Here are 100 books that Life Between Buildings fans have personally recommended if you like
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Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
To understand cities today, you also have to understand why and how they were built to begin with. After all, our environment contains the materialization of previous decisions – we should know why those were made! Through the story of over a dozen global cities, historian Ben Wilson demonstrates how cities are concentrations of hopes, dreams, power, and conflict. While many great historians like Lewis Mumford and Stephen Hall have preceded him with excellently detailed urban history books of their own, this book stands out in its readability, attention to detail, and especially its coverage of global cities. After all, the urban future of most of the world lies beyond the Global North, and this broad survey shows the vast differences in urbanism between cultures.
From the Sunday Times bestselling author, a dazzling, globe-spanning history of humankind's greatest invention: the city.
'Brilliant...enchanting' Evening Standard 'Exhilarating' New York Times
The story of the city is the story of civilisation. From Uruk and Babylon to Baghdad and Venice, and on to London, New York, Shanghai and Lagos, Ben Wilson takes us through millennia on a thrilling global tour of the key urban centres of history.
Rich with individual characters, scenes and snapshots of daily life, Metropolis is at once the story of these extraordinary places and of the vital role they have played in making us who…
My passion from a young age has always been cities, the most fascinating of human creations. This has led me to work on them as an urban designer to help shape and guide them. I have been privileged to work on amazing projects in cities as diverse as s diverse as Toronto, Hartford, Amsterdam, New York, Boston, Montréal, Ottawa, Edmonton, Calgary, St. Louis, Washington DC, Paris, Detroit, Saint Paul and San Juan Puerto Rico. On the way, I met remarkable people, learned valuable lessons, and had the opportunity to collaborate with great colleagues. I have written about these experiences in three books and had the opportunity to share my passion through teaching. I have chosen some of the books that have most inspired me on my journey.
This eye-opening book was a revelation to me as a young student of architecture. It provided the keys to how cities really work. Its observations are as relevant and fresh today as they were when it was published in 1961. For me and many in my generation, it helped us to see and appreciate the organic, human-centered dynamics of neighborhoods, introducing the powerful concept of “organized complexity,” which made sense of things we saw but failed to understand.
I met Jane in Toronto in 1968 where she became a lifelong friend and mentor until her death in 2006. It remains a foundational text for me in understanding urban life and my life’s work.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
Read away, but the best way to understand cities is to go out and see them for yourself! This fun-to-read book is an excellent ‘travel guide’ for seeing all the different elements of cities that surround us on our everyday walks. From bollards and street lamps to entire street grids, cellphone systems, and even the names of the places we live and visit—all these parts and dimensions of our cities are the result of conscious decisions and debates. The authors vividly describe the back story of many urban objects and systems we often just take for granted, and they provide a plethora of great illustrations to show you what they mean. Trust me, after reading this book you’ll never see cities the same way.
Out now: The most entertaining and fascinating book about architecture and design, from the wildly popular podcast 99% Invisible. __________
A New York Times Bestseller
'Full of surprises and quirky information . . . a fascinating journey through the over-familiar.' - Financial Times, Best Books of 2020
'[A] diverse and enlightening book . . . The 99% Invisible City is altogether fresh and imaginative when it comes to thinking about urban spaces.' -The New York Times Book Review
'A delightful book about the under-appreciated wonders of good design' - Tim Harford, bestselling author of The Undercover Economist and Fifty…
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
Townscape is more than a book on how good cities are shaped. It is a book that describes generic qualities of space.
Cullens's way of understanding and analyzing urban structures with pen and paper has much to tell future architects. That the book has been around for more than sixty years is a compelling evidence of its outstanding capacity to educate generation after generation on how to create richness and avoid chaos.
Urban planners of today have much to learn from Cullen’s simple, but efficient, drawings and captions.
This book pioneered the concept of townscape. 'Townscape' is the art of giving visual coherence and organization to the jumble of buildings, streets and space that make up the urban environment. It has been a major influence on architects, planners and others concerned with what cities should look like.
Looking at the books I have chosen, one might say they are all rather long in the tooth. They are, yet they are also the books that inspired me to do what I do today which is to teach and research the subject of urban design. I am a Professor of Planning and Urban Design at The Bartlett, UCL and firmly believe that understanding a subject like my own begins from the foundations upwards. Each of these classic texts represents part of those foundations, foundations that my own work attempts to build upon.
This third selection was published contemporaneously with the first two, but while the first two are really polemics, this book reports on empirical research. Perhaps because of that, it may seem a little dry, but the messages it has for us about the way we perceive cities are profound (albeit they have since been challenged). If you want to understand urban design then Kevin Lynch’s body of work is a must, and this is the best place to start.
What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly…
Looking at the books I have chosen, one might say they are all rather long in the tooth. They are, yet they are also the books that inspired me to do what I do today which is to teach and research the subject of urban design. I am a Professor of Planning and Urban Design at The Bartlett, UCL and firmly believe that understanding a subject like my own begins from the foundations upwards. Each of these classic texts represents part of those foundations, foundations that my own work attempts to build upon.
This book reports on a research project, this time undertaken by Christopher Alexander and his students. It is one of a number of books that attempts to ask deep questions about how places grow, and in particular about how they can grow positively in a manner that we instinctively feel to be ‘good.' Like Cullen’s book, this deeply influenced my own studies, this time of planning, when I remember conducting an experiment focused on piecemeal growth with a fellow student. The project emulated Alexander’s method and taught me a key lesson that has informed my own work ever since, namely that urban design is primarily a process. Get the process right and you are much more likely to get the outcomes you desire.
