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Love and Death in the American Novel.
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Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This book showed me how engaging, intellectual history can be written. It’s never enough to present information. If you respect your readers, as Delbanco does, keep them entertained. These twelve essays mix the personal, literary, and social in a lively and often surprising, frothy brew. I also like the way Delbanco makes the distant past relevant for today’s world.
Individual sentences are a delight. You’ll leave the book knowing much more about the life, times, and work of writers like Harriet Beecher Stowe, Edith Wharton, and Richard Wright.
Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
No book has influenced my study of intellectual history more than Hauser’s work. His Social History is an enormous undertaking and is divided into four volumes. It covers the period from cave art to early movies.
Dip into it to read about Shakespeare, Rembrandt, or Tolstoy. What I find so impressive is the nuanced and convincing way Hauser relates changes in society to artistic creation.
First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.
This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides…
Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
It’s hard to praise this work too highly. It’s a lovely volume, lavishly illustrated. But what I like best about American Visions is Hughes’s singular voice.
Hughes's judgments are sure-footed and well-researched, and his tone is conversational. He is a guide you can rely on from the painters of the colonial period through the installations of the 1990s.
Writing with all the brilliance, authority, and pungent wit that have distinguished his art criticism for Time magazine and his greatly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America.
The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three…
My love for ideas and their history was born when I was still in high school. It was my old English teacher who first opened up the power of ideas in literature to change the world. I’m pretty sure he loved Eleanor Roosevelt’s comment: “Great minds discuss ideas; average minds discuss events; small minds discuss people.” Whether or not that’s true, my taste was further sharpened when I took a two-year course on the history of thought about nature and culture as an undergraduate student. I was captivated.
What struck me about this book was its enigmatic subtitle: A Metabiography. Here, I encountered not a biography of the great Prussian scientific traveler Alexander von Humboldt but a host of different Humboldts: Humboldt the liberal democrat, Humboldt the Aryan supremacist, Humboldt the anti-slavery Marxist, and Humboldt the pioneer of globalization.
What I discovered is that biographers construct their subjects in the image of their own time and place. This impressed me with two thoughts: that all scientific reputations are fundamentally unstable and that all of us are composed of multiple selfhoods.
Alexander von Humboldt (1769-1859) is one of the most celebrated figures of late-modern science, famous for his work in physical geography, botanical geography, and climatology, and his role as one of the first great popularizers of the sciences. His momentous accomplishments have intrigued German biographers from the Prussian era to the fall of the Berlin wall, all of whom configured and reconfigured Humboldt's life according to the sensibilities of the day.This volume, the first metabiography of the great scientist, traces Humboldt's biographical identities through Germany's collective past to shed light on the historical instability of our scientific heroes.
I am a retired professor, was raised in a refugee camp, one of a family of 9 living in one tent. studied in Palestine, Egypt, Germany, and America, have Ph.D. in economics; scholarships financed my education journey. I lived a life no human has lived or can live, because some of the times I lived had come and gone and cannot come back again. I taught at 11 universities on 4 continents, published 60 books in Arabic and English: books on economics, politics, culture, history, conflict resolution, philosophy, racism, novels, and poetry. True intellectuals cannot stay in one area because issues that shape mankind's history and man’s destiny are interconnected.
A History of Knowledge is a treasure that invites everyone to explore and enjoy. It recounts the history of human progress from primitive times to the 21st century. Van Doren covers the history of ideas, inventions, civilizations, ideologies, and issues of justice, war, and slavery. Almost no famous thinker, emperor, philosopher, inventor, or artist is not mentioned, and his contribution examined.These are two of my favorite quotations; “Our fathers started the revolution, and we are still living it. We could not stop it even if we wanted to.” “The rich are never rich enough... to have enough is simply to be content with what you have. When wanting comes first, you can never have enough. If contentment is placed first, it does not matter how much you have.”
A one-voume reference to the history of ideas that is a compendium of everything that humankind has thought, invented, created, considered, and perfected from the beginning of civilization into the twenty-first century. Massive in its scope, and yet totally accessible, A HISTORY OF KNOWLEDGE covers not only all the great theories and discoveries of the human race, but also explores the social conditions, political climates, and individual men and women of genius that brought ideas to fruition throughout history.
"Crystal clear and concise...Explains how humankind got to know what it knows."
Clifton Fadiman
Selected by the Book-of-the-Month Club and the…
My love for ideas and their history was born when I was still in high school. It was my old English teacher who first opened up the power of ideas in literature to change the world. I’m pretty sure he loved Eleanor Roosevelt’s comment: “Great minds discuss ideas; average minds discuss events; small minds discuss people.” Whether or not that’s true, my taste was further sharpened when I took a two-year course on the history of thought about nature and culture as an undergraduate student. I was captivated.
