100 books like Migration, Squatting and Radical Autonomy

David Harvey has been writing about how capitalism shapes city life since the global revolutions back in 1968.

What I learned from his book Rebel Cities is that we need a laser-like focus on how capitalism makes and remakes urban life, normally for the worse. Unless we realise this we don’t know what we are up against and what effective solutions look like.

What I really like about this book is that it encourages us to see that cities and their citizens are rebelling all over the world – and this means building alternatives to corporate capitalism power that is ultimately pushing our climate and natural world beyond safe limits.

Vasudevan is one of the first to provide an account of the global history of urban squatting, from the late 19th century to the present. His central claim is that squats are never simply about acquiring housing, but also ‘offer place[s] of collective world-making’. He wants to find out how squatters ‘reimagined the city as a space of necessity and refuge, experimentation and resistance’. As squatters take buildings into use, they recreate the space, filling it with new life and energies, forming new networks and identities as they work towards making abandoned places inhabitable again. Vasudevan’s study allows for global comparisons, and he explicitly includes the actions and experiences of migrants, women, and queer activists in the history of squatting.

Histories of squatting mainly focus on radical activists in Europe during the 1970s and 1980s, ignoring the fact that squatting has always been a global phenomenon. Anders and Sedlmaier have responded by creating a collection of chapters that highlight the global and historical nature of squatting. Their volume is the first to initiate an in-depth discussion of the similarities between first world and third world squatting, and thus covers cases from Seoul to Bucharest and Bangkok, and from Turkey to Brazil and the UK. In doing so, the book raises fascinating questions on how squatting oscillates between being a self-help and a collective protest strategy, on the relationship between migration and squatting, and on the influence of squatter movements on urban development. 

From 2009 to 2021, the Squatting Europe Kollective provided a platform for innovative research on squatting by both academics and activists. The group organized international meetings, created an interactive map of squatter actions in various European cities, and published a number of books. Their 2013 volume provided a state of the art of squatter research. The first chapter distinguishes between different modes (‘configurations’) of squatting; for example squatting as an alternative housing strategy, a strategy for saving monumental dwellings from demolition or squatting as a tactic for confronting neoliberalism. The subsequent chapters zoom into particular issues, such as the ways in which squatters organize the running of occupied places, respond to criminalization and form international travel networks. 

They told the 40-year-long story of their home at ‘the ZAD’, 4,000 acres of wild wetlands and forest that the French state intended for an international airport. Community-building and collective resistance in the face of intense and repeated police assault – the footage of which is astonishing to witness – eventually saw off the planned devastation, and has inspired numerous other ZADs around France and the world.

We Are ‘Nature’ Defending Itself weaves together captivating theory and hard-fought practice in telling the kind of true story our world desperately needs more of.  Pure distilled inspiration for those pondering their path, as centralised power structures weaken.

A twenty year old American woman goes to Paris to paint, meets a French artist, marries, has a child, and together buy a farmhouse and make a summer home and art studios in rural Brittany: that story. A memoir. 

The book was published in 2008, but the story takes place in the early 1960s when rural Brittany was closer to the 19th century than the 21st. I was in Paris in 1967, and it was still possible to rent a hotel room for under five dollars a night, to travel in Europe for ten dollars a day. In 1967, you could not safely drink the water in France, including in Paris, and you had to have proof of a typhus vaccine to return to the U.S. It was still more Henry Miller’s Paris than Macron’s.

This was the time of the last of every day berets, blue… show more.

This gem of narrative non-fiction tells the improbable story of an utterly impoverished immigrant woman who married into one of the wealthiest “establishment” families of New York City and became one of the nation’s most prominent radical activists in the early 1900s. The unlikely marriage of Rose Pastor and Graham Stokes made many national headlines -- and attracted attention from federal agents. Hochschild brings this odd couple to life in all their ups and downs, introduces us to their circle of famous fellow activists, and illuminates their fights for social justice, struggles that remain relevant to this day.

Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).

It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!

For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.

The Day You Begin is a lovely, lyrical reminder that we all have unique experiences and moments of not belonging, but we find connections through sharing our stories. Jacqueline Woodson’s repetitive phrase, “There will be times,” paired with the use of a 2nd person narrator, instantly draws us into the story. As a result, we feel part of the story as we think of times when we didn’t fit in or people didn’t understand our experience. So powerful!! I am a huge proponent of the power of sharing personal stories, and I often speak to groups about how sharing stories can serve as a bridge that might connect us. The Day You Begin is a glorious reflection of this truth.

Mimi Schwartz’s Jewish father grew up in a German town where Jews and gentiles got along – until the Nazi era put extraordinary strains on their ability to coexist peaceably.  Schwartz explores how people who were not unusually brave managed to perform small acts of kindness and defiance. Her book offers important lessons for our time.