In this radical new look at the theory and practice of urban design, Christopher Alexander asks why our modern cities so often lack a sense of natural growth, and suggests a set of rules and guidelines by which we can inject that `organic' character back into our High Streets, buildings, and squares. At a time when so many of Britain's inner cities are undergoing, or are in need of, drastic renovation, Christopher Alexander's detailed account of his own experiments in urban-renewal in San Francisco makes thought-provoking reading.
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
We can understand cities not only through their societies, their experience, and their history, but also by studying their physical form. Spiro Kostof describes how cities across the world have distinct yet still interrelated patterns of streets, blocks, plots, and buildings. Rather than taking a chronological approach, Kostof illustrates the form of cities through time and space through four main types of urban form, from organic shapes and grids to diagrams and grand interventions. If you look at your own city, you will likely find a combination of all of the above! This is one of the first books on cities I bought as a teenager, and it really inspired me to study and improve the form of our urban environments.
Spanning the ages and the globe, Spiro Kostof explores the city as a "repository of cultural meaning" and an embodiment of the community it shelters. Widely used by both architects and students of architecture, The City Shaped won the AIA's prestigious book award in Architecture and Urbanism. With hundreds of photographs and drawings that illustrate Professor Kostof's innovative ideas, this has become one of the most important works on urbanization.
My passion as a teacher and writer is to help students and others interpret, understand and enjoy architecture and the built environment, and to help them respond in their own designs to the complexities of place, people, and construction. I have chosen five well-established books on analysing architecture that are highly illustrated, avoid jargon, can be explored rather than needing to be read sequentially cover-to-cover, and have lasting value. They offer guidance for beginning students and a checklist for the experienced. They are books to be kept handy and repeatedly consulted. Of course, analysing existing architecture is invaluable in designing new architecture. I hope you enjoy them.
This book is as much about urban design and landscape architecture as about architecture, its annotated sketches demonstrating how good places respond to their contexts.
I like its straightforward, practical, and concise approach. Although billed as ‘a manual for designers’, it is equally useful in analysing why some environments work, both practically and emotionally, and others don’t.
It is opinionated, not afraid to criticise as well as applaud.
Clearly demonstrates the specific characteristics that make for comprehensible, friendly and controllable places; 'Responsive Environments' - as opposed to the alienating environments often imposed today. By means of sketches and diagrams, it shows how they may be designed in to places or buildings.
This is a practical book about architecture and urban design. It is most concerned with the areas of design which most frequently go wrong and impresses the idea that ideals alone are not enough. Ideals must be linked through appropriate design ideas to the fabric of the built environemnt itself. This book is a practical attempt to…
Alison and Walter have come into architecture on different paths, Alison with a biology/chemistry background (yes, one can become an architect with an accredited, first professional degree in architecture) and Walter through architectural engineering. We both believe that the union of science, aesthetics, energy, comfort, and health make buildings work! We enjoy creating simplified design processes for students to use in their work, so that they can gain confidence in the first steps of design. Equally, we feel it important to clearly understand what is to be created and how to confirm that what was intended actually results in the built environment.
Fitch is best known as a city planner—not as an architect or engineer. Perhaps it is this perspective that allowed him to prepare a delightful introduction to the various sensory dimensions—the environmental forces—we engage as building users.
These dimensions, which constitute much of our holistic experience with architecture, include air quality, light, sound, and heat. None are truly shown on architectural plans. All affect us for better or worse. This is a great introductory read bereft of equations.
Few books have influenced the field of architecture more than American Building: The Environmental Forces That Shape It. Originally published in 1947, it has emerged as a classic work on the relationships among buildings, their inhabitants, and the environment. Now comes the first major revision in over twenty-five years, bringing this essential book completely up to date for a new, more environmentally aware generation of architects and designers. In this superb volume, James Marston Fitch provides a fundamental theory of buildings. "The ultimate task of architecture," he writes, "is to act in favor of human beings: to interpose itself between…
We have written 27 “how-to” books on building outdoor projects, including cabins, sheds, and treehouses. David does the illustrations and I do the descriptive writing. Our goal is to make the instructions clear to both right and left brain readers – and to make the two elements complement each other. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. People often send us photographs of their completed projects – it’s a big part of the satisfaction we get from writing our books.
Lloyd Kahn has long been a leading light in DIY home building, and wrote for The Whole Earth Catalog in its counter-culture heyday. Shelter still inspires the reader with photographs and descriptions of home-built cabins and alternative dwellings from around the world; the range of techniques and materials covered is impressively wide.
Shelter is many things — a visually dynamic, oversized compendium of organic architecture past and present; a how-to book that includes over 1,250 illustrations; and a Whole Earth Catalog-type sourcebook for living in harmony with the earth by using every conceivable material. First published in 1973, Shelter remains a source of inspiration and invention. Including the nuts-and-bolts aspects of building, the book covers such topics as dwellings from Iron Age huts to Bedouin tents to Togo's tin-and-thatch houses; nomadic shelters from tipis to "housecars"; and domes, dome cities, sod iglus, and even treehouses. The authors recount personal stories about alternative…