This book has long been my go-to guide on all matters related to the relationship between science and religion. Its beauty is that it takes a cool, clear-headed look at the history of a subject that frequently stimulates more heat than light.
It’s now over thirty years old but has aged extremely well–certainly better than I have! I still find it illuminating on episode after episode. The connections are subtle and complex; Brooke never allows us to settle for comfortable simplicity.
Tamim Ansary is the son of an Afghan father and an American mother. As a writer, growing up in Afghanistan and growing old in America has drawn him to issues that arise from cultural confusion in zones where civilizations overlap. His books include histories and memoirs, which he considers two sides of the same coin: a memoir is history seen up close, history is memoir seen from a distance. Much of his work explores how perspective shapes perceptions of reality—a central theme of his best-known book, Destiny Disrupted, A History of the World Through Islamic Eyes.
History isn’t just “what happened.” Trillions of things happened. History is about the patterns to be found among those trillions of facts. Getting at such patterns means following deep themes, and what could be deeper than ideas? Watson explores when, where, how, and why significant ideas emerged in history, how ideas led to more ideas, to inventions, to cultural changes…we witness the emergence of a soul as a concept, we’re there to see Freud construct his tripartite model of the human psyche… Every idea is part of a thread and this book is woven of many threads.
Peter Watson's hugely ambitious and stimulating history of ideas from deep antiquity to the present day—from the invention of writing, mathematics, science, and philosophy to the rise of such concepts as the law, sacrifice, democracy, and the soul—offers an illuminated path to a greater understanding of our world and ourselves.
My first love was architecture. But while I was working as an architectural drafter in my early twenties, I began taking college courses in philosophy and religious studies. During that time, I also acquired a set of the Great Books of the Western World by Encyclopædia Britannica. I was hooked. I quit my job and became a full-time student of philosophy, religion, and history. Since then, I have seen Pascal’s maxim demonstrated in all my research. Namely, that humanity is a living oxymoron: he is like a “reed,” easily blown over. Nevertheless, the human is also a “thinking reed,” concerned with meaning, purpose, and transcendence.
Lightman explores the intellectual landscape of Victorian unbelief. He sheds light on the complexities of doubt and skepticism in an era marked by scientific and religious upheaval. His research and compelling analysis offer profound insights into the minds of Victorian thinkers grappling with questions of faith and reason.
As someone drawn to the intersections of philosophy and history, this book left me contemplating the nature of belief and the pursuit of truth. Whether you're an academic seeking a deeper understanding of Victorian thought or simply intrigued by the intersection of religion and philosophy, this book provides a valuable and thought-provoking exploration of a pivotal moment in intellectual history.
Originally published in 1987. The Origins of Agnosticism provides a reinterpretation of agnosticism and its relationship to science. Professor Lightman examines the epistemological basis of agnostics' learned ignorance, studying their core claim that "God is unknowable." To address this question, he reconstructs the theory of knowledge posited by Thomas Henry Huxley and his network of agnostics. In doing so, Lightman argues that agnosticism was constructed on an epistemological foundation laid by Christian thought. In addition to undermining the continuity in the intellectual history of religious thought, Lightman exposes the religious origins of agnosticism.
My love for ideas and their history was born when I was still in high school. It was my old English teacher who first opened up the power of ideas in literature to change the world. I’m pretty sure he loved Eleanor Roosevelt’s comment: “Great minds discuss ideas; average minds discuss events; small minds discuss people.” Whether or not that’s true, my taste was further sharpened when I took a two-year course on the history of thought about nature and culture as an undergraduate student. I was captivated.
What I love about this book is the way it challenges the taken-for-granted thought that ‘truth’ is easily discovered. With compelling examples from the past, Shapin works through the ways in which scientific knowledge is made–the struggles that its practitioners have to engage in to construct and consolidate credibility.
What the author reveals is that trust is as fundamental in science as it is in everyday life. A revolutionary thought: who do we trust, and why?
How do we come to trust our knowledge of the world? What are the means by which we distinguish true from false accounts? Why do we credit one observational statement over another? This study engages these universal questions through a recreation of a crucial period in the history of early modern science: the social world of gentlemen-philosophers in 17th-century England. The author paints a picture of the relations between gentlemanly culture and scientific practice. He argues that problems of credibility in science were practically solved through the codes and conventions of genteel conduct: trust, civility, honour, and integrity. These codes…
