100 books like On Being Maya and Getting by

I read this book when I was a teenager growing up in Yucatan.

Stephens’ description of both the everyday life of Yucatecans in local villages and cities, and of the imposing ruins left by the Maya are enchanting. Catherwood’s drawings and plates are both accurate and dream-like representations of Yucatecan life, Maya ruins and artifacts at the time.

The book left vivid pictures in my mind; I could and still can see across Yucatan the traces of what Stephens described and Catherwood caught with his drawings and plates.

This book has resisted the passage of time as a story of travel and discovery. As a tale of adventure and wonderment, it was and remains a brilliant prelude to the ethnography of the area.

This book is many things: A wonderful ethnography, a tribute to the Mexican and foreign ethnographers who preceded Re Cruz’s in the area, a call to ethnographers for writing creativity, and, glowingly, a show of respect for local people, their agency, and their understandings of the world.

Chan Kom, as Re Cruz reminds us, has been an ethnographic laboratory since the first decades of the 20th century. Re Cruz chose to structure her book following the script of a local play performed by high school students. For anthropology students this is a good example of an engaging ethnography.

For historians of the recent past this is a record of the cultural impact that the emergence of Cancun had on Yucatecan rural life.

I grew up, like many other Yucatecans, convinced by my family and friends that Yucatecan cuisine is one of the best in the world, and it took many years and an anthropology degree for me to see this as a form of ethnocentrism.

Ayora-Diaz examines and deconstructs this belief, deep-seated in Yucatecans' minds, through his sophisticated study of Yucatecan regionalism through the lens of food and gastronomy.

The author proposes that what is now understood and acknowledged as “Yucatecan food” has been created out of three converging threads: home kitchens, recipe books, and restaurants. Through food, Yucatecans have carved a regionalism almost in opposition to a “Mexican” identity.

Weaving theory, ethnography, and food anecdotes, this book will leave you hungry, wanting to try all the food in Yucatan.

In the 1970s, my parents took me and my siblings to the Camino Real, one of the first hotels ever built in Cancun.

We sat on canvas chairs on the beach and my dad played the guitar. Fiddler crabs walked around us, the stars shone brightly, and we enjoyed the music and the sound of crashing waves. Tourism and its evils, however, soon became a nightmare for peninsular Yucatecans.

Through the city of Cancun, the natural reserve Calakmul, the village of Tekit and the hotels in former sisal haciendas, this ethnography shows how, even when living standards improved, local people have become geographically immobilized and resource-impoverished.

The tourist industry is predatory. It destroys natural resources, transforms places into what the rich think of as paradise, and displaces and disempowers local people.

This is always the first one that leaps to mind for me when I’m thinking of a relentlessly paced novel that is nonetheless extremely well written. It’s a simple yet relatable premise, which to me makes it all the more horrifying. Smith is a master of economy here, as he keeps the plot moving (with no chapter breaks!) throughout, yet his style is a fairly literary one and he develops the characters well.

Far from being an extinct people swallowed by the jungle-like their famous temples, the Maya make up a significant percentage of the population of southern Mexico, Guatemala, and Belize, with vibrant ancient languages that are still spoken today. This beautifully written account of contemporary Maya culture will help you understand a remarkable people who explored the world through arithmetic and time.

Reed’s wonderful writing style and great turns of phrase make this an enjoyable read, while his attention to detail and excellent research make it requisite to understanding the long Caste War of the Maya after 1847. It is a critical antidote to works that pay too little attention to indigenous agents, to religious motivations, and to a long-simmering insurrection with vibrant cultural voices. Other works have taken this on since, but it remains a classic.

One of the real contagions of contemporary life (for anyone in any time, I suspect) is the way one can become complacent about the existence we are experiencing: we can take “what everyone knows” for granted. Like the Ferris Wheel, which was invented for the Chicago World’s Fair to outshine the previous Fair’s Effiel Tower. Now, any carnival midway or small circus has one. 

The same with many “ancient ruins.” Cruise ships stop at Minos or the Mexican pyramids for organized tours. But these places had been lost for millennia until they were re-discovered in the last 200 – 300 years. In Jungles of Stone, the initial discovery was almost an accident. Seen as an opportunity by Stephens and Catherwood, the magnificence and majesty of what they find converts their commercial enterprise into something more like a crusade. While the book recounts their arduous efforts to uncover the lost… show more.

The ancient Maya viewed many things that we would consider inert as animate: objects had agency, even personality. As a result, I often tell my students that the artifacts they hold were once alive. Unfortunately, I rarely have time to tell them just how they came to live—or how they died (sometimes violently). This fascinating book explores not only animism but also the ways in which artisans literally brought objects to life. Read this book and then go to an exhibit on the ancient Maya; then try to decide which things in the exhibit are still (technically) alive. The exercise may be disconcerting—but it will offer a completely different take on the museum experience.  

Prehistoric people outside of Europe are often assumed to be "people without history," as anthropologist Eric Wolf called them. Simon Martin and Nikolai Grube's book is exciting because it uses the recent decipherment of Maya hieroglyphs to reconstruct the lives of dozens of Maya rulers. At least some of the millions of ancient Maya have now names and a history. Their great art and architecture can be linked to artists who made them and to nobles who commissioned them.