Here are 45 books that Maeshowe and the Heart of Neolithic Orkney fans have personally recommended if you like
Maeshowe and the Heart of Neolithic Orkney.
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I grew up on a Viking battlefield, in an English coastal village once raided then occupied by Norsemen. We had ancestors who lived on the Isle of Orkney, and in the Celtic south-west. From a young age, I read Norse and Celtic myths and legends, and went on to study history and philosophy ā and then became an author. Now, I have family in Sweden and grandchildren of Ash and Elm. My list offers pure escapism, but also shows how our ancestors lived in an age with no electricity or compulsory schooling. Itās the wonderful combination of the āother worldā myths and history that I believe makes us who we are.
This very readable non-fiction is an account of how the people we call the Vikings lived and why they wentaāviking.
Historian Neil Price describes in an easy-to-comprehend manner the Scandinavian world of long ago ā when gods, spirits, and humans co-existed in a brutal axe-age. The author explains strange superstitions and how the belief in supernatural beings affected daily life.
Readers also learn about the terrible climate catastrophe that made northern lands virtually uninhabitable, and where Viking explorers sailed to in search of fertile land and treasure. My own family background gives me a strong connection to this history and its special mythology.
'As brilliant a history of the Vikings as one could possibly hope to read' Tom Holland
The 'Viking Age' is traditionally held to begin in June 793 when Scandinavian raiders attacked the monastery of Lindisfarne in Northumbria, and to end in September 1066, when King Harald Hardrada of Norway died leading the charge against the English line at the Battle of Stamford Bridge. This book, the most wide-ranging and comprehensive assessment of the current state of our knowledge, takes a refreshingly different view. It shows that the Viking expansion began generations before theā¦
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogyās final bookāand final battleāwould have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
Iām a sucker for pretty much any saga, those pieces of literature where legend and myth and history mingle into a perfect mixture of inspiration for the creative mind. This saga gives us a whoās who of historical figures, as well as poetic stories about journeys, battles, and political maneuverings. My favorite bits are the smaller, easier to overlook details though, such as the cause of Sigurd the Powerfulās death. The Orkneyinga is a consuming read about the history of Orkney through medieval eyes.
Written around AD 1200 by an unnamed Icelandic author, the Orkneyinga Saga is an intriguing fusion of myth, legend and history. The only medieval chronicle to have Orkney as the central place of action, it tells of an era when the islands were still part of the Viking world, beginning with their conquest by the kings of Norway in the ninth century. The saga describes the subsequent history of the Earldom of Orkney and the adventures of great Norsemen such as Sigurd the Powerful, St Magnus the Martyr and Hrolf, the conqueror of Normandy. Savagely powerful and poetic, this isā¦
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogyās final bookāand final battleāwould have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
The best way to learn a new place is to read its folk tales. Muirās curated collection not only gives a sense of the community values found throughout the wide spread of Orkney islands, but also of magic and wonder that pervades the place. You can easily take a tour to the specific locations mentioned in the stories, and I can assure you that rereading the stories in those places, with Muirās charming, poetic prose, makes them come to life in fascinating new ways.
The Orkney Islands are a place of mystery and magic, where the past and the present meet, ancient standing stones walk and burial mounds are the home of the trows. Orkney Folk Tales walks the reader across invisible islands that are home to fin folk and mermaids, and seals that are often far more than they appear to be. Here Orkney witches raise storms and predict the outcome of battles, ghosts seek revenge and the Devil sits in the rafters of St Magnus Cathedral, taking notes! Using ancient tales told by the firesides of the Picts and Vikings, storyteller Tomā¦
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogyās final bookāand final battleāwould have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
Brown is a seminal figure in Orcadian literature, and the moment you read any one of his poems, itās clear why. This is an enjoyable introduction to his works and features some of the poems you canāt find in print in other sources. His poems balance the beauty and complicated reality of his home, but his love for the place shines through every carefully chosen word. Even if you donāt know if you like poetry, the rhythms of his works make them accessible to everyone, proving him to truly be Orkneyās skald.
