Here are 9 books that Pain Killer fans have personally recommended if you like
Pain Killer.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a historian of science and medicine, I’m fascinated by the many ways that drugs—from tea to opiates, Prozac to psychedelics—have shaped our world. After all, there are few adults on the planet today who don’t regularly consume substances that have been classified as a drug at one time or another (I’m looking at you, coffee and tea!). The books I’ve selected here have deeply influenced my own thinking on the history of drugs over the past decade, from my first book, The Age of Intoxication, to my new book on the history of psychedelic science.
In this tour-de-force work of investigative journalism, New Yorker staff writer Patrick Radden Keefe traces the sordid history of the Sackler dynasty, the billionaire family behind Purdue Pharmaceuticals and its blockbuster narcotic painkiller OxyContin.
With both narrative verve and moral urgency—a combination that isn’t always easy to pull off—this book exposes one of the many points of origin for America’s devastating opioid epidemic. Keefe’s work has reinforced my conviction that drug historians have an important role to play in shaping public understanding and policy debates around these substances in the present. I found this book to be a page-turner and one of the most thoughtful books I’ve read in years.
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • A grand, devastating portrait of three generations of the Sackler family, famed for their philanthropy, whose fortune was built by Valium and whose reputation was destroyed by OxyContin. From the prize-winning and bestselling author of Say Nothing.
"A real-life version of the HBO series Succession with a lethal sting in its tail…a masterful work of narrative reportage.” – Laura Miller, Slate
The history of the Sackler dynasty is rife with drama—baroque personal lives; bitter disputes over estates; fistfights in boardrooms; glittering art collections; Machiavellian courtroom…
I’m a West Virginia-based journalist. I have covered the opioid epidemic for nearly 10 years. In 2017, I was awarded the Pulitzer Prize for Investigative Reporting for stories about massive shipments of OxyContin and other painkillers to small towns in Appalachia.
For years, Dreamlandhas been my go-to book to understand the opioid crisis. Quinones, a former reporter with The Los Angeles Times, skillfully weaves the stories of a heroin drug syndicate based in Mexico—known as the “Xalisco Boys”—and the unfettered prescribing of pain pills in the U.S. The combination battered towns and cities. His book won the National Book Critics’ Circle Award for nonfiction.
Named on Slate's 50 Best Nonfiction Books of the Past 25 Years, Amazon's Best Books of the Year 2015--Michael Botticelli, U.S. Drug Czar (Politico) Favorite Book of the Year--Angus Deaton, Nobel Prize Economics (Bloomberg/WSJ) Best Books of 2015--Matt Bevin, Governor of Kentucky (WSJ) Books of the Year--Slate.com's 10 Best Books of 2015--Entertainment Weekly's 10 Best Books of 2015 --Buzzfeed's 19 Best Nonfiction Books of 2015--The Daily Beast's Best Big Idea Books of 2015--Seattle Times' Best Books of 2015--Boston Globe's Best Books of 2015--St. Louis Post-Dispatch's Best Books of 2015--The Guardian's The Best…
I’ve dedicated my life to repairing the world. This work has taken on many forms – helping low-income people grow community gardens for food and beauty, providing fuel subsidies that helped people combat frigid New England winters, and working on building affordable housing and economic development programs in rural and urban communities. Ultimately, these experiences brought me to create graduate programs where students could learn how to lead healthy nonprofit organizations. Part of their education involved learning how to pass laws based on my own successful experience. I realized then that I had a passion for providing everyday citizens with simple tools they too could use to make a difference.
Reading a book about people taking prescribed drugs end up being swallowed whole by addiction is heartbreaking. Realizing how easily kids can fall into that trap is terrifying. Knowing that much of that agony is fueled by aggressive profit-seeking is infuriating. Amidst the pain of this well-told story are heroes fighting to stop the onslaught. It reminds us that on the knife’s edge of life, it’s way too easy to fall to either side.
Journalist Beth Macy's definitive account of America's opioid epidemic "masterfully interlaces stories of communities in crisis with dark histories of corporate greed and regulatory indifference" (New York Times) -- from the boardroom to the courtroom and into the living rooms of Americans. In this extraordinary work, Beth Macy takes us into the epicenter of a national drama that has unfolded over two decades. From the labs and marketing departments of big pharma to local doctor's offices; wealthy suburbs to distressed small communities in Central Appalachia; from distant cities to once-idyllic farm towns; the spread of opioid addiction follows a tortuous…
I’m a West Virginia-based journalist. I have covered the opioid epidemic for nearly 10 years. In 2017, I was awarded the Pulitzer Prize for Investigative Reporting for stories about massive shipments of OxyContin and other painkillers to small towns in Appalachia.
