Here are 98 books that Paper Moon fans have personally recommended if you like
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I am a bit of a contradiction in that I am a Christian pastor but also a horror aficionado. I love all things sci-fi and horror. My fascination with these genres stems from childhood, when I stumbled upon Star Wars, the old Addams Family cartoons, and even Scooby Doo. As I matured, my love of reading grew, and I soon consumed literature like a Dyson, especially sci-fi and horror. I often joke about how the odd combo of my two biggest writing influences, Stephen King (I’ve read his entire bibliography) and C.S. Lewis, perfectly sums up my character, and I think that’s what makes me perfect for this recommendation.
“A manual on how to damn someone to hell, written by a demon” is certainly not what you would expect from a renowned Christian author. I love this book because its premise is so insane and sounds deeply demonic.
Instead, as a Christian, what I got was what felt like a peek into my enemy’s playbook and an, at times, scathing insight into how I was failing and playing right into demonic hands. This book made me scared, made me laugh, and, at times, even made me want to cry.
On its first appearance, The Screwtape Letters was immediately recognized as a milestone in the history of popular theology. Now, in it's 70th Anniversary Year, and having sold over half a million copies, it is an iconic classic on spiritual warfare and the power of the devil.
This profound and striking narrative takes the form of a series of letters from Screwtape, a devil high in the Infernal Civil Service, to his nephew Wormwood, a junior colleague engaged in his first mission on earth trying to secure the damnation of a young man who has just become a Christian. Although…
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
I’ve loved this book since I was a teenager, but I always feel frustrated and angry at Miss Havisham’s entrapment of Estella and Pip. Central to the story is Satis House, a metaphor for getting stuck in life—its name is very close to Stasis.
The original end of the novel works much better for me. Pip and Estella meet by chance in the street and part for the last time. The ‘new’ ending has them go off together against a backdrop of burned-down Satis House, thus removing the irony of the book’s title. Although there is the heavy-handed metaphor of the death of the house freeing them, I prefer that it retains its static power and condemns their expectations forever.
'His novels will endure as long as the language itself' Peter Ackroyd
Dickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a…
Life is stories, man. Telling stories. Listening to stories. One day, somebody had the brilliant idea to start writing these stories down. And that’s what we’ve been doing ever since. Trading yarns. Figuring things out. Reading and writing. I wrote my first story in middle school. My first novel in college. My first published novel (This Way Madness Lies) in my late twenties. Now it’s thirty years, twenty-five novels, fifty short stories, and three books of poetry later, and I’m still as obsessed with and passionate about storytelling as I was as a young buck backpacking around Europe with a notebook and a beat-up copy of Down and Out in London and Paris stuffed into my leather satchel.
I’m the youngest of six sons. Our father read this book aloud to each of us. By the time I came along, he’d had lots of practice. He had distinct voices for all the characters. I can still hear him doing Jim’s voice after Jim gets whacked by the rattlesnake. I had nightmares for a week.
Your grasp of reality is altered when you read Huck Finn as a kid. Twain sweeps you out onto the Mississippi, where you mentally, emotionally, and physically, yes, physically, endure the journey with Huck and Jim.
I didn’t realize until I read the novel years later that this book was the first to blow my mind. And what was I? Nine? Maybe ten?
Thanks, Dad!
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
So what if his worldview never makes sense to anyone but himself? I see Holden Caulfield as the quintessential benchmark for a bad boy, shucking off the last few days at the boarding school that expelled him to wander around Manhattan in a daze. Some readers don’t like him so much that they are personally invested in attacking him and what he represents.
But what is it that he represents, exactly? When I look beyond the surface of his false bravado, he’s a character deeply affected by the death of his brother and is setting out on a quest to understand how to be a real person in a world of phonies. Many of us, as teenagers, also have moments of feeling misunderstood and alone. I know I did, and so did Holden.
Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics.
Set in the idyllic French countryside, this two-volume novel delves into the lives of a tight-knit community whose fate hinges on a dispute over a vital water source. Pagnol's lyrical prose captures the beauty and complexities of rural life, blending drama with a deep sense of place and tradition.
In 1986, Claude Berri directed two compelling films based on this story: Jean de Florette and Manon des Sources. Noted for their breathtaking Provence landscapes and heartfelt portrayal of rural life, these adaptations are considered faithful to Pagnol's original work and remain classics of French cinema.
Tells the story of Jean de Florette, a 35-year-old, city-bred, hunchbacked idealist, his wife, Aimee, and his daughter, Manon. In the second novel, Manon seeks revenge for her father's death, and it is she who brings the wheel full circle in a final dramatic retribution in the town square.
Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics.