George Mackay Brown is recognised as one of Scotland's greatest twentieth-century lyric poets. His work is integral to the flowering of Scottish literature over the last fifty years. Admired by many fellow poets, including Seamus Heaney and Douglas Dunn, his poems are deeply individual and unmistakable in their setting: 'the small green world' of the Orkney Islands where he lived for most of his life with its elemental forces of sea and sky and Norse and Icelandic ancestry, is brought vividly and memorably to life.
Here, his rich resonant poetry is collected in one volume, making available again many poemsā¦
I love the idea that much of folklore is based on universal human stories that are still true today. Selkies may be mystical creatures but they are also women treated badly by men, then judged for their response by wider society. Because of this universality, as well as the compelling magical element, there are many modern novels that make use of selkie folklore, which in several ways shares roots with the folklore of mermaids. Iāve picked out a few that spoke to me. I hope many more readers will discover these sea-faring, shape-shifting, magic-realist tales.
This exquisite novel begins with a university lecturer (Too old? Too deluded?) in love with student forty years his junior. Sheās an ethereal, white-haired creature, but at first, their love seems mutual, and plausible. They honeymoon in Orkney, where selkie legends begin to encroach on his state of mind. Heās obsessed with her, and sheās obsessed with the sea. The reader is never quite sure if sheās a selkie or not, which resonates with me as I love books where ambiguity is an integral part of the narrative.
On a remote island in Orkney, a curiously matched couple arrive on their honeymoon. He is an eminent literature professor; she was his pale, enigmatic star pupil. Alone beneath the shifting skies of this untethered landscape, the professor realises how little he knows about his new bride and yet, as the days go by and his mind turns obsessively upon the creature who has so beguiled him, she seems to slip ever further from his yearning grasp. Where does she come from? Why did she ask him to bring her north? What is it that constantly draws her to theā¦
I am a Templar history enthusiast with a penchant for spiritual surprises hiding in plain sight. I believe words are vessels of spirit and that writing opens a channel of communication for manifesting thoughts into reality. Traveling throughout Europe, Scotland, and England has deepened my confidence that there was so much more to the Middle Ages than crusades and feudalism. The Templars facilitated many societal transformations, including a flowering of mysticism under their guardianship. The mystery isā¦ why have we not connected these dots before? And I suspect thereās much more to discover! My books gather research threads from seemingly isolated historic characters, places, and events into cohesive, inspired, and vibrant stories.
Of all Silvaās books, I am most excited about this one, because of his groundbreaking discoveries. I admire his relentless tenacity for research, while sniffing out enigmatic information. My love of Scottish history often leaves me feeling lost regarding its ancient history. But I also am super careful to take many extrapolations on ancient history with a grain of salt. Silvaās writings are refreshing and his sense of humor is delightful. So, if you want to learn more about your Scottish roots from before Christianity arrived, then take a stroll through ancient circles aligned with the constellation Orion. Home may not be where you think it is!
Around 6000 BC a revolution took place on Orkney and the Western Isles of Scotland. An outstanding collection of stone circles, standing stones, round towers and passage mounds appeared seemingly out of nowhere. And yet many such monuments were not indigenous to Britain, but to regions of the Caspian Sea and the Mediterranean. Their creators were equally mysterious. Traditions tell of the Papae and Peti, 'strangers from afar' who were physically different, dressed in white tunics and lived aside from the regular population. They were regarded as master astronomers with an uncanny ability to work with enormous stones. But whereā¦
Iām a Scottish writer of historical fiction and historical romance. Iām also a history graduate with imagination, by which I mean Iām as interested in what mighthave happened as what definitely did! So much of history is open to interpretation, taking account of who wrote what for whom, and why, and that is a large part of what fascinates me. And of course, I love a good historical novel that combines compelling writing with excellent researchāespecially when a controversial hero is shown in a new or captivating light.