McGreal’s book fell a bit under the radar, but in my mind, it’s one of the best books of reportage on the opioid epidemic. As a reporter for The Guardian, McGreal covered the drug crisis for years. American Overdose connects all the dots that caused it. The book starts out, “Even as a teenager, Henry Vinson wanted to be an undertaker,” then takes flight from the hollows of West Virginia to the halls of Congress. McGreal is a tenacious reporter and a superb writer. He’s one of the first reporters to lay bare the Food and Drug Administration’s cozy relationship with Purdue Pharma. And he introduces readers to former DEA agent Joe Rannazzisi, who tried to put the brakes on massive shipments of painkillers to small towns across America, but was forced to step aside after Big Pharma complained about him to powerful U.S. lawmakers. The story builds from…
LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL WRITING 2019
A devastating portrait of America's opioid painkiller epidemic - the deadliest drug crisis in US history.
One hundred and fifty Americans are killed each day by the opioid epidemic. But, as Chris McGreal reveals it was an avoidable tragedy driven by bad science, corporate greed and a corrupted medical system. He tells the stories of the families devastated by painkillers they thought would heal, and the physicians and scientists who took on the drug companies behind the epidemic. American Overdose is a powerful account of the terrible human cost of the…
As a cancer doctor, I have spent two decades dedicated to understanding the causes and therapy of cancer, how my patients experience their diagnosis and treatment, and how meaningful improvements in their experience should be reflected in the criteria we use to approve cancer drugs approval in the U.S., to improve their lives. In over 100 essays published in outlets like The New York Times and The Washington Post and in two books, I sing the stories of my patients as I learn from their undaunted spirits and their utter humanity, as I try to figure out how to be a better doctor, and a better person.
There’s a seedy side to the pharmaceutical industry that started well before the creation of the FDA, and continues through the modern era, fueling the epidemic of opioid drug dependency.
In Pharma, Posner’s comprehensive reporting introduces us to brilliant scientists, incorruptible government regulators, and brave whistleblowers facing off against company executives often blinded by greed.
We learn how the Sacklers built a culture of pain relief on the shoulders of oxycontin – one that ultimately led to the lowest survival rates for Americans in a century.
Award-winning journalist and New York Times bestselling author Gerald Posner traces the heroes and villains of the trillion-dollar-a-year pharmaceutical industry and uncovers how those once entrusted with improving life have often betrayed that ideal to corruption and reckless profiteering-with deadly consequences.
Pharmaceutical breakthroughs such as anti biotics and vaccines rank among some of the greatest advancements in human history. Yet exorbitant prices for life-saving drugs, safety recalls affecting tens of millions of Americans, and soaring rates of addiction and overdose on pre scription opioids have caused many to lose faith in drug companies. Now, Americans are demanding a national reckoning…
My usual answer, when someone asks me where I live in Philadelphia, is: “Have you seen the Rocky movies, where he’s running through that open fruit/vegetable market? I’m three blocks from there.”I’ve called Philadelphia home for more than 20 years. I’m clearly a big fan, having now written four books about the city. I include a reference to the city’s most famous fictional character in my children’s alphabet book Philadelphia A to Z. In More Philadelphia Murals and the Stories They Tell, I got to tell stories about the country’s largest public art program. In This Used To Be Philadelphia, I told the then and now stories of dozens of city locations.
I can’t even tell you how many times in many years working for newspapers that I rushed out after hearing a body had been found in an empty house or neglected alley. In almost every case, I would arrive to have police officers tell me, “No story here. No homicide. Just another overdose.” The newspaper didn’t tally overdose deaths as it did murders, even if many fatalities are linked to heroin that has been mixed with fentanyl without the users’ knowledge. It’s very rare for those who sell the killer substance to face homicide charges.
The city is basically another character in this book. While the opioid epidemic had touched communities across the country, Philadelphia’s Kensington neighborhood is widely acknowledged as a disaster zone. A 2018 New York Times article called Kensington is the largest open-air narcotics market on the east coast.
The plot centers on Philadelphia police officer Mickey…
NAMED A BEST BOOK OF THE YEAR BY NPR, PARADE, REAL SIMPLE, and BUZZFEED
AN INSTANT NEW YORK TIMES BESTSELLER
A GOOD MORNING AMERICA BOOK CLUB PICK
"[Moore’s] careful balance of the hard-bitten with the heartfelt is what elevates Long Bright River from entertaining page-turner to a book that makes you want to call someone you love.” – The New York Times Book Review
"This is police procedural and a thriller par excellence, one in which the city of Philadelphia itself is a character (think Boston and Mystic River). But it’s…
While it only simmers in the background of Demi-Gods, I find myself returning to this theme in my fiction — of mothers behaving badly. The topic fascinates me because we live in a society that idealizes the Mother. So much so that we have removed sex and desire from this archetype. We even made Mary, the “universal mother,” a virgin. As someone with a womb, society expects me to have children. (I don’t yet.) Fiction has provided a space for me to disentangle my own thoughts around motherhood — on what I might claim for myself, and what I absolutely refuse to take on.
