up by herself after the man abandons her. She dies abruptly, however, and the story changes completely, turning into an intense, violent novel about children in the slums. The orphan who fled after his mother's death is horribly abused by another young teenager who is a gang leader, and can free himself only by killing him in the end. I am in awe of Nathacha Appanah for her ability to capture the voice of street children. This is a poignant, powerful, and beautifully written novel about harassment, cruelty, and possession. 

Whenever I re-read this book, I’m gob-smacked that it’s a debut novel. Taylor Greer just wants to avoid the fate of her peers—unwanted pregnancies and dead-end lives in the small Kentucky town where she was born—when she points her Volkswagen Bug due West in search of something different. She has no idea how different her life will become when she stops at a gas station in Oklahoma and a stranger puts a small child in the passenger seat of her car. The story of how Taylor and the child become a family with the help of some unlikely friends, is one that’s stayed with me from first read. Kingsolver’s writing is quietly and deeply dazzling and paints a stunning picture of what it means to find sanctuary, family, and home in a way you never imagined. 

I am recommending this work of fiction selected by The Compassionate Friends Sibling Grief Book Club. Ann, with grace, handles not only the sibling loss of a brother, a boy the sole survivor of a plane crash, but the depth and breadth of grief from the aunt and uncle Edward lives with. Edward’s aunt grieving the loss of an unborn child and her sister, says to Edward, “You’re not okay. We are not okay. This is not okay.” I’m certain other bereaved siblings can relate, “he mourns what his brother has lost.” I related to how in a family we handle grief differently and often are unable to communicate how we are feeling. 

This is one classic that everyone should read because it’s a pleasure to do so. I read this as a 13-year-old, and it quickly became the yardstick against which I measured every other love story. Yes, it’s a love story, and that is the heart of this book, but it’s not a sappy romantic tale. 

This book explores class structures, mental disorders, and a glimpse into another time. Intense yet leashed emotions form the backbone of the story. As a teen and even now, the brooding, dark quality of this tale really appeals to me.

I think Atticus Finch represents the best qualities in a father and a man. If he is idealized, as many have said, it is an ideal all fathers can aspire to.

I first read this in high school, and I’m not sure I was mature enough to appreciate it. Later, it was a selection in the book discussion group I was in, where we focused less on the characters and more on the themes. When I read it a third time on my own, as an adult and father, I came to appreciate how Atticus Finch models the behavior he wants to see in the world, and that, I think, is the most effective form of fathering.

This is a timeless visionary tale of the power of otherness.

Its hero, Moojie Littleman, struggles through life with physical handicaps that pale in comparison to the social handicaps of the grownups who are supposed to be caring for him. His is a hero’s journey about light and love, the power to heal, and the moral convictions that are only revealed in solitude.

Young Moojie, a disappointment even to himself, must look beyond his life circumstances for the answers he seeks. He must be open to new friends, new dimensions, and new possibilities. He must learn to employ his otherness as a tool, not only of survival, but of abundance.

The lyrical prose and unique voice of this tale enhance the strong character and storylines that are sure to inspire generations of young adults and older readers alike. Author, Robin Gregory, is an exceptional storyteller in the classical style… show more.