This book became my ultimate escapism at a low point in my life. Itās a wonderfully written, well-researched epic novel about the eleventh century Scottish king, Macbeth, based on the bold premise that he and Thorfinn the Mighty, Earl of Orkney, were one and the same man. Most of usāespecially those who went to school in Scotland!āare familiar with the Macbeth of Shakespeare, but Dorothy Dunnett brings him alivein his own time, no guilt-ridden villain but a complicated warrior of great depth and humanity, true to his beliefs, his people, and his wife who is nothing like Shakespeareās Lady Macbeth either! This is a rattling good read by any standardsāengrossing, exciting, humorous, and moving. Even knowing the tragedy was coming, I cried. Each time.
A novel about Macbeth, King of Scotland, by the author of the "Lymond" series. 11th-century Europe is full of young kings. Macbeth - part-Christian, part-Viking - has the imagination and determination to move himself and his people out of a barbarian past and into flowering nationhood.
Before I started to focus on writing, I was a performer: an actor, a magician, and an escapologist. Iāve learnt a great deal about how to construct a story for an audience. Iām excited by the layers of a good narrativeāby what makes it work. In my own life Iām always looking for the details: reflections in a puddle, the interactions of strangers, lost items left behind. My book is all about stopping in the middle of this overwhelming world to notice the everyday moments and to celebrate them. I often find that there is magic there, hidden in plain sight.
I was born in a fishing village in Yorkshire and although I live in the city now, I always feel the pull of the sea. This book is a memoir set in Orkney and London. It is about the writerās struggle with addiction and her recovery ā partly through reconnecting to the natural landscape again. Amyās prose is clean and bright. She constructs sentences with no fat on them. Her descriptions are sharply accurate. I really related to her need to get away from London to find her way back to health. London life is intense and although I love it here, it is a constantly demanding city. Reading this novel reinforced my desire to look at things closely, notice them anew, and to remember to go and visit the sea, whenever I can.
After a decade of heavy partying and hard drinking in London, Amy Liptrot returns home to Orkney, a remote island off the north of Scotland. The Outrun maps Amy's inspiring recovery as she walks along windy coasts, swims in icy Atlantic waters, tracks Orkney's wildlife, and reconnects with her parents, revisiting and rediscovering the place that shaped her.
A Guardian Best Nonfiction Book of 2016 Sunday Times Top Ten Bestseller New Statesman Book of the Year
I grew up on a Viking battlefield, in an English coastal village once raided then occupied by Norsemen. We had ancestors who lived on the Isle of Orkney, and in the Celtic south-west. From a young age, I read Norse and Celtic myths and legends, and went on to study history and philosophy ā and then became an author. Now, I have family in Sweden and grandchildren of Ash and Elm. My list offers pure escapism, but also shows how our ancestors lived in an age with no electricity or compulsory schooling. Itās the wonderful combination of the āother worldā myths and history that I believe makes us who we are.
This beautifully written novel showed me what life must have been like on the island of Orkney in the Dark Ages and trapped me in a gripping, almost āother-worldā coming-of-age tale.
Full of fascinating descriptive details and wise human insight, the story tells of the developing, sometimes tender, sometimes aggressive, relationship between two homeless adolescents in a very dangerous adult environment.
I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.
This is the story of a woman who is having a hard time personally, and she swims to heal herself. She swims to reconnect with her wild nature. And she is brave. She swims in all seasons, all weathers, all conditions. Once she was almost pushed against craggy rocks.
I swim too. I love seals, and know this act of taking to the water - our small bit of wild - to reconnect with my wild nature.
I loved the vulnerability that shines through in this book and I like to read of strong women who dare connect with nature to empower themselves. I feel I do that (a bit) and people like Victoria inspire me to push those wild boundaries a little more.
A book about intense physical and personal experience, narrating how Victoria Whitworth began swimming in the cold waters of Orkney as a means of escaping a failing marriage.
This is a memoir of intense physical and personal experience, exploring how swimming with seals, gulls and orcas in the cold waters off Orkney provided Victoria Whitworth with an escape from a series of life crises and helped her to deal with intolerable loss.
It is also a treasure chest of history and myth, local folklore and archaeological clues, giving us tantalising glimpses of Pictish and Viking men and women, those peopleā¦