Why Did I Everfalls into my favorite genre of fiction, which I will describe loosely as “narrated by a sardonic, wincingly funny, tragic woman.” (See also: Lorrie Moore, Amy Hempel, Lauren Groff, Mary Gaitskill, among others.)
The narrator, Money, is a self-sabotaging script doctor whose daughter, Mev, is addicted to opioids, and whose son is under police protection following a violent assault.
As a seemingly directionless woman who spends much of the book driving or sourcing Ritalin, Money counts, in my books, as a “transgressive” mother. She’s also charming and likable. This book is dark and deeply affecting at times. At many other times, it’s hilarious. I recommend it to anyone who loves that hinterland — between the tragic and darkly funny.
"Tense, moving, and hilarious . . . [A] dark jewel of a novel." ―Francine Prose, O, The Oprah Magazine
Three husbands have left her. I.R.S. agents are whamming on her door. And her beloved cat has gone missing. She's back and forth between Melanie, her secluded Southern town, and L.A., where she has a weakening grasp on her job as a script doctor. Having been sacked by most of the studios and convinced that her dealings with Hollywood have fractured her personality, Money Breton talks to herself nonstop. She glues and hammers and paints every item in her place. She…
I love feeling scared in a controlled situation—like on my couch with a soft blanket and a book—so horror thrillers are my jam. I absolutely love it when a female protagonist is so smart and courageous that I genuinely don’t know what I would do differently. This gives me someone to truly root for. Over time, I’ve discovered all the ways scary books help me manage my anxiety. Reading about all my worst fears but knowing I can set the book down if I need to is empowering. (Spoiler alert: I never set the book down.)
The best thing I can say about this book is that I cried three separate times while reading it. When a horror thriller can pull that level of emotion out of me, it instantly becomes a fave.
Our MC, Brynn, has to decide whether to trust a father who has let her down her whole life while also trying to survive an apocalypse. (This is a fresh take on the apocalypse trope, for sure!)
The pacing is high-octane, Brynn’s emotional journey is compelling, and this book is highly underrated, IMO.
It’s just an average night at the Ink Tank, the tattoo shop in Austin, Texas, where Brynn works as a tattoo artist. After a long shift, all she wants to do is head home, pop a few pills from the fresh bottle of Roxicodone in her jacket pocket, and slip into a nice buzz. Her plans crumble when she’s abducted by her convict father, Alan, and forced into the road trip from hell: a cross-country trek to the Rocky Mountains and the shelter he built years ago to protect his family from the monsters living in his head, the monsters…
My father’s side of our family is from North Carolina, and I’ve always felt the magic of these mountains, especially within the Great Smoky Mountains National Park. I yearned to understand how the people lived and raised children, created an entire community, lived off the land, and handled sickness, despair, and celebrations. I wanted to bring their stories to life and honor and preserve their unique history. We can all learn something from these brave men and women who staked out the land, built, grew, and hunted everything they needed, and created a community full of family, resilience, and perseverance. I proudly honor their stories within my historical fiction novels.
I wanted a totally different perspective of Appalachia, and this book delivers on that completely. I love the heartwarming and sometimes tragic stories of pioneering people who settled in these mountains in the 1800s. But this tale shoved me right into modern-day Appalachia, with its poverty, drug abuse, and violence.
This book definitely made me think about life’s choices; how would I have handled such obstacles as the characters faced? What options did they really have, and did they truly make the best choices? Whether I agreed, disagreed, yelled at these characters, or cried with them, it was a very well-written and immersive reading experience.
Afterward, I closed the book and thought about my own life’s decisions.
Demon's story begins with his traumatic birth to a single mother in a single-wide trailer, looking 'like a little blue prizefighter.' For the life ahead of him he would need all of that fighting spirit, along with buckets of charm, a quick wit, and some unexpected talents, legal and otherwise.
In the southern Appalachian Mountains of Virginia, poverty isn't an idea, it's as natural as the grass grows. For a generation growing up in this world, at the heart of the modern opioid crisis, addiction isn't an abstraction, it's neighbours, parents, and friends. 'Family' could mean love, or reluctant foster…