The novel is a haunting Southern Gothic tale set in rural West Virginia, where two children flee from a malevolent preacher turned serial killer. Their journey downriver becomes a tense battle of wits and survival against a man driven by dark, twisted beliefs.
The 1955 film of the same name, directed by Charles Laughton with a screenplay by James Agee, was a critical and commercial failure upon release. However, it has since gained a cult following and is now regarded as an undisputed classic of American cinema. Known for its atmospheric cinematography and Robert Mitchum's chilling performance as the antagonist, this was Laughton's only effort as a director. His unique vision has proven timeless.
The bestselling, National Book Award–finalist novel that inspired Charles Laughton’s expressionist horror classic starring Robert Mitchum and Shelley Winters.
Two young children, Pearl and John Harper, are being raised alone by their mother in Cresap’s Landing, Ohio. Their father Ben has just been executed for killing two men in the course of an armed robbery. Ben never told anyone where he hid the ten thousand dollars he stole; not his widow Willa, not his lawyer, nor his cell-mate Henry “Preacher” Powell. But Preacher, with his long history of charming his way into widows’ hearts and lives, has an inkling that…
Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics.
Paris pulses with intrigue as a young mail courier becomes entangled with a mysterious opera singer and a series of dangerous encounters. Featuring outstanding descriptions, this stylish thriller weaves together music, romance, and underworld secrets against the backdrop of a vividly depicted cityscape.
The 1981 film adaptation of the same name, directed by Jean-Jacques Beineix, is celebrated for its stylish cinematography and influential soundtrack, which includes opera performances and an electronic score by Vladimir Cosma. Its lush romanticism became a significant cultural phenomenon in the early 1980s and helped popularize France's cinema du look movement.
Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics.
In a corrupt border town, a principled Mexican narcotics officer clashes with a jaded American cop, unraveling a web of deceit and murder that tests their loyalties and sense of justice in a gripping noir thriller.
Directed by Orson Welles, the 1958 film adaptation Touch of Evil is famous for its opening tracking shot, often cited as one of the greatest long takes in film history. Despite initial studio interference, the film has been reevaluated over the years and is now considered a classic of film noir and is often listed among the best films of all time.
A revisit of the 1950s classic that inspired Orson Welles's film Touch of Evil
Assistant District Attorney Mitch Holt suspects the wrong people have been arrested in the murder of Rudy Linneker. But if it wasn't Linneker's daughter and her fiance, who was it? And why do two of the city's most decorated and beloved cops look like they're not shooting straight? If they've planted evidence in this case, what else are they guilty of in the past?
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
I was immediately engaged in the story of a nurse who follows a man to Mayotte and, unable to conceive, adopts a child whom she brings up by herself after the man abandons her. She dies abruptly, however, and the story changes completely, turning into an intense, violent novel about children in the slums. The orphan who fled after his mother's death is horribly abused by another young teenager who is a gang leader, and can free himself only by killing him in the end. I am in awe of Nathacha Appanah for her ability to capture the voice of street children. This is a poignant, powerful, and beautifully written novel about harassment, cruelty, and possession.
Marie, a nurse on the island of Mayotte, adopts an abandoned baby and names him Moise, raising him as a French boy. As he grows up, Moise struggles with his status as an "outsider" and to understand why he was abandoned as a baby. When Marie dies, he is left alone, plunged into uncertainty and turmoil, ending up in the largest and most infamous slum on Mayotte, nicknamed "Gaza".
Narrated by five different characters, Tropic of Violence is an exploration of lost youth on the French island of Mayotte in the Indian Ocean. Shining a powerful light on problems of…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
Whenever I re-read this book, I’m gob-smacked that it’s a debut novel. Taylor Greer just wants to avoid the fate of her peers—unwanted pregnancies and dead-end lives in the small Kentucky town where she was born—when she points her Volkswagen Bug due West in search of something different. She has no idea how different her life will become when she stops at a gas station in Oklahoma and a stranger puts a small child in the passenger seat of her car. The story of how Taylor and the child become a family with the help of some unlikely friends, is one that’s stayed with me from first read. Kingsolver’s writing is quietly and deeply dazzling and paints a stunning picture of what it means to find sanctuary, family, and home in a way you never imagined.
The Bean Trees is bestselling author Barbara Kingsolver's first novel, now widely regarded as a modern classic. It is the charming, engrossing tale of rural Kentucky native Taylor Greer, who only wants to get away from her roots and avoid getting pregnant. She succeeds, but inherits a 3-year-old native-American little girl named Turtle along the way, and together, from Oklahoma to Tucson, Arizona, half-Cherokee Taylor and her charge search for a new life in the West.
Written with humour and pathos, this highly praised novel focuses on love and friendship, abandonment and belonging as Taylor, out of money and seemingly…
